• Welcome!

    Thanks for swinging by my vintage Barbie fan site, where you’ll find articles on Barbie’s built environment, Barbie illustrations, vintage rival and clone dolls and playsets, and miscellaneous musings/deep dives. What are you looking for?

    Color illustrations of Barbie and Midge from little Mattel fashion booklets that came with the dolls. Shown are: Sheath Sensation, Red Flare, Dinner at Eight, Sweater Girl, Career Girl, Movie Date, and Senior Prom.

    Plus the illustration “sidebars,” short entries on niche topics:

    Barbie Family Deluxe House exterior bearing illustration showing a yellow brick house with two pairs of doors: arched, louvered red doors with rectangular shutters to either side, and arched glass doors. Skipper, Tutti and cat cavort on a brick path leading to the red doors. Through the glass doors walks Barbie, holding a tray of drinks, onto a fieldstone pation on which Francie sits at a white circular table with umbrella and two wrought iron chairs. Greenery surrounds them. A dog sits close to Francie in the extreme foreground.
    3 shots of doll penthouses. L: color catalog image with caption reading "Here's Tressy's modern penthouse apartment." C: Jamie stands inside her "Party Penthouse" case. R: Photograph from the front of Tuesday Taylor's pentouse packaging shows Tuesday seated inside her structure.
    Four images of Sixties Sparkles nostalgic Black Barbie wearing: her original swimsuit; reproduction of the red swimsuit worn by vintage bubble cut and swirl ponytail Barbies; white pak playsuit; and the 12 Days of Christmas (2022) Belle dress).

    There’s still more to come, but before you scroll away, here’s the first image ever posted to this blog back in 2022: some of my dolls, dressed in vintage or vintage reproduction, in front of backgrounds belonging to Bill Cotter:

    Four vintage or reproduction dolls in front of 1950s-1960s photographs of Disneyland. Counterclockwise from top left, vintage Walking Jamie in Studio Tour crosses in front of Tomorrowland, with the Clock of the World, Monsanto Hall of Chemistry, and Douglas rocket visible. Next, reproduction My Favorite 1981 Black Barbie in vintage Red Flare in front of Fantasyland, with the Matterhorn, Mr. Toad's Wild Ride, and the Sky Buckets visible. Third, vintage bubble cut Barbie in Crisp 'n' Cool stands in front of the Monorail and Autopia sign in Tomorrowland. Finally, reproduction blonde Stacey from the Nite Lightning set, wearing the Matinee Fashion dress from the reproduction 1965 My Favorite American Girl set, along with short white gloves and gold dimpled clutch.
  • Early furniture: Mattel Modern and Susy Goose
    Left: two dolls stand to either side of an ornate, black grand piano. A candelabra and "photo" of Ken adorn the top, and a black bench with red upholstered seat sits to the fore. Right: One ponytail blonde sits in a wooden armchair with her feet resting on a coffee table with slightly upturned edges; a brunette sits sideways on a sofa with legs extended. The chair and sofa have matching cushions in a light brown or brown-and-cream weave. Between them, an end table with the same upturned edges holds a metal lamp with a short, wide drum-shaped shade. A second blonde stands to one side. All dolls wear the zebra-striped swimsuit with sunglasses hanging from the chest. The dark-haired doll has her shoes on the couch, while the other two are barefoot.
    Bubble cut Barbies with 1964 Susy Goose music box piano (left); ponytail Barbies with 1958 Mattel Modern living room set. Source: Theriault’s.

    Mattel Modern (1958)

    In 1958, Mattel debuted its Mattel Modern line of stylish, wooden doll furniture, and a year later Barbie was introduced to make use of it.

    Left: Brunette ponytail and bubble cut Barbies stand to either side of a bed with cream-colored coverlet. A dresser with functional attached mirror and 6 drawers stand to one side at the back. A buffet with sliding door and four drawers sits to the other side, with an open wardrobe behind it. Two luggage stands, apparently of a similar shade of wood finish, round out the scene. Right: Cisette, an Alexander company doll with babyish face and proportions, stands in front of a brown sofa with striped bottom cushion and bolsters. To her side is a bed like the one Barbies surround, except it lacks a coverlet; linens cover the top but don't overhand the sides, where we can see that he headboard provides support at one end while two short legs support the bottom. At the back, a console stereo with metal embellishments sits with a top lid ajar, and beside the open lid, a little television sits. All pieces seem to be made with similar wood material.

    Note that the cushions on these pieces weren’t always flat as in the above images, but deflated over the years. Otherwise, this line of solid-wood furniture seems to have held up very well.

    The 1958 Mattel Modern furniture line included:

    • a sofa, an easy chair, a coffee table and an end table with working (battery-powered) lamp, all as in the image at top right of this post, and also sold together as a living room set;
    • a queen bed, open wardrobe (holds dresses for 8″ and 10 1/2″ dolls, per the brochure), and dresser with real glass mirror, all shown above left and sold, along with the lamp and end table, together as a bedroom set;
    • a dining table with two chairs (below, with its original packaging) and a buffet (shown beside the bedroom set above left), also sold together as a dining room set, and
    • a “studio set” consisting of two convertible sofa beds–one can be seen behind Cisette, above right–plus the end table and lamp.

    The last set is intended for 8″ dolls only, the brochure cautions. Scroll to the bottom of the post for a shot of Ken and Ricky standing amidst Mattel Modern furniture, including the studio set; the sofa beds might fit Ricky lying down, but not Ken.

    Rectangular wood table with tapered lefts and two chairs. Chairs have no arms, angled back legs, and striped brown/orange/cream upholstery on back and seat. To one side, an orange box with white and brown printing and gold lid has an illustration of the furniture on the side facing the camera, and horizontal stripes on another side that is just in view. The words "Mattel Modern" can be discerned on the facing side.
    Mattel Modern dining table and chairs. Source: calelles on eBay.
    Black and white catalog entries. Left: drawn illustrations of Mattel Modern furniture sets. Text below reads: "Ultra-modern Dining and Living Room Sets; Contemporary furniture specially styled for the 8 to 10-inch doll. Each piece beautifully designed in selected hardwood. Gleaming natural wood, hand-rubbed finishes and chic decorator fabrics complete a set dolly will love. Dining room set. 4 1/4 x 5 1/2 x 7 3/4-in table; 2 upholstered chairs; modern buffet has real sliding doors, sturdy shelves. 49 N 1480--Shpg wt. 1 lb. 8 oz... $5.49; White Porcelain Tea Set, gold-color rims. 4 cups, saucers, pot, sugar, creamer. 49N885--Japanese import. Wt. 5 oz. 13 pc. 67 c; Living Room Set. Upholstered sofa; easy chair; coffee table; end table; metal lamp really lights. shade. No pictures. Uses 1 batter (not incl.--see below). 49N479-Shpg. wt. 1 lb. 4 oz... $5.49; 34N4656-Battery for above. Wt. 1 oz. 2 for 21 c." At right, a settee, two easy chairs, a bed with headboard shelf, footstool, and two tiered end tables are Settee and chairs have interestingly-angled quadrilateral armrests with horizontal bars running across. Text reads, "12-piece Modern Living-Bedroot Set; Scaled in ebony-color plastic. Two 4 3/4-in. Club Chairs, one Footstool, 8 1/8-in. long Couch. All upholstered in colorful soft foam. 9-in. Bookcase Headboard Bed has foam mattress, pillow. Coffee Table, two Step Tables, Night Table, and oval Rug. 49 N 1422--For 8-in. doll. Wt. 1 lb 12 oz... $4.84; De luxe Bedding for 8-inch doll. Pink and white 9x8 1/2-in. spread, plastic pillow and 8 1/2x5-in. mattress, 2 pillowcases, Beacon blanket, 2 sheets. 49 N 1442--Shipping wight 3 oz... 91c."
    Left: Mattel Modern furniture in the 1958 Sears Christmas catalog. Note, we do not know the maker of the porcelain tea set advertised. Right: modern-styled plastic furniture for 8″ dolls from the 1957 Sears Christmas catalog. Source: wishbookweb.com

    So the year before Barbie is introduced, we find Mattel with the means to produce gorgeous, solid-wood furniture for similarly-sized dolls. Why didn’t they scale up a little for Barbie’s height, and carry on? Maybe the price point was wrong for Barbie’s customers, or maybe the manufacturing couldn’t have kept pace with Barbie’s audience. Whatever the case, when Barbie did get her own furniture it bore little resemblance to Mattel Modern.

    Susy Goose (1962-1966)

    The Susy Goose line first appeared in the 1962 Sears Christmas catalog as a wardrobe and four-poster canopy bed with an under-bed storage drawer. By 1964, below, a set of bed linens, music box piano (in white or black–see top of post), queen-sized bed, queen-sized chifferobe, and vanity with stool (same as the piano’s stool) had been added. Ken had a wardrobe of his own in a taupe plastic, not pictured.

    Color catalog image shows the wardrobe, white plastic piano, bed linens, four-poster canopy bed, queen bed, chifferobe, and vanity with stool as discussed in the article. Left column text reads: "7. Barbie's Wardrobe. 13 in. high. High-impact plastic. Fill-door mirror, shoe rack, hat rack, 3 drawers, hangers. Clothing not incl. 49 M 9321--Shipping wight 2 pounds 2 ounces... $2.94; Barbie's Music-box Piano. 9 in. high. Lift-up lid. Jewel box area. Wind-up movement. Plastic. Piano bench, fabric seat. (No dolls.) 49 N 9383--Shipping weight 2 pounds 4 ounces... $6.67. 9 Bedding for 4-poster below. Top sheet, fitted bottom sheet, pillow case, soft blanket. All of cotton; all to add to Barbie's comfort. 49 N 9358--Shipping weight 3 ounces... Set $1.99; 10 Barbie's 4-poster Bed. White plastic; molded vinyl mattress, pillow. Under-bed chest. Pink plastic spread, canopy. Unassembled. 49 N--Shipping weight 1 pound 6 ounces...$2.84." Right column text reads: Barbie has her very own plastic furniture; *Bed with secret drawer... Chifferobe stores her clothes... Vanity comes with padded stool, mirror, even a rug*; 11 Queen-size Bed. Spread, bolster match tufted head, footboard. 18x12x10in. high. 49 N 9357--Shipping weight 2 pounds... $4.93; 12 Chifferobe. Swing-out door one side; 4 drawers other side. Top drawer has "secret lock." 2 sliding pull-out clothes rods; hangers. 13 1/2 x 5 1/2 x 14 in. No clothing. 49 N 9384--Shipping weight 4 pounds 10 oz... $5.47; French Provincial Vanity. 7x3x13 inches. Accessories. 49 N 9326--Shipping wt. 1 lb. 2 oz... Set $2.57."
    Susy Goose furnishings in the 1964 Sears Christmas catalog. Source: christmas.musetechnical.com
    Color images from vintage catalogs. Left: Skipper's Go-Together Bunk Beds, of gold plastic. Text reads, "Skipper's Bunk Beds; Plastic pieces snap together for bunks; convert to twin beds. Sew-Free(R) decorator accessories include foam mattresses, linen pillows, backgrounds, pillow covers, plush rug. Full-color self-standing background. Unassembled. 49 N 9372--Shpg. wt. 1 lb. 4 oz. $2.54. *"Charge it" if you wish*. Middle: images of Skipper with the jeweled bed (dark pink linens with lace overlay; headboard and baseboard are covered with a flat pink background overlaid with photographs of girls smiling or exercising), a vanity with red upholstered bench, mirror, and pink skirt; and an open-faced standing wardrobe with two pink drawers at the bottom. Top right, text describing center image reads: "For Skipper's own room... Bed, Vanity, Wardrobe trimmed with "jewels"; 4. "Jewel-studded Bed. Taffeta, white lace spread and pillow. Amethyst rhinestone "jewels" at head, foot. Colorful photo insets. 11x7x9 in. 49 N 9349--Shpg. wt. 1.3 oz. $2.54; 5 Dotted Swiss-skirted Vanity. Bright pile bench seat, real glass mirror, removable drawer. Photo and telephone included. 10x7x3 inches. 49 N 9350--Shpg. wt. 14 oz. $2.54; 6 Matching Wardrobe. 2 removable drawers with pink photo insets. "Gold" and "jewel" trim on white. 6 hangers included. 10x6x3 inches. 49 N 9351--Shpg. wt. 15 oz. $1.57. Lower right, a different bedroom set that resembles the earlier Barbie bedroom furniture. Text reads: "A bedroom suite for Skipper; SIZED FOR SKIPPER, SKOOTER, other 9-in. dolls. Each piece of sturdy plastic, set with a sparkling pretend "jewel" Easy to assemble. (22) BED WITH TAFFETA and lace spread, matching covered pillow. 48 T 4421--Sip. wt. 10 oz... $2.49; (23) VANITY WITH MIRROR, lace skirt, drawer. Plush-covered bench. 48 T 4422-Ship. wt. 8 0z... $2.49; (24) WARDROBE--2 removable drawers, hangers. 48 T 4423--Ship. wt. 1 lb.... $1.69."
    1965 Sears and Montgomery Ward (lower right) listings of furniture for Skipper. Source: christmas.musetechnical.com.

    Skipper’s “jewel-studded” bed was an uncharacteristically gauche design from Susy Goose, with the “photo insets” of smiling children, haphazardly arranged on a plain background, badly undercutting the elegance. Barbie also had a jeweled bedroom set (below left), sans photographs, around this time, and the final Susy Goose design under Mattel’s trademarks may have been Francie’s 1966 Mod-a-Go-Go bedroom (below right), where the decoupage-style embellishments are a much better fit.

    Left: ornate, gilded bedroom furniture for Barbie: an open wardrobe with hangers and two drawers at the bottom, a bed with pink and gold base and headboards, and a vanity with sheer skirt and framed photo of Ken. Two white benches have red velvet-like seats. Right: Wearing First Formal, Francie sits on a bed with pink linens. Collages on the headboard and baseboard look like magazine cutouts. Extending up from a thin stalk on the baseboard is a small television. A tree-like garment hanger sits toward the back of the scene. A red-upholstered bench like Barbie's is to one side and a one-drawer unit sits on the floor at the foot of the bed. Furniture is all in white plastic.
    Left: Barbie in her Susy Goose jeweled bedroom set, with an extra bench. Right: Francie with her Mod-a-Go-Go bed and costumer; the bench and under-bed storage unit pictured are from older Susy Goose sets. Source: Theriault’s.

    Want to know what’s playing on the far-out, amoeboid television attached to the base of Francie’s bed? Images we browsed on eBay suggest it’s a smaller version of those “pin ups” scattered across the headboard.

    There, we suppose, the licensing agreement with Mattel comes to an end. An off-brand, Susy-Goose-lookalike bedroom set was advertised in JC Penney and Montgomery Ward Christmas catalogs from about 1970-75.

    Two vintage catalog entries with pictures and text. Left reads, "Up-to-date bedroom suite for 11-in. fashion doll; BEDROOM SUITE. Opens up into luxurious bedroom. Suit includes plastic bed, vanity with mirror, varnity bench, cloth canopy, bedspread, pillow, and vanity skirt. All removable. Doll and outfit not included. X 921-1160 A--Mail wt. 5.50 lbs.....4.88." A mod Barbie is shown standing amidst white plastic furniture with yellow linens. At right, text reads, "Bedroom suite for Barbie, other 11-11 1/2-in. dolls. Plastic bed with canopy, vanity, "mirror," bench. Cloth spread, vanity skirt. 48 T 11402--Wt. 2 lbs. Doll not included........4.88." Malibu Barbie is shown seated at the vanity. The furniture material is dark plastic with yellow linen.
    Left: 1970 JC Penney catalog listing for an off-brand bedroom set. Right: 1975 Montgomery Ward catalog listing for a similar set. Source: wishbookweb.com

    For the first three years the set was advertised, the JC Penney catalog description claimed that the suite “opens up into [luxurious/glamorous/pretty] bedroom,” with the flattering adjective varying from year to year. This seems like a copy-paste error coming from a case room or other play set description; the reference to “opening out” was removed in 1973 and in subsequent years. As pictured above, the JC Penney version of the set was of white plastic, like many Susy Goose pieces, while the Montgomery Ward version was dark brown or possibly black. The copy in the 1974 Montgomery Ward catalog (not shown) asserts that their set is “pretty and feminine” and that its dark plastic is “wood grain.”

    Maybe these were Susy Goose or Kiddie Brush & Toy Co. products, but maybe not: after all, most of the Susy Goose designs were pretty timeless, and many would be rehashed by other manufacturers, including Mattel, over the years. Just look at how 11.5″ fashion dolls were living in 1982:

    L-R: Barbie sits with an electronic piano in off-white plastic; Crystal Barbie sits on a white plastic canopy bed with lace-trimmed pink linens and one heart-shaped pink pillow; Barbie-sized Lindsey sits at a white vanity with mirror next to a tall white plastic wardrobe with pink doors.
    Left: Mattel electronic piano as shown in the 1982 Sears Christmas catalog; 1982 Mattel Dream Bed as pictured in the 1985 Sears Christmas catalog; part of an off-brand bedroom set shown in the 1982 Sears catalog (clone doll “Lindsey” is modeling). Source: wishbookweb.com

    The pink canopy bed in particular seems to echo across time: following the ’60s version at the top of this section and the ’82 Dream Bed above center, Barbie also slept in a Dream Glow bed (1985), a Starlight bed (1991), and a Glitter ‘n’ Glow bed (1996), ranging from romantically lit to radioactive, during the late 20th century,:

    Dream Glow bed commercial. Source: Retro Toys and Cartoons on YouTube.
    Starlight bed commercial. Source: Retro Toys and Cartoons on YouTube.
    Glitter n Glow bed commercial. Source: iRemember That on YouTube.

    The Mattel Modern furnishings celebrate their 65th anniversary this year. Although we’ve seen a smattering of other modern-styled Barbie furniture over the years, as far as we know Mattel never produced, nor licensed their trademarks for the production of, real wooden Barbie furniture.

    a Ken doll and two Ricky dolls stand around a dining table with four chairs, buffet, two folding sofa beds, a coffee table, an end table with lamp, and a second end table with no lamp, on a white sheet background.
    Ken and some Rickys amidst the Mattel Modern studio set and dining room set, with some additional dining chairs and living room tables. Source: Theriaults.

    Where to next? This post is about Barbie’s early built environment. The most recent post in this category is Barbie’s Seventies Travelogue, Part 2, and the most popular are this one and one on penthouse apartments. The overall most popular post on this site is about Mattel fashion booklets. Or just head up to the Table of Contents to see more options.

  • Great books for vintage Barbie fans
    Close up on 16 book spines that all have "Barbie" in the title (save one that has "Francie" instead)

    Recently, in a series of hilariously escalating blunders, someone at Mattel slipped on a banana peel, stepped on a rake, ran headlong through a sheet of plate glass being carried across the street by men in coveralls, and then accidentally ordered only two hundred copies printed of a new book on Barbie Dream Houses–all in a single day! Dream Houses are kind of our beat–although the elusive Mattel volume features only a handful spanning vintage to present, while we’re more of the strictly-vintage, thorough persuasion–but we’ll never see the Mattel book, so let’s say no more about it.

    Fortunately, competent publishers have released so many wonderful books in sufficient quantities over the years. I have none to recommend specifically on houses or other play sets (hence, one of the main motivations for this blog), but hopefully anyone can find something to their tastes in this (partial) list of great works of Barbie scholarship.

    Identification Guides

    Book covers for six identification guides described below
    Barbie Fashion Vols. I-II by Sarah Sink Eames

    A comprehensive listing of fashions not just for Barbie, but also for Francie, Ken, Skipper and Ricky, through the vintage and mod years. Long out of print, the first volume, at least, is not too hard to track down. Each year is covered by a chapter, with sections for the differently-sized dolls’ fashions. Ensemble entries are accompanied by color photos of the garments and accessories, either loose, on a doll, or mint in package, along with a description and some light narrative: “Election time! Barbie doll was nominated for president of her sorority! She could hardly uncross her fingers long enough to get dressed for the big decision!” begins the description of 1962’s Sorority Meeting, before launching into a detailing of the outfit elements. When I felt anxious after seeing a couple wedding dresses in Francie’s chapters, Sink Eames reassured me that the teenaged Francie had merely modeled them. There are also segments on prototype outfits and overseas exclusives. In the second volume, gift sets each get a page to themselves, to display the cover illustration as well as the boxed contents.

    Top left: a two page spread including Black Magic on a dressed doll and three loose ensembles including White Magic; top right: two boxed dolls in bright red packaging and four boxed fashions, along with text. Lower left: Julia's Simply Wow gift set cover illustration plus the packaged doll and fashions; lower right: the German Francie, with an unusual face and long blonde hair, wears a brown dress with white collar, two white buttons, and white topstitching at the waist, plus white knee socks and chocolate brown flats; four fashions displayed include Checker Chums and one boxed fashion.
    Top left: A typical spread from Barbie Fashion, Vol. I; Top right: Japanese exclusive dolls and fashions; Bottom left: Simply Wow gift set in Barbie Fashion, Vol. II; Bottom right: a German Francie doll plus a selection of 1972 Francie fashions

    A third volume also exists, covering 1975-1979. It is the rarest of the three, covering the shortest time span, and, to me, the least interesting fashion. In the third volume almost everything is photographed in its original packaging, which is an accomplishment from the collectors’ point of view but perhaps the worst way to display the contents. To me, the third book is not must-have but still nice-to-have.

    Francie & Her Mod, Mod, Mod, Mod World of Fashion; Barbie Doll & Her Mod, Mod, Mod, Mod World of Fashion, 1967-1972 by Joe Blitman

    Beyond the fact that they are limited to mod fashions, Blitman’s books are distinct from Sink Eames’ in a few ways. First, almost every fashion gets its own page, with a cleverly-posed doll (or dolls) modeling the ensemble (Blitman has also reproduced these images on playing cards), in addition to a photograph of the loose outfit pieces. Second, the entries are peppered with entertaining commentary like “Take a sedative before you try getting the jumpsuit on a bend-legged doll,” describing Twiggy Gear (I think the strategy is to turn the garment inside out and roll it onto her legs); “The robe proves that there is an afterlife for old bathroom carpeting,” describing Barbie’s 1969 Dream-Ins; “You really have to work at it to make this jumpsuit look good on a doll,” referring to Firelights; and commenting on 1972’s Pants-Perfect Purple, a single, very punctuated word: “PURPLE!!!!!!!!???????”

    Three individual pages from Blitman's books. At left, Francie lies on a bed, perhaps distraught with infatuation, surrounded by doll-sized Beatles memorabilia; in a second image on the page, the Vested Interest outfit pieces are laid out with three possible shoes; at center, the Swingin' in Silver gift set is illustrated by PJ appearing to hang from a cord before an image of Times Square, while the outfit elements are laid out in a separate image. At right, mod barbie and Stacey both wear Magnificent Midi--Stacey in the dress and boots, Barbie in the hat and coat, and stand surrounded by Russian nesting dolls. Boxed text blurbs on this page read "This is a great example of the influence of Dr. Zhivago on fashion. Is it magnificent? Da!" and "This outfit is very hard to find."
    L-R: Francie in Vested Interest swoons over the Beatles; PJ in Swingin’ in Silver ziplines through Times Square; Barbie and Stacey in Magnificent Midi are influenced by Dr. Zhivago. From Joe Blitman’s books.

    Blitman is thorough in detailing variants (though Sink Eames is no slouch in that department, either), and sections at the backs of the books grouping together all the dolls’ original ensembles can do double duty, in a pinch, to help track down a doll ID. Alphabetized indices of the fashions are also extremely helpful. Overall, when I need a mod Barbie or Francie outfit ID I reach for Blitman’s books first.

    The Collectible Barbie Doll and Identifying Barbie by Janine Fennick

    Janine Fennick’s book, The Collectible Barbie Doll, and its “study guide” follow-up, are both great resources. Identifying Barbie is a small-sized volume with an exclusive focus on doll IDs, including some super-rarities. For the many gorgeous photos, she took the opportunity to showcase some rare fashions, as well.

    Spreads from the Janine Fennick’s little study guide, Identifying Barbie, including rarities as well as common finds.
    Skipper: Barbie Doll’s Little Sister by Arend, Holzerland and Kent

    I have to admit I’m no Skipper expert, but this book is notable for its thoroughness. In addition to covering Skipper and her same size friends’ dolls and fashions with a wealth of excellent color photos and descriptions, the book also has sections on Tutti and Todd, Skipper-sized clones, vinyl cases, play sets and furniture, paper dolls, and even more. If you’re not a Skipper collector yet, this well-wrought volume might make you one.

    Barbie: The First 30 Years by Stefanie Deutsch

    Another volume with a focus on doll identification, this work is a good resource for learning the distinctions between, say, #3 and #5 ponytail dolls, or learning how Ken, Francie and the rest of Barbie’s circle evolved across the decades. The author hails from Germany and the extensive sections on Bild Lilli and on Barbie variations for foreign markets (and foreign play sets and carrying cases!) are particularly worthwhile. One drawback to this book is that its photographs are not at the level of quality of those in the rest of this post; frankly, many look like they were taken with flash on. However, this book is still an excellent reference containing a trove of unique material.

    Barbie Doll Structures & Furniture by Marl Davidson

    A niche topic but one of our favorites, Davidson’s rare book covers Mattel’s Barbie structures through 1972 and furniture sets through 1975, with detailed component lists and color photographs of carefully costumed and posed dolls inhabiting the structures (The photography is amateur but fun). This book is likely to cost more than many on this list, but much of its information can be found nowhere else.

    Two pages showing sets consisting of plastic furniture and cardboard part-walls. On the left, the Teen Dream Bedroom is a wall of illustrated furniture in pink and buttercream colors with two faces, floor panel, pink plastic bed and red sheet, plus a cardboard sheet of bits and pieces to punch out. At right, Cookin' Fun Kitchen is a wall of avocado green cabinets and appliances with two faces, floor panel, yellow kitchen table with two chairs, plus decals and cardboard pieces to punch out. Both from 1970.
    Spread from Barbie Doll Structures & Furniture by Marl Davidson showcasing rare Seventies furniture sets.

    Histories

    Book covers for 3 "history" books described below
    Barbie: Her Life & Times by BillyBoy*

    THE history of Barbie, in my view. Published in 1987 to coincide with The New Theatre of Fashion–a traveling show for which seemingly every couturier in the industry designed a one-of-a-kind Barbie fashion–this book covers Barbie’s life by mining novels, comic books, marketing materials and more for the details of Barbie’s personal affairs, and covers her times through author BillyBoy*’s encyclopedic style knowledge. If you need to know that Barbie’s 1960s charm bracelets are “a la Calder” or that Alexandre invented the bubble cut hairstyle in Paris, this book is for you.

    At top left, Barbie in Career Girl paired with a Balenciaga sketch and photograph; Barbie in After Five paired with a photograph of a Dior dress; the ponytail Barbie swimsuit sketch from the early fashion booklets and a very similarly-posed model in a Dior advertisement for foundation garments. Top right: Christie in the 1976 Olympics uniform and Curtis in a 1972 double-breasted suit; lower left: dolls and fashions for the Japanese market; lower right: Barbie in a range of one-of-a-kind fashions, many tending toward the avant garde.
    Top row: early Barbie and her contemporary influences; Barbie in the Seventies. Bottom row: Japanese Barbies in the Eighties; some designs for the New Theatre of Fashion. From the book by BillyBoy*.

    If you just want to browse sumptuous color images spanning 1959-1987, some of which are as tall as Barbie herself (the pages measure about 12″ on their longer edge), including a lengthy section on the designs for the New Theatre show… still your book.

    Dressing Barbie by Carol Spencer

    A personal history of Spencer’s career designing Barbie fashions, spanning decades from the early ’60s into the ’90s. Among her many adventures, read how Spencer designed Barbie-sized swimwear prototypes for her job interview; developed novelty lines like the Color Magic ensembles and Sew-Free fashions; created Country Club Dance and Holiday Dance to use up surplus Fashion Queen fabric; designed Black Magic based on Ruth Handler’s own wardrobe; pieced together the Rainbow Wraps mosaic pattern by hand; weathered changes in fashion trends and at Mattel; ghost-designed for Oscar de la Renta; and much more.

    Three two-page spreads from Spencer's book shown side by side. At left, three ponytail and bubble cut dolls in coral-colored swimwear; in the center, Fashion Photo Barbie strikes a pose before a child with a camera; the section head to the side reads, "Changes Rock Mattel." At right, one page shows Totally Hair Barbie strutting while the section head on the facing page reads, "The Best-Selling Barbie of All Time."
    Left to right: Swimsuit prototypes from Spencer’s job interview; Fashion Photo Barbie; Totally Hair was “the best-selling Barbie of all time.”

    Centered on Spencer’s own work, Skipper, Francie and Ken don’t factor into the tale, nor do the couture looks Charlotte Johnson created in the early years. But the inside perspective Spencer shares, coupled with her long career, makes for a singular narrative.

    Doll Fashion Anthology by A. Glenn Mandeville

    Not a lush photo book like the first two in this category, but a thorough history of Barbie, including influences, chapters on contemporary clones, extras like store displays, board games, packaging, and much more, lined with images, many in color. I felt there should be a “citation needed” next to some of the author’s claims about the minds of the buying public and the minds of the designers at various intervals, but on the whole this little book is a treasure trove of Barbie information, including many details that slide past the more fashion-focused volumes. My copy of this book ends in the Nineties, with the author expressing some enthusiasm for then-recent collector dolls. He predicts the holiday dolls will be popular with collectors, while stopping short of suggesting that they will be valuable. Well played, Mr. Mandeville.

    Barbie in Japan by Keiko Kimura Shibano

    The topic of 1960s Japanese-exclusive Barbie fashions and dolls is a bit niche, but for the curious, this well-written volume, festooned with gorgeous photographs, is a joy to read. Furthermore, the introductory chapter on initial Barbie development as a collaboration between Mattel and Japanese manufacturers will be of interest to any fan of Barbie’s early history.

    The list of chapters in the table of contents shown are: Setting up Production; US/Japan Variations; Ballgowns; Kimono Fashions; Side Part Bubble Cut; The Side Part Story; Twist 'n' Turn Fashions; Francie; Friends; Booklet Reprints. Alongside the table of contents, color photographs show ash blonde side-part American Girl Barbies in Japanese exclusive fashions; two bubble cut dolls in After Five and an After Five variant in white with patterned fabrics; Skipper ballerinas; and a row of Francies in assorted exclusive ensembles.
    Opening spread and table of contents from Barbie in Japan.

    Coffee Table Books

    Covers of three coffee table books described below
    Barbie: Four Decades of Fashion, Fantasy, and Fun by Marco Tosa

    Two of the histories in the preceding section are also coffee table books, and this coffee table book is also a history. The book kicks off with a critical analysis of Barbie’s place in our culture, including some modern fine art ruminations on the doll in question, before delving into a history that starts with some of Barbie’s earliest antecedents, from about 150 AD, and continuing through Victorian fashion dolls and Bild Lilli, to Barbie’s inception and up through most of the ’90s. The focus is almost entirely on fashion, with some play sets mentioned as they relate to fashion lines and almost no other Barbie ephemera discussed. Barbie’s ’60s style is placed in the context of Balenciaga, Dior, Grace Kelly, Doris Day, Jackie Kennedy, and more, continuing through Oscar de la Renta and Bob Mackie to the (then-)current period. Separate sections on more recent movie-based dolls (including the Marilyn Monroe doll on the book’s cover) and Dolls of the World round out her evolution up to the date of publication.

    Two two-page spreads. One shows rows of bald doll heads and hair being attached and styled; the second shows ponytail Barbie in Solo in the Spotlight; the Solo in the Spotlight fashion sketch from the Mattel booklet; and black-and-white photograph of a similar Balenciaga design from 1951, opposite a color photo of psychedelic 1960s fashions and accompanying text.
    Top: How Barbies are made; Bottom: a spread on ’60s style influences. From the book by Marco Tosa.

    A more serious work than the others we categorize as coffee table books, it boasts a bibliography (including some of the books already listed here as well as many others) and an index of the dolls and fashions appearing in its many high-quality photographs.

    Barbie: What a Doll! by Laura Jacobs

    A 1994 book of Barbie fashions on posed dolls with neutral backgrounds, stretching from Barbie’s earliest years through the Eighties. Fashions are grouped thematically (“Trouser Styles,” “Outer Wear,” “Party Girl”) and within those chapters by color palette, so that 1960s tailored suits sit comfortably alongside similar designs from the Eighties, while late Sixties switched-on mod minis mingle with late Eighties neon and glitter (the Seventies are mostly flyover territory). If you’ve collected or at least browsed the trading cards released a couple years before this work, you’ll see images you recognize. One thing that might drive the aspiring collector crazy about this book: each picture is captioned with a year and a description of the garments, but not the ensemble names!

    At left, four 1980s Style Magic ensembles face four Sixties looks including Zokko! and Twinkle Togs. At right, five wedding gowns from 1959 to 1977.
    Left: the Sixties and Eighties coexist harmoniously in these party clothes. Right: Five of the happiest days of Barbie’s life, featuring a rare 1970s double feature.

    The introduction was written from Barbie’s perspective, and some just-for-fun appendices include a family tree, a list of Barbie’s careers, and a list of nationalities Barbie has assumed–the last of which draws attention to the fact that almost every ’70s and ’80s doll appearing in the book is blonde. Maybe this choice was intended to emphasize the individual Barbie narrator, but it wasn’t really working for me. Regardless, I enjoyed the pairings of ’60s and ’80s fashions, which you don’t often see.

    Barbie Millicent Roberts: an Original by David Levinthal

    This nearly text-free book explores the concept of Barbie fine art photography, posing, lighting and framing her as she would have appeared in 1960s advertisements for gowns, jewels, furs and perfumes. The fashions are drawn from the glamorous vintage years beginning in 1959, stretching to some of the more fabulous styles of the mod years up to about 1972, with occasional offroading into, for example, a Tuesday Taylor bathing suit (below). A prefacing essay by Valerie Steele, longtime curator of the incredible Museum at the Fashion Institute of Technology, explores 1950s and ’60s fashions as they’re reflected in Barbie’s wardrobe and in photographs.

    Three two-page spreads of Levinthal's photography. One shows three swimsuited dolls (in a blue Tuesday Taylor suit, a red Helenca suit, and a red strapless suit) before a background suggesting a swimming pool, and on the facing page, a close-up on the dark-haired bubble cut in the strapless suit; one shows two ponytail dolls in 1960s lame sheaths opposite an image of the Golden Girl sheath on a mannequin, draped with a fur, accessories on a table beside; Finally, an American Girl doll in a white button down and blue pencil skirt faces a mod doll in Silver Serenade.
    Three spreads from Barbie Millicent Roberts featuring photography by David Levinthal.

    Catalogues

    Three Mattel fashion booklets, a vintage JC Penney Christmas catalog, and a catalog from Theriault's

    Okay, it’s a bit of a stretch to call most of the entries in this section “works of scholarship,” but read other entries in this blog to see how we depend on them for “research”–and all are enjoyable to browse for eye candy and inspiration.

    Auction catalogs
    Four views of Tressy's Penthouse plus a Tressy vacuum cleaner, boxed; a pink and orange version of the "Fabulous Fashion" ensemble"; a spread of aqua-colored mod designs plus the front of a matching car; and four formal gold-colored ensembles, including a clone gown and coat that closely resemble Golden Glory.
    Top row: A two page spread on Tressy’s Penthouse; a rare European fashion variant. Bottom row: page layouts in aqua and gold.
    Mattel booklets

    They’re our primary source for the most fundamental Barbie fashion illustrations and contemporary documentation, straight from the source, of what products were offered in a given year. And plenty were printed–we’re looking at 50-year-old examples that are still in circulation and affordable.

    Spreads from Mattel fashion booklets: Francie and Twiggy fashions, the Barbie family house, four 1965 Barbie fashions, and four carrying cases.

    Are they an awkward fit for your bookshelf? Yes. Is that because they’re in fact not books? Also yes.

    Vintage mail order store catalogues

    Both rarer and brittler than the Mattel booklets, and mostly concerned with non-Barbie topics, these will give you the least bang for your buck of all the options presented here and also are not genuine books. What’s more, sources exist online for decent quality scans of many of them.

    The JC Penney catalog lies open, showing a Color n' Curl set, three carrying cases, a candy-cane-striped clothing carousel, the Dream Kitchen-Dinette, Suzy Goose furniture and the Go-Together Living Room set.
    1965 JC Penney Christmas catalog. Rats nibbled the last pages of this copy but left the fashion doll pages intact, so I got a good deal.

    Still, if you happen upon a bargain, or you find one that’s missing from the online repositories, a vintage catalogue can be very rewarding to thumb through.

    And that’s a wrap

    Thanks for rifling through my bookcase with me! Do you have a favorite Barbie volume that wasn’t mentioned here? We’d love to hear about it.

    Where to next? In our Deep Dives and Musings category, the most popular post is our Chronicle of Barbie Shoes, 1959-1967. The most recent musing is about Barbie-sized luggage, and a severely underappreciated musing is When Barbie Turned 21. We’ve recently been enjoying writing Barbie’s Seventies Travelogue in the “built environment” category; or just head up to the Table of Contents for more options.

  • Doll Carrying Cases (1961-1972)
    Two photographs including a total of eleven cases. In the left image are two cases that use the jazzy off-kilter rectangles mentioned in the post; most others have trails of white sparkles running behind the figures, and the others have floating heads in addition to full-length dressed figures. The cases themselves are light blue, black, white and red vinyl. Most cases have the limited color palette discussed in the post, while two on the right hand side are full color.
    1961-63 Barbie travel cases and children’s luggage. Source: Theriault’s.
    As described in the caption, noting that on the carrying case, Sweater Girl has a pale blue cardigan set and white skirt, Enchanted Evening has a gold dress, Let's Dance is a solid red dress with gold sash; in the booklet images Sweater girl has an orange cardigan set and brown skirt, Enchanted Evening is pink, and Let's dance is a blue patterned dress with darker blue sash.
    Left: detail from the front of a 1961 Barbie carrying case, showing Barbie dressed in her original swimsuit, Sweater Girl, Enchanted Evening, and Let’s Dance. Source: iwish-iwish on Reddit. Right: composited images from the 1961 fashion booklet, showing the same fashions. Source: Constance Ruppender on Flickr.

    The very first cases, released in 1961, tend to show Barbie modeling her various fashions before colorful quadrilaterals. The silkscreened graphics use only a handful of hues per case, although the palette is switched out from case to case–meaning we get to experience familiar fashions in a variety of surprising shades. As mentioned in the introduction, the poses here are the same as the ones in the fashion booklets–redrawn, but possibly traced–though the color schemes may be unfamiliar (as in the image above, where Sweater Girl, Enchanted Evening, and Let’s Dance all get fresh paint jobs). The one “original” fashion that I have seen shows Barbie in profile, in a full skirt, holding a roundish case of her own. This pose may have been traced from Sweet Dreams in the 1961 fashion booklet–a highly similar stance for a totally unrelated fashion.

    Four fashion booklet illustrations, as descried in the figure caption, plus two white carrying cases each showing four figures posed before colorful quadrilaterals. The cases are close to identical with differences described in the caption. The Suburban Shopper dress is shown with red and white stripes on both cases; the stripes on the skirt are vertical on the case at left. The looks not discussed in the text are Winter Holiday and Peachy Fleecy. The case at left shows the Peachy Fleecy model with her elbow bent and hand at her chest, as in fashion booklets (not shown), while the figure at right has her hand in her coat pocket. One further difference: all the figures on the case at right, with Commuter Set, have closed-toed shoes, while they are accurately open-toed on the left case. The exception is Winter Holiday who appears to wear cork wedges on both cases.
    Two 1961 Barbie carrying cases by Ponytail. On the case at left, the leftmost figure models the “original” carrying case fashion, and the 1961 Sweet Dreams fashion booklet depiction is included at the top left corner for reference. At right, on a highly similar case, the “original” fashion is exchanged for Commuter Set, which was out of production by 1961. Commuter Set from a 1960 fashion booklet (via aA Walk Thru Time on eBay) is included to the righthand side for pose comparison. Lastly, the pose used for the red-and-white striped dress varies between the cases; on the left it matches 1960-61 illustrations of Suburban Shopper, as shown to the left; the pose used on the righthand case version may be a variation on the Suburban Shopper stance, but is certainly not the later Busy Morning pose, top right corner, despite the dresses’ similarity.

    Sometimes, the similarities between the 1961 illustrations in booklets and on carrying cases can help us identify an ensemble whose details were changed or simplified for the case illustration, as in the example below, where we can establish that the top Barbie fashion on the Ken case is Cotton Casual, rather than the somewhat similar Suburban Shopper and Movie Date fashions, based on the model’s pose: arms akimbo, face shown in profile.

    At left is a yellow case featuring Ken. in smaller insets against that jaunty quadrilateral shapes are Barbie in 3 ensembes. At top, a sundress of white and pale blue stripes doesn't look exactly like any known ensemble. Below that, Evening Splendor looks more or less as the real garments do, and at bottom, Silken Flame is recognizable despite the bodice having changed from red to pale blue. At right, three booklet images are shown to illustrate that the top dress at left must be Cotton Casual, due to the model's pose (although the Cotton Casual illustration shows much darker navy stripes and colorful bows on the bodice). The other candidates depicted are Movie date and Suburban Shopper, both with blue and white stripes and similar silhouettes--but the poses are wrong.
    Left: cover of a 1961 carrying case featuring Ken. Source: heidihofromidaho on eBay. Right: Fashion booklet images of Cotton Casual, Suburban Shopper, and Movie Date. Sources: Constance Ruppender on Flickr, thevintagetoyadvertiser blog.

    Now that we’ve seen it once, it’s easy to recognize Cotton Casual when it appears on the ’61 record totes shown below. But what about the polka dotted dress below that? It reminds me of Party Date, which didn’t exist yet. Pose analysis indicates that I was close: the figure is copied from Silken Flame as it appears in the booklets (and you can see another color-altered Silken Flame on the Ken case above).

    A pair of record totes are identical except one has a black background and one a white. Two Barbies dressed for dancing are standing on oversized records amidst a trail of similar records and a twisting staff with music notes. Colors are silkscreened in pink, blue and gold. One of the two Barbies is recognizable, in pose, as the Cotton Casual figure but with blue and gold stripes on her dress. The second has an all-pink dress with what look like gold polka dots on the skirt. Her pose is the same as the Silken Flame model on the Ken case in the previous image. At left, a Silken Flame image from the 1961 is shown along with a Party Date figure from 1962. The Silken Flame booklet illustration matches that on the record totes, although the dress is a better match for Party Date, in the author's opinion.
    Two 1961 record totes, a 1961 fashion booklet illustration of Silken Flame, and a 1962 illustration of Party Date. The Silken Flame and Cotton Casual (above) sketches match the figures on the record cases. Sources: jasperman111 on eBay, Constance Ruppender on Flickr, thevintagetoyadvertiser blog

    In addition to doll carrying cases and record totes, the same imagery appeared on lunchboxes, pencil cases, scrapbooks, children’s luggage, and more.

    In the 1963 iteration of the cases, Midge joined the scenes and both she and Barbie adopted all-new poses. Sometimes the color palette was expanded to allow richer illustration, but not always. Sparkle trails and floating heads replaced the off-kilter rectangles.

    The set of three pieces of children’s luggage below, still utilizing the limited color scheme, feature Sorority Meeting in three different color combos made from mostly the same colors (teal with white trim and reddish hat and shoes, orange dress with teal sweater, shoes and gloves, orange dress with teal sweater but no gloves), while Movie Date, on Midge, is consistently pink.

    Three pieces of vinyl children's luggage are shown. All three are black and feature the sparkle trail and floating heads discussed in the post. At the top of the pile, a circular case bears an illustration of Midge, in a pink copy of Movie Date, alongside bubble cut Barbie in Sorority Meeting with an orange dress and teal sweater and accessories. At bottom right, Midge wears Sorority Meeting in all teal with white trim and red accessories, while Barbie wears Open Road in its proper color scheme. At bottom left, Barbie and Midge are posed and painted exactly as they were on the top case, except Barbie's gloves are not painted. In close up, Barbie and Midge stand very close together, possibly hugging. Either Midge or Barbie is gripping Barbie's chin, to either side of the her mouth, with two fingers. Midge seems to be looking downward at Barbie's mouth while Barbie glances off to the side. Their foreheads nearly touch. Midge may still be wearing Movie Date, but Barbie, here with a blonde ponytail, is wearing an unknown sleeveless dress with pink and orange stripes. This case and the top case say "Barbie and Midge, Travel Pals" while the third case says only "Barbie and Midge."
    1963 Barbie and Midge children’s luggage with limited color palette. Source: Theriault’s.

    The case at lower left raises a question: was “Travel Pals” a sort of euphemism?

    Even with unlimited colors available, sometimes the outfits were recolored to add visual interest, as happened to Sophisticated Lady, below right, and “Red” Flare in the image that opened this post.

    Three doll carrying cases. At left, on a black background, brunette bubble cut Barbie wears Party Date and gestures toward a suited Ken with her clutch. Red bubble cut and blond Ken heads float at the end of a sparkle trail. At center, on a white vinyl case, Fashion Queen Barbie stands next to three floating heads: platinum blonde bubble-on-bubble, dark brunette, and reddish short flip. At right, blonde bubble cut Barbie in Sophisticated Lady stands on a black background with sparkle trail. Her dress is pink as in the real ensemble but her evening coat is green. A red-haired bubble cut head floats nearby.
    1963 Barbie doll cases with full-color palettes. Source: Theriault’s.

    Starting in 1965, the mod years came in with an explosion of color and form, as the sparkle trails and floating heads were supplanted by colorful art-nouveau-by-way-of-Swinging-London flourishes:

    Eight doll cases starting from 1965. In addition to Barbie, Francie, Casey and Stacey are depicted. Colorful abstract decoration resembles Tiffany stained glass.  Three illustrations running down the righthand side of the collage all show Barbie and Francie or Casey dressed in Color Magic Fashions. All fashions shown are recognizable and in the known color schemes, including Knit Hit, Floating In, Iced Blue, Fashion Shiner and others in addition to the Color Magic ensembles.
    Eight later-60s carrying cases from eBay users including shisha dolls, babyandbro, and szepie77.

    Out of step with the Barbie carrying case aesthetic of these years, one 1967 lunch box was decidedly non-mod:

    Lunchbox with what looks like an American Girl Barbie, in a pink evening gown with a red cloak and white fur trim, escorted by a tuxedoed Ken. In smaller illustrations other figures appear in long gowns and tuxedos. Text reads Campus Queen Magnetic Game Kit. A pink sparkle trail runs behind the text and figures.
    1967 King Seeley Campus Queen Lunch Box. Source: Smithsonian Institute

    That’s because the Campus Queen lunch box, above, is not licensed by Mattel. Though the resemblance to American Girl Barbie, Ken, and Queen of the Prom was undeniable (the back of the box features a little “board game” played with magnetic pieces, and the sides show scenes of characters engaging in dress shopping and other activities), this item has no Barbie affiliation whatsoever.

    Back in Barbie’s milieu, it was during the mod era that Sleep-n-Keep cases were introduced. One half of the case resembled a standard carrying case, with compartments for dolls and hanging clothes and drawers for accessories, while the other half was painted up to look like a bedroom, with vinyl bed(s) and tables that folded down from the wall like elements in a pop-up book.

    Left is a color catalog entry for the Sleep-n-Keep case as described in the text. The text is too small to read, except "Sleep 'n Keep Case for Barbie and Stacey; A flower-bright bedroom with a closet for hanging clothes, a place for shoes and purses (right behind real open-close doors); Only at Sears $5.97." The bedroom has bright yellow, flowered wallpaper and bedspreads with reddish backboards. At right, the exterior of the case is an illustration of the room pictured at left, including Barbie in Jump Into Lace and Stacey in Night Clouds.
    Left: 1968 Sears catalog listing for the Sleep-n-Keep Barbie and Stacey case; Right, the exterior of the case. Sources: Wishbook Web, eBay

    The first Sleep-n-Keep case we’ve observed is the ’68 Barbie and Stacey case shown above. The catalog text at left asserts that the room is “So pretty you can be sure Barbie and Stacey had their interior decorator plan their room.” It wasn’t so pretty that the girls wanted to keep living there, though, because by the following year they had a new “Romantic Victorian bedroom,” per the ’69 Sears catalog (not shown).

    Barbie and Stacey Sleep 'n Keep Case exterior shows the two inhabitants--one in Fancy Dancy--but no room. At right, the open case shows blue flooring (the material of the case), bright pink bedsreads, curtains and cabinets with illustrated wrought iron headboards. Details include flamed art on the wall. The set is displayed on top of someone's animal print rug, but that's not part of the case (though it is referenced in the text).
    Exterior and interior of the 1969 Barbie and Stacey Sleep-n-Keep case room. Source: rhondazimmerman on eBay.

    Barbie and Stacey’s interior decorator was not consulted about the animal print carpet seen in the eBay listing above.

    Left: case exterior shows Barbie and PJ in neon colors. Right: blue flooring, orange and floral bedspreads, a stained glass illustrated hanging lamp, multicolored throw pillows, and wall art that says "LOVE" and "SMILE" in funky text.
    Exterior and interior of Barbie and P.J.’s Sleep-n-Keep case room. Source: pure-9 on eBay.

    Why did Barbie have so many different roommates? Was she difficult to live with? I choose to believe that these rooms represent some of her many pieds-a-terre, as her swinging modeling career and jet-setting lifestyle took her from London to New York to Paris to LA, where she had dedicated space to crash with pals, all while maintaining her idyllic suburban lifestyle in some less fashionable burg. But who knows?

    I like to go out on notes of sparkles and rainbows, when possible:

    Left: light blue carrying case showing dark-haired Barbie in Enchanted Evening and Friday Night Date, in a limited palette but essentially the correct colors, on a white sparkle trail. Right: A sort of rainbow trail with pink hearts on a pink case. One figure wears a minidress, one wears bell bottoms, and two are dressed in long flowing pilgrim/bucolic fashions; this illustration is exiting the mod era on the other side.

    Where to next? Check out our post on off-brand carrying cases; see more portable homes in the Many Abodes of Barbie; get into Basic and Dressed Doll Boxes; or make your way to the table of contents to view more options.

  • Deluxe Reading Dream Kitchen (1963)
    Photograph of the Deluxe Dream Kitchen, including a sink, oven/range, refrigerator, and dishwasher with front window, each with a cabinet overhead. A table and four chairs are also displayed. The table is white, each chair is a different pastel color (pink, teal, yellow and brown), and the cabinets and appliances are color-matched to the chairs. Dishes in red, blue, and green sit on the table, in the dishwasher and on a drying rack. Boxed food ingredients, a flour container, a toaster with toast poking out, and other food items are displayed, and cooking utensils hang from a rack above the dishwasher. A ponytail doll wearing Barbie Learns to Cook is posted in the scene.
    Source: Theriaults
    Printed cardboard box that originally contained the Dream Kitchen. Kitchen is depicted in pastel colors (although two pink and two blue chairs are shown, and brown is omitted from the color scheme). Text reads, "De Luxe Dream Kitchen," "Complete set of 176 pieces," "Has Real Motor; Rotisserie Rotates; Burners Light-Up, Really Washes Dishes; complete with dishes, silverware, utensils and playfoods," "SINK works with water! DISHWASHER washes dishes! OVEN turkey rotates! burners light-up! REFRIGERATOR swing-out shelves!" "Furniture and Appliances Fully Assembled." "Pat. pending; Made in U.S.A."
    “De Luxe Dream Kitchen” packaging. Source: grubermoe3nnt on eBay. Digitally altered by the author.

    Today this set is highly-sought, even by collectors who are otherwise Mattel purists, and it’s no wonder: the Dream Kitchen is technologically sophisticated, realistically detailed, and candy-colored mid-century fabulous. I’d argue that Mattel has never made a play set that combined so much style and functionality. Running water, a motor-operated rotisserie and light-up burners were just a few of its cutting-edge features, and with all the dishware, cookware, and tiny food, 176 pieces were included. The lines of the table and chairs were positively atomic, with A-shaped silhouettes forming the chair backs and back legs, and a jaunty, bowtie-shaped top for the table.

    Left: Four Dream Kitchen chairs are lined up with their backs to the viewer. Right: a clear view of the Dream Kitchen table with no chairs, dishes, or food.
    Deluxe Reading Dream Kitchen chairs (left) and table. Source: anns_hobby_shop on eBay
    Plot with year (62-67) on the horizontal axis and price ($0-$12, although the least expensive set is a little over $2) on the vertical. A list of 25 play sets comprises the legend. Plot shows the Dream Kitchen as the most expensive set available in the time period, at $11-12 in 1964-64; in 1965-66 the Mattel Deluxe Dream House is around $10-11, and all over sets plotted are below $7. Barbie's Dream House, New Dream House and Family House hover between $5 and $6 covering all years plotted. The Copper Kitchen is available from 1962-65 and consistently about $4. A brand-X "Doll's Bedroom" in 1962 is the cheapest set, followed by a brand-X "Instant Doll House" in 1967.  "Tressy's Millinery Shop," which was barely a play set at all, comes in third at about $3 in 1964-65. Other Mattel, Ideal, and no-name sets fall between $3 and $7. Most of the remaining sets persist for only one year, several persist for two years and the Mattel Campus endures for three, 1964-66, costing between $3 and $5--the widest range displayed for a single item in this dataset.
    Average price in Christmas catalogs of a sampling of play sets for Barbie and similarly-sized dolls, over the years 1962-1967. Mattel sets are noted with solid lines while all others have dotted lines, where more than one year of data is available. The subject of this post, the Dream Kitchen, straddles 1963-64 in red near the top of the plot.

    This survey is not exhaustive but includes twelve Mattel sets (rightmost column of the figure legend), six Ideal or American Character sets (for Tammy, Tressy, Misty and Pepper), the Dream and Copper Kitchens (top left column), and five other Brand-X “clone” houses (grey entries at the bottom of the left column); in all, about 60 unique data points contribute to the averages shown. I did omit the (fifteen-inch-tall) Littlechaps’ furniture in 1963. The Littlechap family had three standalone rooms available at $3.33 apiece, or the posh consumer could get all 3 for $8.99. This uber-set approaches the Kitchen in price but still falls short. Mattel’s Deluxe House, a couple years after the Dream Kitchen, came closest in price of all sets surveyed but also did not arrive, and when the Karosel Kitchen finally increased in price to $13.99 in 1974, it was still cheaper than the Deluxe Reading Dream Kitchen in inflation-adjusted dollars.

    Two color catalog entries. At left, a plastic-and-copper kitchen is shown. The set has doors that open on the cabinet and appliances, a range hood over the stove, an included back wall with illustrated window, and quarter-circle shelves attached to the side of one cabinet. A Tressy doll stands to the side. Text beneath reads "Copper-Tone Kitchen for Teen Age Dolls." At right, the Deluxe Reading Kitchen is also standing with its cabinets and appliances ajar. They are packed with colorful food and dishes. The table is set with colorful dishware and blonde bubble cut Barbie, dressed in Movie Date, stands at the table.
    Left: Copper Kitchen from the 1965 Montgomery Ward catalog. Right: Dream Kitchen from the 1963 Montgomery Ward catalog. Tressy models the Copper Kitchen while Barbie models the Dream Kitchen, but neither was officially associated with a doll. Source: christmas.musetechnical.com

    All of which is to say, the Dream Kitchen was expensive. However, its matchless style, abundant detail and many technical flourishes certainly justified its intimidating price tag.

    Where to next? This post is about Barbie’s early built environment. The most recent post in this category concludes the Barbie’s Seventies Travelogue series, and the most popular are those on Mattel Modern and Susy Goose furniture and on penthouse apartments. Otherwise, the overall most popular posts on this site are about Barbie shoes, 1959-67, and about Mattel fashion booklets. Or just head up to the Table of Contents to see more options.

  • Barbie’s Fashion Shop (1963)
    Color catalog image. Midge, wearing Senior Prom, poses on a low stage before two empty arm chairs in the Fashion Shop, while a second Midge in After Five stands staring in a different direction. In the shop window, a chipboard mannequin wears Mood for Music. Text reads, "Here Barbie can put on a fashion show in her own new shop; $3.99; It's over 3 feet long and really elegant. Mannequin with movable arms poses in showcase window. Shelves and built-in cabinet adjoin display alcove . . hang fashions here. Display case. Note curtained stage . . use it as a dressing room, too. Model's entrance is in back. 3-way mirror. 2 arm chairs assure "customers" comfort. Coffee table. Chipboard fashion shop stands 17 1/2 in. high. Carrying handle. Folds compactly for easy storage." Small inset image shows shop exterior with display window, bright red door, light red brick and striped awning.
    1963 Sears Christmas catalog image. Source: christmas.musetechnical.com; digitally restored by the author

    What is it that makes a doll boutique so desirable? I always wanted one as a child. Did my young mind subconsciously believe that the shop would refill with new designs as Barbie “purchased” them? Is it an aspiration to consumption, and a desire to incorporate the act into make-believe? Or would it simply render the experience of dressing and re-dressing a fashion doll more immersive? Perhaps it’s a little of each.

    Color catalog image. Text reads, "Barbie's very own shop! Here's where the smart set meets!" The scene is as described in the main text. Note that Miss Barbie may be wearing her bathing suit! It's hard to be sure because she is seated, facing away, with most of her body obscured by the chair.
    1964 JC Penney Christmas catalog image. Source: christmas.musetechnical.com

    Speaking of dressing and re-dressing one’s dolls in a fashion shop setting, the 1963 Barbie’s Fashion Shop play set illuminates one difference between children sending their dolls shopping today and back in the mid-Sixties: in the catalog image directly above, the customer, Miss Barbie, is seated watching a shop model show Senior Prom, while Midge in After Five works the sales floor. In other catalog images we may see another shop model, or the shopper may be dressed for a fitting; it’s unclear. At any rate, women didn’t go in the dressing room and try on potential purchases at a shop like this one in 1963. More people–or dolls–had to be involved.

    Color catalog image. Bubblecut Barbie stands on a low stage wearing Midnight Blue. Two red armchairs and a round white coffee table sit at the foor of the stage. A chipboard mannequin wearing Dinner at Eight stands in the window. Other garments hang on a rack at the back, and accessories, including the hat from After Five, line the shelves.
    1964 Sears Christmas catalog image. Source: wishbookweb.com

    The catalog’s descriptions fill in details of the Fashion Shop setting. According to the JC Penney catalog copy, “Here’s where high fashion rules–where Barbie’s friends meet to discuss new trends. Includes modeling stage with curtains, display corner, furniture for customers, display cases and hat rack, model’s entrance to dressing room, even a mannequin with movable arms–so handy for showing new styles to Barbie and her friends.” Over at Sears, the “Fashion Salon” was “tastefully designed with curtained stage, alcove for hanging clothes, built-in cabinets, dressing room entrance, even a mannequin with movable arms. Salon furnished with 3-way mirror, arm chairs, coffee table, display case, hat rack.”

    Closeup of Fashion Shop details from an eBay listing. The mannequin is of unprinted, brown chipboard and looks like a ponytail Barbie's silhouette. there are multiple slots in the floor at the store window to insert the mannequin, possibly to reposition her or employ multiple. The shelving unit is empty but its shelves are colored pink, red and orange. Underneath them, a cabinet hangs partially open.
    Mannequin in shop window and shelving units. Source: ringsforkim on eBay.

    In the Christmas catalogs, this elegant set was advertised for just two years.

    Where to next? Visit a beauty parlor; pick out shoes; read up on Barbie’s modeling career in the Random House books; or go to the table of contents to see more options.

  • The Many Abodes of Barbie, Part II: 1964
    Catalog image shows brunette ponytail Barbie wearing Knitting Pretty, standing in a bedroom dominated by pink tones. Pak fashions and accessories can be seen in the open closet. Behind and to her right, Skipper stands in a living room crowded with furniture. She wears School Days and may be watching herself on TV.
    The 1964 New Dream House as seen in that year’s Sears Christmas catalog. Source: wishbookweb.com

    The New Dream House

    In 1964 Barbie’s style of living got a major upgrade in the form of a new house, rich with detail, packed with almost too much furniture, and separated into four living spaces: living room, bedroom, kitchen and patio. The new home was furnished with a sofa, two armchairs, an end table, a coffee table, a television, two lamps, a vanity chair, a bed, two kitchen chairs, a kitchen table, and a chaise longue for the patio, in addition to smaller details like books for the bookshelves, flooring, and extra screens for the TV, so Barbie could watch different programs. The walls, too, were rich with textures and details, like the white-painted brick in the kitchen, the fieldstone fireplace, and those two gorgeous, midcentury-style framed cats hanging in the living room.

    In this Mattel photograph of the play set, the house has been reconfigured so that the bedroom is around the corner from the living room, with the kitchen extending out from that corner. Blonde pontytail barbie, wearing Crisp 'n' Cool, stands in her bedroom. While in catalog images the dolls appear to stand independently, in this image a black wire stand is visible.
    Pamphlet included with the New Dream House. Source: 610621 on eBay; digitally altered by the author

    The bedroom had built-in storage with working doors and drawers, and almost everything in the kitchen opened and closed, including cabinets, the oven, and the shutters of the pass-through window (just like the Petries had on Dick Van Dyke). Given the fragility of chipboard, it’s breathtaking to behold some of the pieces still in circulation today.

    Close up on the kitchen in a current eBay listing. A pass-through window's shutters stand slightly ajar above the range and sink. Above that is a range hood with a Barbie logo, and above this are two small cabinets with four total doors. Below the sink is a cabinet and below the range is an illustrated oven, both of which open and close. A spice rack is illustrated on a column of white-painted brick to the right. A two-legged table extends from the column with two chairs.
    Little chipboard doors, 58 years later. Source: jbak4493 on eBay.

    A “screen” door adjacent to the kitchen and bedroom could open onto the patio. The two-legged kitchen table was made to affix to a wall and could be placed in at least five locations: three sides of the half-wall between the kitchen and living room (preceding images), into the louvered doors next to the kitchen to create a breakfast nook, and out on the patio (following image).

    At left, the two-legged table extends from a yellow pair of louvered doors. Two little framed images of flowers are illustrated on a wall on the kitchen side and a clear door leads to a patio on the other side. At right, the patio is shown on the opposite side of the clear door. The table and chairs reappear, alongside an illustrated red brick outdoor oven on the wall with firewood illustrated stacked beneath. A chaise longue also sits on the red brick patio, which is edged to one side by a low, red brick wall and another by a green hedge. Next to the entry into the house is a plaque reading "Barbie's NEW DREAM HOUSE."
    Breakfast nook (left) and patio. Also note the see-through door communicating between these parts of the house. Sources: snapclamp on eBay; mnovak1 on eBay

    After evaluating the outdoor spaces, I have ruled this home a second suburban sanctuary. However, the kitchen’s being in the bedroom (top image) was Very New York. Of course, the structure could be transformed to give more or less space to certain areas as they were needed, so the bedroom/kitchen area could be made less cramped, as in the second image.

    Go Together Furniture Sets

    Six illustrated images of Barbie and Skipper using the Go Together furniture sets. At top left, a ponytail barbie lounges on the sofa wearing the pak rainbow striped knit top and yellow slacks; top center, a ponytail doll in Crisp 'n' Cool uses the chair and ottoman; at top right, American Girl Barbie has the combination of these two sets; at lower left, bubble cut barbie in Friday Night Date stands in front of a shaded swing; bottom center, bubble cut Barbie in Invitation to Tea. At lower right, Skipper sits on the lower of her two bunk beds.
    Go Together Rooms box art. Sources: barbieworld.it, Theriault’s, nostalgic_toys_dolls on eBay. See more in our sidebar on Go-Together packaging illustrations.

    Populuxe author Thomas Hine, who was right about so many things, alleged in his landmark work that Barbie owned a split-level home (all the rage at mid-century). I haven’t seen the proof. However, if youngsters in the Sixties wanted to construct a split-level or multi-level home for Barbie, the Go Together sets made it easier. Each set consisted of one printed wall and several pieces of plastic furniture–including foam cushions and textured inserts–to make up a room. With these sets, one could add to an existing Barbie home or just enjoy a single space.

    Catalog images of the combined living room and patio sets (sold as four separate sets last year). Text reads, "Barbie's own furniture. Save 25%--Was $4.49 last Christmas. So realistic--plastic furniture snaps together. SOFA BED with foam cushions, coffee table, simulated tile. ADJUSTABLE CHAIR with foam cushions, matching ottoman and end table. CHAISE LOUNGE with canvas seat, side table. LAWN SWING AND PLANTER--seat actually swings. Backgrounds and accessories. 48 T 4443--Ship. wt. 2 lbs. 4 oz....Complete Now $3.29.
    Go Together Furniture Sets advertised in the 1965 Montgomery Ward Christmas catalog. Source: christmas.musetechnical.com

    The Go Together sets were marketed alongside Miss Barbie in 1964 and included decor for the living room and patio; the dining room and Skipper’s bedroom were added a short time later, and all with backdrops to match. The advent of plastic introduced innovations like drop-leaf tables, convertible sofa-beds, a standing swing, and Skipper’s bunk beds that converted to single beds. Little extras like dishes, telephones, radios, and magazines were also included. Nowadays, partial sets are much easier to track down than complete ones–some of those foam cushions must have deteriorated, while the hard plastic furniture has endured.

    At left, a dining room set includes two chairs and a table (folding leafs shown extended) in brown plastic; a plate, a bowl and two mugs with saucers in blue plastic; placemats and napkins in a pink shade; an d a backdrop depicting a china cabinet, a fireplace, and a mirror with two candleholders hanging above the fireplace. There is also a potted plant, a gas lamp and a tea pot on the mantel. At right, the sofa bed's frame with no cushions and the tile-topped coffee table in white plastic; a tray, cup and telephone in avocado green plastic; a tiny domino set and portable television in white plastic; and two Barbie-sized magazines site before a partial wall that is half red brick, with an imposing candelabra illustrated, and half a yellow wall with wood paneling below, illustrated to hold three pieces of framed art.
    Partially-complete dining (left) and living room sets. Source: 56chzwgn on eBay.

    We adore illustrations here at Silken Flame, and the Go Together walls were bursting with illustrated detail. Skipper’s bedroom featured several of what I would call Easter Eggs: sitting on her vanity is a framed photograph of, I think, Midge wearing Fancy Free; on the wall are a framed photograph of Skipper herself in Silk ‘n’ Fancy, and photographs of Ken and Allan baring their chests (?); on the shelves are, I believe, a bend-leg Midge doll, an Allan doll, a Barbie guitar, the megaphone from Barbie’s Cheerleader ensemble, plus Skipper’s own hat from Red Sensation; and peering through the bed frame in the below photo like Bob from Twin Peaks, is what appears to be Bugs Bunny–if we moved the bed we’d find he even has a carrot.

    Closeup on part of Skipper's wall, as described in the main text. The mirror at the vanity is a somewhat reflective silver, and the shelves also hold many books and a tennis racket. A brush, powder puff and bottle are illustrated on the vanity.
    Part of Skipper’s wall. Source: nostalgic_toys_dolls on eBay.

    The walls that came with the outdoor furniture also confirm that Barbie is still trying to have it all in the suburbs. But she still has one more housing adventure to embark on this year…

    Barbie goes to College

    A two-page spread shows the interiors from the Barbie's Campus set. The dorm set includes two twin beds, a side table with lamp, a desk with chair, and a vanity chair for a vanity built into the wall. The sweet shop set includes a counter with two stools and a booth. Smaller insets show the set folded up for carrying as well as the outdoor sets of a football field, a drive-in theatre, and the quad. Also shown are a "Pep Rally Gift Set"--combining the Drum Major, Drum Majorette and Cheerleader ensembles--and two open-topped cars for use at the drive-in.
    Barbie’s Campus play set as seen in the 1964 Sears Christmas Catalog. Source: wishbookweb.com.

    Like many of us, Barbie went to college for a few years. In ’64, Midge is ubiquitous on campus, appearing both in the dorm room she and Barbie share, and in the campus sweet shop, in the catalog images above. By ’66 it is known that Midge and Barbie had grown apart. That year, although Midge was still seen patronizing the Sweet Shop, Barbie’s roommate was alleged to be… Francie? Francie was advanced for her age.

    A similar but smaller listing to the 1964 spread above. The listing this year is titled "Barbie and Francie Campus Play Set," although Francie does not appear in the image (the image is identical to one in the 1965 catalog, not shown).
    Campus Play Set in the 1966 Sears Catalog.

    In all, 1964 was a watershed year for Barbie’s housing options. Will she be satisfied dividing her time between her newer, larger dream house, her individual go-together rooms, and her shared campus accommodations? Or will she, like a true member of the American middle class in the 1960s, aspire ever onward and upward? Find out in the next installment.

    Close up on the stone wall and fireplace with potted plant (it must not mind smoke) hanging above and two cat drawings hanging alongside. Atop a "marble"-topped coffee table, Skipper is shown on TV.
    1964 New Dream House details. Source: jbak4493 on eBay.
  • Sew-Free Fashion-Fun Kits (1965-1966)
    Packaging illustration: a woman with red bubblecut hair style wears a crescent hat and sheath dress of white fabvric with black pin dots, along with beaded necklace, black belt, black jacket whose sleeves come to mid forearm, and long white gloves. In miniature, a woman with blonde bubblecut wears the same pindot fabric as a top with long black skirt, pindot bag, and black open toed shoes. 
Text on the box reads: "Contains everything you need to make your own Barbie Costume
3 Easy Steps!
1. Apply Matted Sew Free Strips TM
2. Cut Out
3. Press Together With Your Fingertips!
A Whole New World Of Fashion Without A Stitch!
Mattel, Inc. Toymakers"
A metallic sticker at lower right reads: "GIANT VALUE KIT $2.00
Complete With
 - Printed Cloth
 - Sew Free Strips
Includes One Or More Of The Following:
 - Sew-Free Zipper
 - Gloves
 - Shoes
 - Purse
 - Belt
 - Hat
 - Necklace, Earrings
 - Glitter Trim
 - Illustrated, Easy Instructions"
    Packaging for Day ‘n’ Night, a Sew Free Fashion for Barbie. Source: Theriault’s

    In the realm of vintage Barbie illustrations, the Sew-Free Fashion-Fun kits are a category all their own. The loose, markered style, supplemented with certain precise details like fabric patterns and fingered gloves, as above, lends the drawings drama, romance, and, of course, glamour. Were the fashions themselves elegant and appealing? We shall see. The illustrations certainly were.

    Collage of elements from a 1965 catalog showing little girls assembling Sew Free Fashions with an American Girl Barbie before them. Seven additional dressed dolls are shown in an inset. Text reads: "YOU'RE THE DRESSMAKER. Now you can make fashion outfits for Barbie and Skipper with any sewing at all. Just cut out fabric patterns, press edges together, add trimmings..and garments are ready to wear
Travel fun $1.87
Two Sew-Free sheaths with matching bags. Blue afternoon dress with jacket. Striped dress has short coat, scarf. Wt. 8 oz.
Day-night $2.66
Daytime blue dress, white jacket, scarf, bag. Sateen evening skirt, stole, taffeta bodice. Gloves, shoes included. Wt. 8 oz.
Gala ball $1.77
Floor-length evening skirt with sateen bodice. Matching coat and purse. Silver-glitter clear-plastic shoes, gloves. Wt. 5 oz.
Coordinates $1.77
Dotted-taffeta outfits..evening skirt, blouse, black bag and jewelry. Dress, matching hat and bag, coat, gloves. Shipping weight 5 oz.
Four Sew-Free sets above fit Barbie of Midge..dolls not included"
    Digitally-altered 1965 Sears Christmas Catalog listing for Sew-Free Fashions

    A 1965 Sears catalog listing lays out the premise: children can make their own Barbie fashions from the kits by cutting out pieces, attaching adhesive strips, and pressing tightly with their fingers. No sewing necessary! Interestingly, during these years the Christmas catalogs also advertised off-brand home sewing kits for 11.5″ dolls with no cutting necessary–just sew the pre-cut pieces!

    Despite what Sears claims above, there were no such fashions sold for Skipper.

    Sears had different names for the sets than did Mattel, and in some cases combined two sets into one. The Day ‘n’ Night fashion, illustration at the top of the post, really did contain two looks for Barbie. Sears renames this pair Coordinates, and advertises another set as Day-Night, combining Mattel’s Debutante Party and From Nine to Five sets.

    Left: packaging shows bubble-cut redheaded figure with pearl earrings wearing a strapless gown with black bodice and long straight skirt, along with long black gloves and wrap. Skirt and wrap are white or off-white with black and gold details. 
Metallic sticker at bottom right reads: "DELUXE KIT $1.50
Complete With
 - Printed Cloth
 - Sew-Free Strips
Includes One or More of the Following:
 - Sew-Free Zipper
 - Gloves
 - Shoes
 - Accessories
 - Illustrated, Easy Instructions"
At right, a blonde bubbledcut doll is photographed wearing the dress, wrap and long gloves, along with black closed-toed shoes, black purse (maybe as in the accessory paks), and pearl necklace and earrings.
    Debutante Party Sew-Free Fashion-Fun packaging (left) and dressed doll. Source: Theriault’s

    Like Mattel’s fashion booklets of the time, the Sears catalog includes example photographs of the fashions under the best case scenario, assembled and styled by professionals. But the images are so small! Theriault’s, the doll auctioneers, have also professionally styled a few of the fashions assembled by hands unknown in the past.

    Two kits are pictured. At left, Moonlight 'n' Roses is depicted on a model with black bubblecut hair, She wears a full-skirted evening dress with pink bodice and red or dark pink skirt and floor-length flared jacket with elbow-length sleeves, and a short red scarf tied at her neck. Jacket, skirt and scarf have light colored floral and rick-rack shaped accents. The woman carries a slim red purse.
At right, a woman with blonde ponytail is illustrated wearing a blue kerchief tied under her chin, a blue sheath with tie belt, and a white vest. All have red trim. Kerchief and vest have brightly colored flower designs. She carries a blue handbag with red handles and trim, with yellow and green design on its surface--the design looks like shells or pictures of other purses but that is probably not correct.
    Moonlight ‘n’ Roses (left) and From Nine To Five Sew-Free Fashion Fun packaging. Source: Theriault’s

    Back in the world of Sears, the Moonlight ‘n’ Roses kit has been renamed Gala Ball. The Moonlight ‘n’ Roses packaging displayed above doesn’t include the helpful “Giant Value Kit” sticker that Day ‘n’ Night had at the top of the post, but its stock number ending in “-200” indicates that’s what it was. Sears listed both Giant Values at $1.77 apiece, 23¢ off the sticker price; while the Day-Night combo pack of two Deluxe Kits, listed at $2.66, represents 34¢ savings. Sears’ Travel Fun combines Mattel’s Sorority Tea and Pretty Traveler, two $1 Basic Kits, for $1.87–13¢ back in your pocket.

    The two women illustrated on the two packages have poses that mirror each other: heads and bodies angled slightly to the right of the viewer, with the weight on the right leg and right hand on hip. The figure at left has left hand at her chin, while the figure at right has her left arm extending straight out. Both are drawn with red hair: a ponytail at left, an updo at right, both with bangs. They wear the two sheath and jacket combinations described under "Travel Fun" in the Sears catalog: Left, blue with short jacket that opens at the back and colorful accents; right, a pale color with pink, green and yellow accents plus a scarf at her neck. Both wear pearl earrings and carry large handbags matched to their outfits; both packages have a red sticker at bottom right reading, "BASIC KIT $1.00
Complete With
 - Printed Cloth
 - Sew-Free Strips
 - Buttons
 - Illustrated, Easy Instructions"
The fashion at right is also modeled on a redheaded bubblecut doll. The jacket looks bulky, and bright green printed-on "topstitching" is a little too thick, out of scale with the proportions of the doll and fashion. What looks like a flap closure on the handbag is actually printed on, with the handbag open at the top. The doll wears her own pearl earrings and green open-toed shoes that were not included in the set. While the llustrated doll wears her jacket swept behind the hand held at her hip, 1965 Barbie could not hold her hand to her hip, and her jacket hangs straight down. Where the illustrated sleeve hole is not drawn with any peculiarities, the realized jacket's sleeve has a mysterious right angle in the printed-on top stitching right at chest level.
    Sorority Tea Sew-Free Fashion-Fun packaging (left) and Pretty Traveler packaging and dressed doll. Sears dubbed this pair “Travel Fun.” Source: Theriault’s

    While nowadays it goes without saying that Barbie’s playline fashions have details printed on, this was a Sew-Free innovation in 1965–Barbie’s usual finery had high quality, sewn-on embellishments. Both of the Sears Travel Fun fashions had printed designs, and the photographed example above right looks, in the context of Barbie’s typical 1965 attire, less than glamorous. The contrast top stitching must have been pretty and playful in the designer’s mind, but printed on that beige fabric it looks like nothing more than a sewing pattern waiting to be cut. And the way the sleeve hole seems to jut out straight into the doll’s bosom? Maybe the original owner had trouble constructing this one. Otherwise, the fetching article in the illustration just is not borne out in the finished piece. Too bad.

    Illustrated is a woman with red flip hairdo wearing a light blue sheath with brown trim and belt. She carries a matching light blue purse and wears a beige jacket, also with brown trim and of the same length as her dress. She has pearl earrings. The package has the "Deluxe Kit" sticker at lower right. At right, an American Girl Barbie with dark brown hair models the look with black open-toed shoes. The jacket's trim looks like a blanket stitch over edging. If it is printed on, it was credibly done.
    Left: Day In Town Sew-Free Fashion-Fun packaging. Source: Theriault’s. Right: Doll dressed in Day In Town from a 1966 Montgomery Ward catalog. Source: musetechnical.com

    The 1966 Montgomery Ward catalog shows another dressed doll (above right) looking quite chic in her Sew-Free Fashion. This listing actually included the American Girl doll, with her original swimsuit and shoes, along with three Sew-Free fashions: Day In Town, plus the Basic Kits Hootenanny and Patio Party (below), all for $2.99.

    Two packages depicting models in the same pose: left hip swung out, hand on the left hip and looking over her left shoulder so her face is in profile. The illustrated woman at left has her right hand also on her hip, while the illustrated woman at right is holding her jacket in her hand at about the same position. Both have a purse slung over the left wrist, but the purses are covered by the red "Basic Kit" stickers at lower right. They wear full-skirted dresses: at left, a sleeveless blue dress with pink trim and matching shawl; at right, a strapless, light-colored dress with red and pink butterflies printed on and a wide pink sash at waist. The jacket's shape is hard to ascertain but is the same color with same butterfly print. The woman at right is depicted with a blonde ponytail, while the woman at right has a brunette updo. Both have bangs and pearl earrings.
    Hootenanny (left) and Patio Party Sew-Free Fashion Fun packages. Source: Theriault’s

    These two kits each included a dress, a shawl or jacket, and a purse. All had printed details. The catalog included photographs of constructed examples, but not displayed on dolls. Many other examples of the assembled fashions, the packaging, and even the (illustrated) instructions exist here and there on the Web for the curious.

    Mattel ad for Sew-Free Fashions showing black-and-white sketches of all the designs. Some of the sketches look almost identical, in model and pose, to the illustrations on the packaging. Some are different; for example, "Patio Party" is facing the other direction and holding her jacket up on a hanger. All of these illustrations show the models from head to toe while the full-color package illustrations very often do not. Text reads: "See the complete line of fabulous Sew-Free Fashion-Fun (TM) for Junior Designers! All of these exciting styles fit all barbie (R) and Midge (R) dolls" at the top of the image, with additional trademark and patent information at the bottom.

    As the fashions themselves go, I believe these sets were more activity than style, but the packages sure are gorgeous.

    Three more kits, these were not discussed in the article. At left, "Stardust" is a full-skirted floral sleeveless gown with matching wrap and thick white sash at waist, shown with white clutch and long white gloves. At center, "Sightseeing" is a full-skirted casual dress in light blue with a basket of flowers embellishment on the skirt (think Friday Night Date for the applique style). A dark blue belt, bolero-style jacket, kerchief, and white-framed sunglasses with blue lenses complete the look. Her hair is mostly covered but matches a blonde ponytail. The skirt hem, jacket and kerchief all appear to have dark blue stitching along the edges. The models at left and center have the same pose, leaning back with arms slightly akimbo, looking over the right shoulder. At right, "Golden Ball" is shown on a blonde bubblecut model illustration. The dress is long and trim with red accents and belt; over it, she wears a voluminous, red, floor-length coat, trimmed in possibly glittery accents, and she carries a red clutch. The packages at left and right bear the "Giant Value" sticker while the one at center has the "Deluxe Kit" sticker.
    L-R: Stardust, Sightseeing, and Golden Ball Sew-Free Fashion-Fun packaging. Source: Theriault’s

    Where to next? If you like these illustrations, you’ll probably also like gift set art; if crafting is more your bag, check out the sewing pattern illustrations; for a dusting of glamour, swing by Barbie’s Fashion Shop, then head over to the beauty parlors; or visit the table of contents to see more options.

  • A chronicle of Barbie shoes, 1959-1967

    Recently, while sourcing various, specific vintage shoes for a custom project, I began to realize there were basic facts about Barbie’s early shoes that were not known to me. What year was Barbie’s first pair of closed-toe shoes produced? (The answer surprised me, but maybe you already know.) What were the most common “gold” open-toed heels? So I sat down with Sarah Sink Eames’ books on Barbie fashions and did a little elementary data science.

    Stacked proportion of available shoe colors per year, 1959-1969

    The chart above shows the proportion of occurrences of shoes in each color, per year, over the period 1959-1969 (although I’ll mostly conclude my analysis at 1967–you’ll know why later). The horizontal direction represents a timeline; the depth of any given color in the vertical direction represents the ratio of outfits available with shoes in that color at a given time, relative to the total number of outfits available at that time. The white ripple running along toward the top isn’t empty space, but rather white-colored shoes, and the light gray at the very bottom actually represents clear shoes.

    The figure below shows stacked total numbers instead of proportions, counting only the outfits or sets introduced each year instead of counting over all the outfits that were available that year (the differences between introduced shoes and available shoes are generally small, since most fashions lasted 1-2 years during this time period). I didn’t number my axes, but the red vertical bar inside the white filled contour at 1964 represents the maximum number of white shoe occurrences in ensembles or paks introduced in a given year (13 paks or ensembles with white shoes were introduced in ’64), and the white vertical bar in the red filled contour shows the location of the maximum number of occurrences of red shoes in sets introduced in a year: 11 in 1965. Overall I prefer the stacked proportions because we could go back and forth about how to count sets that came in variations or with multiple pairs of shoes, but by looking strictly at proportions or ratios (top plot), most of that stuff should wash out.

    Filled contours show the proportions of different shoe colors available over time from 1959-'69. In '59 five colors are available. Of these, black and pale blue have narrow availability toward the end, although black's availability is high near the beginning--it decreases approximately linearly; navy, always narrow, has very limited availability from '63-'66 and then vanishes; and brown also decreases about linearly, vanishing before '69. White is the most common overall but has only about 10% of the total in '68-'69. Red appears after 1960 and is common in '65-'67 before diminishing again. Pale pink is available but rare in '69, having maintained about a constant share until around '66 and then declining. Hot pink appears around the midway point in the timeline and is the most common color in '68-'69; yellow and orange also have a sizeable cut in '69 after maintaining a narrow presence through most of the timeline. Clear shoes, represented by a pale grey in the bottom-most contour, seem to wax and then wane with each successive year, hitting their maximum in '65-'66 when their numbers are exceeded only by white and red.
    Stacked total shoes per color in sets introduced each year, 1959-1967

    What can we learn from the ratios? I notice that black, navy, and brown, three colors that were around in 1959, are extinct or threatened with extinction by 1969. Other 1959 hues have also lost market share, but that’s to be expected as the variety of available colors increases. In fact, white and pale pink both gained in real numbers in the mid-Sixties (second plot), although they truly do seem to be waning by ’69. Red, nonexistent in 1959, experiences a heyday around 1966 but also seems to be losing ground at the end of the timeline. Meanwhile hot pink and yellow are posed to explode–but we’ll get to that. Here’s what happened in the mean time:

    1959

    Before 1959 Barbie had no shoes, because there was no Barbie. During the first year of Barbie’s existence she had a decent footwear assortment–though it’s notable that she had no closed-toed pumps, which were certainly in fashion at the time. I’ll hazard a guess that there were manufacturing challenges. Anyway, in the first year of her life Barbie wore open-toed pumps and cork wedge sandals. Some of the open-toed pumps had pompons on top, to be worn with nightgowns and negligees; these came from a slightly different mold than the regular open-toed heels, having a hole at top center in which to affix the pompon. Her shoes came in black, brown, navy, white, pale pink and pale blue.

    Two close-up images of Barbie shoes from eBay sellers. At left, pale blue open-toed shoes are decorated with pompons in the same color, as in the Sweet Dreams ensemble. At right, wedge heels made of cork with white soles and uppers, as in the Winter Holiday ensemble.
    Open-toed mules with pompons for wearing in the boudoir, and cork wedges for wearing on vacation, were footwear options for Barbie from year one. Sources: anotherbarbie on eBay; jemmy2 on eBay

    In fact, the very first, first Barbie shoes had holes in the soles to poke her stand through. This arrangement lasted less than a year.

    Two photos: pair of white open-toed shoes on wood surface, and black open-toed shoes on red surface. All have holes centered in the bottom near where the balls of Barbie's feet would rest.

    Two sets offered in the first year, Undergarments and Floral Petticoat, were sold with no shoes, while 21 ensembles were complete with footwear.

    1960

    Clear, open-toed plastic shoes sit on a plain white background. Gold glitter is painted or glued onto only the tops of the shoes (the "strap" part running over the top of the foot). Through the clear plastic the word JAPAN is faintly detectable on the underside of one shoe.
    Clear heels with gold glitter like those sold with the Enchanted Evening fashion. Source: vintage_toys_and_treasures on eBay

    Barbie got no new shoe styles in 1960, but she did get a new color, one of my favorites: the clear open-toed pump. These shoes all came with either gold or silver glitter painted on, and in 1960 the glitter was gold. The shoes were exclusive to the Enchanted Evening ensemble in their first year, but they’d find their way into many fashions over time and were still well-represented by 1967-1969, when many of Barbie’s other classic styles were falling out of favor. They also represent the first option for a “gold” open-toe heel for my purposes. Mattel has a spotty record for including accurate versions of these in repros: the 1996 Enchanted Evening reproduction came with gold glitter open-toed shoes, but the glitter was embedded in the plastic instead of painted over the top, while the 2007 Evening Gala reproduction included accurately-reproduced gold glitter heels; the 2013 Invitation to Tea reproduction included accurate silver glitter heels, while the 2004 Sparkling Pink gift set reproduction included pale pink open-toed heels (the original set included both clear with silver glitter heels, and pale pink heels).

    As seen below, only the silver glitter versions–not the gold–tended to have glitter on the heel, too.

    Close up on clear plastic Barbie shoes, open-toed with high heels and silver glitter glued across the uppers and all along the heel, still attached to the package which is medium pink in color.
    Clear heels with silver glitter in the 1963 Sparkling Pink gift set. Source: rivalc38 on eBay.

    Ambiguity: According to multiple Mattel fashion booklets we checked throughout the time Enchanted Evening was advertised, the ensemble should have included pale pink open-toed heels with silver glitter.

    Booklet image both showing an illustration of, and describing, pink heel with silver glitter for the Enchanted Evening ensemble.
    From a booklet copyrighted 1962, showing fashions for 1963, the last year Enchanted Evening was available. The same illustration was used in previous years.

    If the set was ever sold this way it changed at some point, since NRFB examples exist with clear shoes. Opaque glitter shoes did exist in the 60s, however: in addition to the (purported) Enchanted Evening pale pink glitter heel, 1964’s Satin ‘n’ Rose gift set had darker pink heels with silver glitter (like their clear counterparts, they were glittered on both the upper and the heel).

    Two photographs composited from eBay listings, of new-in-box Barbie fashions. In both images, the shoes in the package are circled and then shown in greater magnification to the side. Enchanted Evening, the pink evening gown with long white gloves, fur stole, and other accessories, includes clear plastic shoes with gold glitter. Satin 'n' Rose, a set of separates in medium pink, comes with shoes in matching color, accented with silver glitter.
    L: unopened Enchanted Evening with clear, gold-glittered heels; R: unopened Satin ‘n’ Rose with silver-glittered, rose-pink heels. Sources: dubarbie on eBay, liloxbow on eBay.

    If the pale pink glitter shoe ever existed, its ultra-rarity today suggests that the clear shoe was more common for Enchanted Evening despite the booklet description, though it is interesting that no other pak or ensemble appears to have included clear shoes until ’62. At any rate, this means Barbie’s new shoe in ’60 may not have been the clear heel, but rather the elusive opaque glitter heel.

    1961

    Barbie got two new styles in 1961: terry scuffs for wearing with a bathrobe, and ballet slippers to accompany the long-lived Ballerina fashion. Not much was new for evening, however.

    Two photographs of Barbie shoes on colored backgrounds. Left is a pair of plastic ballet flats in white or off-white on a smooth pink background. The shoes have long strings attached that roam out of the frame and then back in at one corner. Right, pale yellow terry scuffs (flat flip-flop type open-toed shoes in towel type material) on dark purple felt-textured background.
    via lulubelle and quinniessentials on eBay.

    The first set containing multiple pairs of shoes was introduced: Barbie Doll Accessories. The set included open-toed heels in black, white and pale pink, as well as a swimsuit, tote bag, gloves, jewelry and glasses. Pak fashions had not been offered yet in ’61, so this set of odds and ends is a sort of proto-pak.

    A boxed set containing a reddish Helenca swimsuit, a beaded necklace and bracelet, white gloves, black framed glasses, hoop earrings, a woven handbag, and open-toed heels in white, black and pale pink. The backing of the package can be seen to double as a sheath pattern; text visible says "Printed on this card is a Barbie teen-age sheath dress pattern *for your sewing fun!* Pattern pieces with folds and hems labeled are also visible, along with optional modifications to make the sheath strapless.
    The 1961 Barbie Doll Accessories “proto-pak” included three pairs of open-toed heels. Source: Theriault’s

    1962

    In 1962 paks were introduced, bringing with them for the first time a wide variety of Barbie fashions (including dresses and shirt/shorts sets) sold without shoes. Many pak fashions did include shoes, and one 1962 ensemble–Movie Date–appears to be the first non-underclothes Barbie ensemble offered sans footwear. Paks ushered in variations, in which a single set, like Gathered Skirt or Lingerie Pak, would be offered in different colors, including with differently-hued shoes. This explains the 1962 blowup in total number of shoe selections offered that we saw in the second plot.

    The cork wedge, around since 1959, now came with a metallic gold upper in the ensemble Mood for Music and with the Helenca swimsuit pak. This could serve as a gold open-toed heel for my quest, although I was after something more evening-appropriate.

    New colors of shoe plastic were also added to the roster. Despite the red-forwardness of Barbie’s early wardrobe, the only “red” shoes I counted pre-’62 were cork wedges with a red upper in a leather-like material, like the ones worn with Open Road. In 1962 red open-toed heels became the default shoe for dolls sold wearing the new red jersey swimsuit; they also accompanied Red Flare and some of that year’s pak fashions. Other new hues were orange and one of my favorites: mustard, the other candidate for a “gold” open-toed heel for my project.

    A pair of mustard-colored open-toed heels are displayed on a silvery grey background.
    There was no metallic gold shoe plastic, but these mustard-colored heels may have suggested shiny gold shoes. Source: punky-shoester on eBay

    I believe the mustard shoe color is somewhat unique in that it was offered almost exclusively with paks, the one exception being 1964’s Golden Evening ensemble, which was composed entirely of various pak outfit elements. The orange open-toed heel was a true pak exclusive, but orange closed-toed pumps and other shapes would eventually come into wide use.

    Two panels. On a purple background, a pair of white plastic molded skates with silver-colored blades lie on their side. On a bright blue background, white molded sneakers ina similar style and piled.
    Sources, on eBay: andywc3, braniffmod

    Finally, in 1962 Barbie added ice skates and sneakers to her recreational wardrobe. Her footwear for evening was still limited to open-toed heels.

    1963

    Two pairs of wedge heeled sandals with metallic gold uppers in a leather-like material. At top, the wedge portion of the shoe is made of tan plastic; at bottom, the wedge is made from a medium brown plastic.
    Tan and brown plastic wedges were new for 1963. Shown with the metallic gold upper discussed above. Source: Joe’s List

    A couple small changes to Barbie’s shoe collection occurred in 1963: cork wedges started to be phased out in favor of plastic wedges, which came in either tan plastic or dark brown; and a unique variation on the open-toed heel made its lone appearance.

    Left: two green open-toed heels that used to have "pearl" beads glued on. It is possible to see the circular setting molded into the shoe where the pears were to be attached. Right: similar shoes with brand new white "pearls" glued into place.
    Two examples of Senior Prom pearl-accented heels that have lost their pearls. The pair at right was refurbished with replacement pearls. Sources: de*be on eBay, niccipl4 on eBay.

    The Senior Prom formalwear ensemble came with pearl-accented shoes, as seen above. The shoe mold was again modified, this time to include a setting for the pearls. Unfortunately, so many pearls have been lost or damaged over the years that it’s hard to find a pristine pair outside of unopened ensembles; many of the nicer-looking pairs available are refurbished, as in the righthand image above. I wonder if the pearls were already causing trouble in the 60s; that could explain why this appealing design was never repeated for other fashions. Evidence suggests that this has also been an issue for the reproduction versions that were offered with the 35th anniversary Midge gift set (when those two eBay links break, note that they pointed to one opened repro set, and one NRFB, both with one shoe’s pearl detached or missing).

    Left: square-toed black ankle boots with molded laces on a grey background. Right: white low-heeled boots, one is somewhat yellowed, on a dusty purple background.
    Black Ski Queen boots and white Stormy Weather boots both via eBay

    1964

    What a year was ’64, for wacky one-off Barbie shoes.

    Metallic gold shoes in a leather-like material with long pointed toes that curl up a bit near the tip
    Little Theatre Arabian Nights shoes from 1964-65. Source: Joe’s List

    Between the Little Theatre costumes and the travel costumes, Barbie had thong sandals (Japan), clogs (Holland), brocade slippers (as Guinevere), the Arabian Nights shoes above, and the Little Red Riding Hood shoes below that, to me, are the most unexplained aspect of Barbie footwear and the pair of shoes that look most like a manufacturing error.

    a pair of black leather-look slippers (?) roughly in the shape of plastic bags taped over your shoes
    Little Red Riding Hood’s shoes. But why? Source: jemmy2 on eBay

    Yes, Barbie could acquire leather-look flats shaped like the disposable shoe covers you might wear to process a crime scene, before she could have a decent pair of closed-toed shoes for evening.

    She also got a pair of roller skates in the For Rink and Court set, and two sets this year also came with majorette boots, a new style that would be repeated in at least two future years.

    Two images of mint shoe/accessory paks on cards. Both are plastic-wrapped peachy pink cardboard labeled "Teen-Age Fashions for Barbie and Midge by Mattel." The card at right has a price sticker: 77 cents. The set at left contains, in addition to black boots with molded tassels and trim: yellow rain boots, red ballet slippers, white sneakers, and wedges with gold uppers. Right contains, in addition to white ankle boots with (non-kinetic) silver-look wheels and chassis attached: dark sunglasses, red ice skates, tennis racket, and two tennis balls.
    The black majorette boots of the Fashion Feet pak (left, source) and the white roller skates of For Rink and Court (right, source) were new styles in ’64. The boots also came in white with the Drum Majorette ensemble that year.

    Besides the majorette boots, none of 1964’s new designs would recur with any other fashions during the years covered herein. The travel costumes were available for just one year, while For Rink and Court and all of the Little Theatre costumes besides Red Riding Hood survived for one additional year.

    1965

    In 1965, Barbie got closed-toed heels.

    Left: a pair of red "spike heels on a blue background; right: a single orange pump on a teal background
    Spikes and a non-spike from 1965. Source: anotherbarbie on eBay

    Overnight, Barbie went from no such shoes to at least sixteen occurrences in the first year, all with ensembles that debuted that year (closed-toed pumps also became available in paks the following year). The birth of the closed-toed shoe for evening is actually pretty famous, because for a very short time “spike” heels (above left) were produced, to be replaced by the less-ambitious pump at right before the first year ended.

    Filled contours show the absolute numbers of different shoe styles over time from '59-'67. In '59 three styles are introduced, with thirteen styles tracked over the time period in addition to a "miscellaneous" category for shoe styles that appear only once in this time frame. The open-toed pumps are the most common shoe in sets introduced from the first year until almost the end, when closed-toed pumps take over.. In the second year only sets with open-toed pumps are introduced. Pompon mules from year one persist through all time shown, while cork wedges peter out near the halfway point. Flats and bow shoes appear near the end and seem to be growing as the timeline ends.
    Stacked total shoes per style in sets introduced each year, 1959-1967

    Here, at last, are timelines of styles per year–above shows the total number in sets introduced by year, and below is the proportion of different styles in sets available by year. While I think the proportions give more intuition, the figure below is not entirely pleasing to the eye with that great blue whale (open-toed pumps) filling most of the space. It almost suggests using a log scale for this dataset. Anyway, the open-toed pumps dominate most of the timeline–with some of that mid-Sixties bulge, above, due to pak variants–and then are suddenly swept aside in 66-67 by everyone’s new favorite, the closed-toed pump (indicated in red). Interesting that the pompon open-toed shoe, light blue in the figures, seems resilient to changes in fashion; I guess Barbie’s fraction of nightgowns and negligees is fairly stable over time.

    In these figures the “MISC” category (miscellaneous, grey filled contour at the very bottom) covers everything that only appeared in one set during ’59-’67: all the inventive articles from 1964 (that’s the big grey bump at the bottom, just past the halfway point in time), the pearl-accented heels, et cetera. At the tops of the plots, in two shades of brown, we can see the cork wedges supplanted by the plastic wedges which then diminish by the end.

    Filled contours show the prevalence of different shoe styles over time from '59-'67. In '59 three styles are available, with thirteen styles tracked over the time period in addition to a "miscellaneous" category for shoe styles that appear only once in this time frame. The open-toed pumps take up more than half of the total space over all time displayed; the pompon mules from year one have about ten percent of the share each year; the cork wedges from year one narrow to zero after about the halfway point; and closed-toed pumps, red contour, appear after the halfway point and quickly become the most prevalent style. Flats and bow shoes also appear near the end and seem to be growing as the timeline ends.
    Stacked proportion of available shoes per style, 1959-1967

    Mattel’s cobblers had a couple more surprises for us in ’65: in addition to the closed-toe heel and its spiky variant, the Miss Astronaut set came with unique zippered boots, and plastic slip-on flats made their first appearances, in a handful of more casual ensembles like “Vacation Time.”

    Top: On a floral printed background, baby pink flat closed-toed shoes. Bottom: on a grey surface, brown leather-look calf-high boots with very flat bottoms and silver zippers down the front.
    Flats and boots for vacation and space travel, via wildamaryllis and vtg.barbie.girl on eBay

    Now that we’ve properly introduced closed-toed heels, it’s time to circle back to one more Little Theater oddity from 1964: the single “glass slipper” for Barbie, that came with Ken’s Prince costume. While Barbie as Cinderella wore a pair of silver-glittered, clear, open-toed heels, Ken’s costume came with a single, unglittered, closed-toed heel for Barbie as Cinderella to try on. Doesn’t that make too many glass slippers? Oh well. This also means a closed-toed shoe for evening was technically available to Barbie already in ’64, but you had to buy two copies of the Ken ensemble to make a pair.

    Ken as the Prince, brandishing a slipper. Souce: mynorthwestnovelties on eBay.

    Is someone defiling these rarities with silver glitter? There are a couple such pairs on eBay right now, listed as 1966 Shimmering Magic shoes. NRFB Shimmering Magic examples we found had red closed-toed shoes, which is also what Sink Eames lists. Mattel’s ’66 toy catalog for retailers doesn’t describe the shoes in text but shows red closed-toe pumps (the fashion booklet for that year lacks text descriptions); but it’s possible the silver glitter closed-toed variant also existed, maybe to use up extra glass slippers. In any case, the variant is at least rare, and we’d advise caution around those eBay listings.

    1966-67

    After the many innovations of the previous year, 1966 was a quiet year for Barbie’s shoe styles (not counting the Shimmering Magic controversy described in the previous section). She did get a new pair of riding boots. Francie debuted with closed-toed shoes, boots and skates of her own.

    On a teal surface, a pair of high brown boots with low heels lie on their side, soled pointed toward the camera. The word JAPAN is printed on each sole.
    Riding in the Park (#1668) boots via VintageBarbieCollectibles on eBay.

    We end our story at 1967 because it’s where Sink Eames’ first book ends, and also where Joe Blitman’s mod Barbie book begins, and when Barbie shoe life was just getting too complicated. Case in point: the 1967 fashion “Weekenders,” which Sink Eames lists as including green ankle boots–if so, the only ankle boots in the period 1959-1967. However, Blitman lists pink flats, and a photographed NRFB set spotted online sides with Blitman.

    Before the tale ends, the first bow shoes entered the fray in ’67, heralding the new mod era that impacted shoes in addition to garments, hair and just about everything else. Bow shoes were made of a squishy material, and these shoes’ colors may not line up exactly with those of hard plastic shoes–yet another late-Sixties complication for cataloging and indexing.

    Royal blue bow shoes are displayed on a pink background
    Squishy bow shoes. Source: wags94 on eBay

    One more bold footwear trend manifested in ’67: the swimsuit doll came barefoot for the first time, and she’d continue to be barefoot for years, essentially until the “swimsuit doll” concept diminished and dressed dolls became the main mode of Barbie-buying.

    Included in Sink Eames’ book but omitted from the present study are the Braniff air hostess costumes of 1967, which included shoes of almost indescribable, painted-on color and unique design, being manufactured in Hong Kong by Marx Toys, not Mattel. Though collectors do seem to regard these as legitimate Barbie fashions, the shoes exist outside Mattel footwear trends.

    The boots from Barbie's Braniff boarding outfit displayed on a pink background. The boots themselves are a sort of sea green with matte gold accents, both colors painted onto tan colored plastic visible through horizontal slats near the tops of the boots.
    The Braniff hostess outfits came with unusual shoes. Source: brodjam on eBay

    …and beyond

    I kept toiling away doing data entry until 1970 but found more and more discrepancies between Sink Eames and Blitman with each passing year, and Blitman also indicated that many outfits came with variant shoe styles, especially beginning in 1969. By ’70 it seemed like practically every outfit could include bow shoes OR T-strap heels OR pilgrim shoes, and viewing the commonness of the different styles in terms of appearances in different sets was losing meaning. Then I saw the JC Penney exclusive 64-piece Shoe Bag of 1970 and knew I was beat. That’s why I ended up considering color trends out to 1969 and style trends only to ’67.

    The "pieces" from the 64-piece shoe bag are laid out. The reader is referred to Blitman's book for the full description, but I will note the pictured set includes ten pairs of closed-toed pumps (in acid green,, aqua, black, blue, hot pink, lime green, orange, raspberry, royal blue, and yellow), two pairs or open-toed pumps, one pair each of ballet flats, sneakers, and bow shoes, four pairs of ankle boots, and six other pairs of boots of varying height, including the majorette boots introduced in '64. Other pieces include luggage, tights, hangers, and more.
    Contents of a 1970 JC Penney exclusive “Shoe Bag.” Source: Joe’s List (also Joe Blitman’s book, Barbie & her Mod, Mod, Mod, Mod World of Fashion, 1967-1972)

    Blitman has said that four of the closed-toed pump colors were exclusive to the set above. Can you spot them?

    Before throwing in the towel, I observed that almost every outfit in ’70 has either hot pink or yellow shoes, and that the closed-toed pumps, so dominant in 1967, were fast being replaced by bow shoes, t-strap heels and pilgrim shoes (some of which are, admittedly, closed-toed heels themselves). The same winds of change pushing the basic closed-toed pumps out of favor were also eroding away past favored shoe colors like red, as noted at the top of the post.

    Applying what we learned

    Based on the shoe trends covered here, which shoes in the 2004 “reproduction” shoe pak shown below are NOT based on a 1960s offering?

    12 pairs of shoes mounted on a card. The packaging design resembles early 60s boxed fashions and gift sets. From top to bottom the shoes are: 5 pairs of open-toed heels (turquoise, brown, navy, pale pink, and white); two pairs of plastic wedges, with navy and gold uppers; 3 pairs of closed-toes heels in white, red, and turquoise; and two more pairs of open-toed heels in black and lavender.
    2004 Reproduction Vintage Shoes. Source: kopykatcom on eBay.

    Where to next? Learn about our favorite reference books, like those by Sink Eames and Blitman; view one more graph in the piece on Deluxe Reading Dream Kitchen; read our thoughts on nostalgic Black Barbies; study up on Mattel Modern and Susy Goose furniture; or see more options in the table of contents.

  • When Barbie turned 21
    Small newspaper blurb in black and white. At left, a model wearing a life-size copy of Silken Flame (holding her gold clutch and opera-length gloves in her hands) looks at a human-sized copy of Fashion Editor displayed on a mannequin. At right, text reads:
"21 Dress Salute
"Barbie has finally achieved cult status. Along with a revival in sixties music and fashion has come renewed interest in Mattel's 1959 doll. Leading this revival is Timothy Dunleavy, a children's-clothing designer, who has done his first couture collection inspired by Barbie's own wardrobe. 'Barbie embodies the spirit of sixties American Elegance,' says Dunleavy, 'whether it is Roman Holiday, or Fashion Editor and Silk & Flame [sic] [both pictured[. Barbie's wardrobe contains a microcosm of an entire era of American style, sensibility, and tradition." To celebrate Barbie's twenty-first birthday, Hurrah is throwing a party that will be highlighted by a fashion show of 21 outfits from Dunleavy's collection--modeled on great big beautiful dolls. -Richard Buckley
The Barbie Fashion Show/Hurrah April 21 at 9 p.m. and midnight
36 West 62nd Street/541-4909
Admission, $6"
    Announcement of Barbie’s 21st birthday festivities appearing in New York Magazine, April 1980

    It’s a paradox: she was a teen-age fashion model in 1959, and she turned 21 in 1980. For Barbie, both are true. And in 1980 Barbie held her 21st birthday bash, where else? in a nightclub: “Hurrah” in Manhattan, a “new wave disco,” per the Charlotte Observer. Befittingly, the party was punctuated by a fashion show that ran twice, once at 9 p.m. and again at midnight. The life-size fashions were created by designer Timothy Dunleavy, who hoped to bring Barbie’s vintage styles back as couture. And it worked, sort of: in addition to the birthday to-do, a couple of fashionable women wore his interpretations to society events. According to a contemporary account in the New York Daily News, Solo in the Spotlight was worn to a wedding by one Enid Geller, while Gay Parisienne was worn by Nathalie Perr, herself a designer, to a “black tie dinner” at the Met.

    Unfortunately, hardly a trace of material seems to remain from Barbie’s 1980 fêting. I’ve assembled here the accounts I could find, from New York Magazine, New York Daily News, The New Yorker, and the Charlotte Observer (Dunleavy hailed from North Carolina, perhaps explaining the last publication’s interest).

    The venue was a mirrored room bisected by a red-carpeted runway; to one side were folding chairs for the press and fashion industry types, while to the other side the audience who’d paid $6 admission could mingle. Barbie’s Dream House was on display. A total of 21 dresses were shown to mark Barbie’s 21 years, though the time period covered was said to be just 1959-64 and the designer expressed partiality for fashions from the years 1959-61.

    In a full color photo, a model poses in a life-sized reproduction of the 1959 Barbie swimsuit before some large red heart props.
    Barbie x Unique Vintage zebra swimsuit. Source: uniquevintage.com

    The ensuing show was, shall we say, tongue-in-cheek: the model showing Sweater Girl (1959) did a mock striptease while balancing her basket of colorful balls of yarn; the Winter Holiday (1959) model came out to the James Bond theme brandishing a pistol; and the model clad in a bejeweled take on Ballerina (1961) danced to a disco version of Swan Lake. Some of the doll-like elements were exaggerated, such as the gold beads representing buttons on Sweater Girl, which became “big gold ball buttons” in Dunleavy’s interpretation. Attention was paid to details: the designer resorted to painting pin-dots on Gay Parisienne (1959) himself when the right fabric wasn’t available, and in addition to the yarn balls mentioned above, history tells us that Fashion Editor (1965!) included its vintage camera, although Solo in the Spotlight (1960) lacked accessories.

    In a black and white newspaper image, a model in a life-sized reproduction of Barbie's Solo in the Spotlight, including opera-length black gloves and pearl necklace, looks over her shoulder toward the camera.
    A model sports a life-sized copy of Solo in the Spotlight from the collection by Timothy Dunleavy for Barbie’s 21st. Source: New York Daily News

    So far we’ve encountered the Zebra swimsuit, Gay Parisienne, Winter Holida,y and Sweater Girl (all 1959), Silken Flame and Solo in the Spotlight (both ’60), Ballerina (’61), and Fashion Editor (’65). Other fashions on display that night include Roman Holiday and Barbie-Q (both ’59), Friday Night Date (’60), American Airlines hostess (’61), and one of the brocade sheaths–let’s say Golden Girl (’59). Mood for Music and Sorority Meeting (both ’62) were probably also shown, as both are mentioned by the Charlotte Observer.

    Fashion sketches from Barbie fashion booklets. 
The American Airlines Stewardess description reads: "Barbie takes off for sky adventures in her flight blue uniform with flight insignia on cap and jacket. Her white nylon blouse and shoulder pocketbook are trimly tailored to regulations. An American Airlines flight bag travels with her. The set, $3.50"
The Gay Parisienne description reads: "Top fashion news of Paris! Beautiful balloon skirted silhouette in a strapless nylon taffeta pin-dot. Gay bows at hem and bodice back. Added elegance of for day-or-evening stole. Glamorous tulle veils face and headband hat. Tricot elbow gloves, pearl necklace and earrings, golden velvet purse. Navy shoes. The set, $4.00.
    American Airlines Stewardess #984 (left) and “Gay Parisienne” Costume #964 as they appeared in contemporary Mattel Barbie fashion booklets

    That leaves five additional, unknown ensembles before the finale. An attendee pointed out to The New Yorker‘s reporter that Registered Nurse (1961) was not among the fashions shown, but beyond that it’s anyone’s guess what other ensembles were paraded. Surely one of the journalists present would have told us if the striking Red Flare (’62) swing coat had sashayed by. The Charlotte Observer mentioned skirts so tight the models “had to mince down the runway.” That describes Solo in the Spotlight but may also allude to Enchanted Evening (’60). I’d like to think all my favorite sheaths (Sheath Sensation, Silk Sheath, Apple Print Sheath…) appeared, as well as the legendary Black Magic (’64).

    Models wear life-seized versions of Barbie's green silk sheath, complete with wide roll collar and matched bow, and Black Magic, with oversized back zipper, sheer, ribbon-lined cape, and short black gloves.
    Left: life-size reproduction “silk” sheath (really a stretchy, coarse-textured plastic material) by Barbie x Unique Vintage; Right: “Black Magic” By Barbie x Unique Vintage, whose wide ribbon trim and prominent back zipper might have appealed to Dunleavy’s sensibilities. Source: uniquevintage.com

    In Barbie’s early years it was typical for fashion shows to end with a wedding gown, and this show closed with “Barbie” in Wedding Day (1959), festooned with rhinestones and escorted by a tuxedo-clad “Ken.” But what happened after the lights dimmed on Barbie’s soirée? Dunleavy would take another stab at retro Barbie camp in 1982, designing the costumes for a short-lived off-Broadway show called “Livin’ Dolls,” a send-up of the ’60s Beach Party genre. The show’s visual design received praise, both its sets by John Lee Beatty–“a huge vinyl Barbie Doll carrying case that opened up to become the set all done in 1960s colors: aqua, orange, pink and hot pink” (American Set Design by Arnold Aronson)–and Dunleavy’s “wild array of loud-to-louder beach costumes” (The New York Times). Their efforts weren’t enough, though, and the show lasted only 25 performances. I found no images of the costumes, and only one image of the set, online.

    Actress Joan Allen wears a strapless, high-sheen, champagne-colored, floor-length gown on the red carpet. The silhouette resembles Enchanted Evening with a little more leg room to walk in.
    Joan Allen arrives at the 68th Academy Awards in a gown by Timothy Dunleavy. Source: Pinterest

    Dunleavy also designed red carpet fashions, including a piece worn by Joan Allen to the 1996 Academy Awards that I think looks just a bit like Enchanted Evening.

    UPDATE: In Summer 2023, vintage-Barbie-based couture has entered the mainstream. People says the Margot Robbie looks below were created by the fashion houses of Vivienne Westwood and and Elsa Schiaparelli, while the 1980s Day-to-Night interpretation Margot also wore recently (not shown) was created by Versace.

    Actress Margot Robbie poses on two red carpets (actually they are pink carpets) wearing human-sized versions of vintage Barbie evening gowns that appear to be straightforward adaptations; it's not clear the designers working at Vivienne Westwood and Elsa Schiaparelli added or changed anything (not: Westwood and Schiaparelli are deceased). A couple style notes: it's hard to tell, but Robbie may be wearing silver open-toed heels with clear crystals to accompany Enchanted Evening, while she wears plain black open-toed heels with Solo in the Spotlight. Her Solo look includes the sheer pink handkerchief, the rose detail above the tulle mermaid flare, and triple rhinestone necklace, while Enchanted Evening has a triple strand of oversized "pearls", white fur stole, and self rose detail at the waist where the train begins. She wears elbow-length gloves with both ensembles and does not carry any sort of clutch of handbag.  Her earrings with both outfits may be diamond or similar, and she wears a ponytail or ponytail-evoking updo on both carpets.
    Margot Robbie in life-sized Enchanted Evening, left, and Solo in the Spotlight, right. Sources: andrewmukamal on Instagram, justjared on Instagram.

    In 1994 Mattel revisited the concept of a birthday party/fashion show for Barbie at Disney’s EPCOT theme park. If the birthday party described above sounds like your scene, this one may not be:

    Not the Barbie birthday party video we need, but evidently the one we deserve.

    As different in tone as the Orlando version of Barbie’s birthday fashion show seems to be from the Manhattan original, it does still end with a wedding ensemble. We should do the same.

    Fashion sketch of Barbie's original bridal ensemble. Text reads, "Magnificent church wedding gown with formal train, fashioned for a fairy princess. Tiny mock pearl tiara holds the tiered bridal veil. White satin gown under billowing layers of flowered nylon tulle. Short white nylon gloves, sentimental blue garter, bridal bouquet and white slippers. The set, $5.00.
    Barbie “Wedding Day” Set #972 as it appeared in contemporary Mattel Barbie fashion booklets

    Where to next? Peruse a Chronicle of Barbie shoes, 1959-67; visit Barbie’s Fashion Shop; browse the early fashion booklets; have Visions of Solo in the Spotlight; or pop up to the Table of Contents to see more options.

  • Barbie and Ken Little Theatre (1964)
    A color illustration of three scenes, separated by heavy red curtains bound by gold tassels, from the Barbie and Ken Little Theatre. At left, Barbie stands in the foreground weaing Cinderella's servant costume and holding a broom, while with her left foot she reaches toward the glass slipper, which lies on a pillow on the floor before her; Ken, in the background, wears the Prince costume and holds his hat to his chest with both hands. Barbie's costume for the ball appears to be wadded up on the floor behind her. At middle, Ken stands in the foreground wearing his Arabian Nights costume; the genie lamp sits at his feet. Barbie poses in the background in her costume from that theme. At right, Barbie wears the Guinevere costume in the foreground; behind her, Ken wears the King Arthur costume., holding his helment with one hand and in the other his sword pointed vertically up; his shield rests against his leg in an upright position. In the background of each scene is a plain pencil sketch suggesting the setting: for Cinterella, pots and pans hang from a brick hearth; behind the Arabian Nights performers, towers topped by onion domes suggest a Middle Eastern city; behind Arthur and Guinevere is what I must assume is Camelot, although without context my first guess would have been "city skyline," and after careful inspection of the image at full resolution, "college campus."
    Digitally-enhanced detail from the Little Theatre Gift Set packaging. Source: dreamhousedolls on eBay

    The built environment of Barbie got a unique entry in 1964: a repertory theatre where Ken and Barbie starred in all the plays. In addition to the play set, seven costume ensembles were sold separately in 1964, with all but one carried over into ’65; the image above shows part of the packaging for a gift set that united all the costume sets that survived into the second year.

    Like other Barbie play sets of the time, the theatre came as a chipboard carrying case that folded out to form the environment, and the closed carrying case represented the outside of the building. The exterior below, with its carved stone facade, hints at the sort of timeless grandeur of this set’s aesthetic.

    The chipboard box containing the Little Theatre looks like a somewhat cramped building facade, with three sets of double doors in very close proximity, an impossibly small ticket window, and a poster that reads, "NOW SHOWING: BARBIE & KEN." Near the top, the words "BARBIE & KEN LITTLE THEATRE" look like they may be engraved in stone and are surrounded by comedy and tragedy masks. Around the corner to our left we can see a plain green stage door with a glass pane (just illustrated) on the top half.
    The Little Theatre exterior. Source: barbee0913 on youtube

    Note the attractive illustration of Barbie and Ken in the “Now Showing” poster at left. Although the set came with tons of accessories and paper bits, it did not include separate posters for all the shows; instead, Barbie and Ken themselves were advertised.

    The interior of the Little Theatre playset can be seen. The stage's backdrop consists of a red-carpeted staircase surrounded by a chandelier, candelabras, many arched doorways and soaring windows. On stage, a throne with red upholstery, a simpler wooden chair, a plain wooden bench, and a bed with carved wooden headboard and patchwork quilt are displayed. Along the top, the red cloth curtain is gathered. The wood-look flooring forming the surface of the stage is visible, as is a row of footlights along the front of the stage.
    Little Theatre interior and some furniture pieces. Source: worthpoint.com

    The theatre’s interior is dominated by its stage. The set came with backdrops, furniture and other pieces of scenery, and a real fabric curtain could be raised and lowered like a roman shade. The backdrops are particularly nice pieces. The one shown above was probably conceived for the ball scene in Cinderella, and may have served for other plays, as well. With its resemblance to the Grand Staircase in the Palais Garnier (Paris Opera House), it also suggests a theatre within a theatre!

    A matte painting-style backdrop that was part of the Little Theatre; this one shows a castle courtyard with colorful banners rippling in the wind. The sky is yellow with pinkish clouds. The stone castly has a brownish tint and the ground is a wash of brown and navy. Although there are bright spots of color here and there, this scene looks sad to me.
    A moody scene at Camelot. Source: barbee0913 on youtube

    The castle courtyard backdrop shown above was probably created with Camelot in mind. Other scenes show a castle’s interior that evokes Camelot but may have also served for scenes in Cinderella (below); a bazaar or Middle Eastern city scene; a cottage interior that suits either Red Riding Hood or Cinderella; and a forest scene that suits several of the stories.

    In a full-color catalog photo, seven Barbie and Ken dolls in various Little Theatre costumes pose before the playset: Barbie in her Guinevere, Arabian Nights, and two Cinderella costumes, and Ken in the three corresponding costumes. All of the Barbies are bubble cut except the servant Cinderella, who sports a ponytail. The two Cinderellas are blonde while the other two Barbies are brunette. The backdrop installed in the theatre shows the interior af a castle, with a winding staircase and narrow, peaked windows. On stage are two thrones--Guinevere sits in one. This view shows that when the front of the carrying case is opened out and down, it forms a flat surface with audience seating depicted in two dimensions. Two side panels also open out to show illustrations of box seats framed by heavy drapes in red and gold. Arrayed atop the "seating" are a booklet of plays that came with the play set and small tickets to the shows (small for us, but nearly as long as Barbie's arm!)
    The Little Theatre and costumed dolls as they appeared in the 1964 Montgomery Ward Christmas catalog. Source: christmas.musetechnical.com

    The 1964 Christmas catalogs showed the play set in action alongside the corresponding costumes, which were sold separately. While Lerner and Loewe’s Camelot musical toured the States in 1964 following its massively successful Broadway run, Barbie as Guinevere and Ken as King Arthur held court in the catalog image above. I wonder who played Lancelot? Or else, what was the plot of Barbie’s Arthurian drama? The book of short plays sitting near the center in the image above would tell us, but I haven’t seen one up close.

    The outfit sets came with theatre programs or playbills showing Barbie and Ken in costume, charmingly illustrated. We saw three of the illustrations in a composition at the very top of this post, and here are three more.

    Tiny playbills that came with Little Theatre costumes. At left, Barbie wears the Arabian Nights ensemble; a scarf or veil swirls dramatically around her. Ken is costumed in the background. Text toward the bottom says the costume is for Barbie and Midge. At center, the costume for Ken as the Prince from Cinderella; Ken holds aloft the glass slipper on a pillow, while Barbie dressed, dressed for the Ball, stands in the background. At right, Barbie as Red Riding Hood stands in the foreground while Ken in a wolf mask can be seen peering from behind a tree at back. The text on this piece indicates the costumes are for both Barbie and Ken.
    Three playbills included with Little Theatre costumes. Sources (L-R): barbimom5 on eBay; de*be on eBay; ala0339 on eBay

    When the Red Riding Hood costume says it’s “for Barbie and Ken,” it means something different than the Arabian Nights costume saying it’s “for Barbie and Midge.” In one case, a single set contained the pieces to dress two dolls, while in the other either Barbie or Midge could perform the role. We have to assume Midge understudied Barbie since it’s Barbie’s name “in lights” outside.

    1964 was also the year of the travel costumes, five for Barbie and four for Ken, which came with illustrated travel brochures depicting the costumes in a style mirroring that of the playbills. I’m sure some of these costumes made their way onstage, as well.

    Tiny brochures that came with barbie travel costumes in 1944: Barbie in Japan, Barbie in Hawaii, and Barbie in Holland. On each brochure, Barbie is illustrated in the outfit from the respective set. On the Hawaii and Holland brochures, Ken can be seen, costumed, in the background.
    Three brochures included with 1964 Barbie travel costumes. Sources (L-R): barbimom5 on eBay; *jenmar* on eBay; pascovintage on eBay

    Although Skipper debuted in 1964, she was not invited on vacation nor did she appear in any plays. Her Ballet Class ensemble did come with a program for the Nutcracker Suite, with Skipper herself heading the very short list of performers (okay, the only listed performer is Skipper), and the Little Theatre was the ideal venue for her dance recital. Barbie, whose Ballerina ensemble was sold through 1965, likely also twirled these boards a time or two.

    But now it’s time to find our seats–the curtain’s going up!

    Detail from the image of the theatre exterior further up the page, focused on a poster that reads "NOW SHOWING/BARBIE & KEN." Barbie and Ken are shown in profile; it is unclear if or how they are costumed. Barbie has a blonde ponytail, pearl jewelry and a blue ribbon tied near the bottom of her ponytail.
    Detail from the Little Theatre exterior. Source: barbee0913 on youtube.

    Where to next? This post is about Barbie’s early built environment. The most recent post in this category concludes the Barbie’s Seventies Travelogue series, and the most popular are those on Mattel Modern and Susy Goose furniture and on penthouse apartments. Otherwise, the overall most popular posts on this site are about Barbie shoes, 1959-67, and about Mattel fashion booklets. Or just head up to the Table of Contents to see more options.