Fashion Booklets

Six Barbie ensembles advertised in 1960s Mattel fashion booklets. They are: Sheath Sensation, Golden Elegance, Golden Evening, Theatre Date, American Airlines, and Color Magic Pretty Wild!. The first two and Teatre Date are from early booklets in which Barbie's skintone is white as a sheet and the accessories are both on the doll and drawn floating off to the side. These three have backgrounds in varying shades of blue and green, while the other three are white-backgrounded.

The first, foremost, and most famous source of vintage Barbie illustrations is, of course, the fashion booklet. When we assess the drawings on items like carrying cases, doll packaging, and sewing patterns, our evaluations often center on similarities to and differences from the booklet versions. Within the booklets, there are hundreds of hand-drawn illustrations to admire in incrementally evolving styles, up until photography takes over at the end of the Sixties. In this post we’ll pick through some interesting themes and patterns we observed; you can browse unedited booklets on Constance Ruppender’s Flickr feed, Vintage Toy Advertiser, “and everything else… …too” blog, House of Retro, and elsewhere.

Fashion illustration by 1959

The 1920s and ’30s are regarded as the Golden Age in fashion illustration, according to Cally Blackman in 100 Years of Fashion Illustration. Photography, while technically available, could not yet approach the mood, the mystique, the glamour of the fashion sketch.

Four panels in color: 1. Harper's Bazaar cover (here spelled Bazar, as it was at the time) in Erte's art deco style, the figure influenced by japonisme, twisting in an abstract field of blue and yellow dots on green, wearing a full, bubble-shaped white skirt from which black tentacles seem to emerge, and slim black sleeveless bodice. 2: sketch shows a woman in two poses, from back and front, in each looking over her shoulder, wearing a colorful dress of vertical sections in green, red, purple, and blue that extend from the neckline to the floor; over the sections of the skirt are large flowers printed. 3: Vogue cover, woman dressed in slim black floor-length garment with oversized sash near waist and ostrich feather extending out from a compact black hat. The background is washed with a rainbow of shades. 4: Two women in blue and white formal wear before a scene resembling an opera house. In the foreground someone holds up what looks like a program reading "PARIS" with other text too small to discern.
Erte cover for Harper’s Bazaar, 1922; Eric drawing of Lucien Lelong’s opening for Vogue, 1937; Bebe cover for Vogue, 1939; and Coty perfume ad by Eric, 1944. Sources are linked in artist names.

By the Fifties, however, customers wanted the accuracy and detail photography offered, and magazine publishers, even the more artistically-inclined, obliged. The celebrity photographer and his model muse were born–think Bailey and the Shrimp, or Avedon and Dovima–while illustration faded to obscurity, at best used for longstanding campaigns in lingerie or scent, like Eric’s work for Coty perfume, sampled above.

During this time Rene Gruau was fairly ascendant, due in part to his friendship and working relationship with Dior, whose scent campaigns he illustrated for some forty years. Gruau’s bold outlines, flat planes of color, sparse backgrounds, elongated forms, pointed toes, and colorless flesh are among the hallmarks he shares with Barbie’s early illustrators.

3 panels. First, a woman in a red coat with tie waist, full skirt, and matching red hat, stands facing to the side with her elbows pointed back. Her skin is the white of the paper, and the background is white from her waist height down, marker- or gouache-filled black above. Second, a woman in full white gown with large red ribbon accents looks down and to the side; the background and her skin are a wash of pink. Third, a woman in a dramatic red dress leans forward, hands clasped, head thrown back, her hair the red of her dress and her skin an empty white, on an entirely black background. Each figure points a toe toward one or the other lower corners of the images.
Rene Gruau illustrations for Dior, Jacques Fath, and Lanvin, all circa 1955.

Red, a favorite color of Gruau’s (per Rene Gruau: Master of Fashion Illustration by Chariau and Brubach), was also prominent in Barbie’s early wardrobe.

3 panels from Barbie fashion booklets circa 1962: Red Flare, Silken Flame, and Sheath Sensation. Red Flare and Sheath Sensation are red garments, while Silken flame has a red bodice and white skirt. The figures are illustrated mostly in profile, with entirely white skin and flat washes of color for clothes, plus some shading to show fabric contours. Legs and arms are long and lean, toes slim and pointed. Backgrounds are not quite solid colored but markered or watercolored in a single shade per panel. All three have one foot facing forward and one angled to the side.

In Barbie: Her Life and Times, author BillyBoy* points out the similarity between this Gruau-drawn Dior lingerie advertisement, circa 1950, and one of the earliest Barbie fashion sketches:

Left: lingerie ad for Christian Dior. Background and model flesh are the same pinkish tan tone, while underthings are gouached over in white. The model faces to our right, her pelvis slightly forward, hands to her head and elbows jutting forth, as she holds what the Gruau book describes as a black petticoat "playfully" over her face and head. R: Barbie from the 1960 fashion booklet in the black-and-white chevron swimsuit. Background is marker-filled sunflower shade. Barbie stands facing to our right, pelvis slightly forward, one leg extending back toward the corner of the image in a pointed toe, hands at the top of her ponytail and elbows pointed forward, partly obscuring her face.

Now we know where things stand in the wider fashion illustration world. Let’s dig into the Mattel booklets.

Evolutions in time

Some categories of Barbie fashions persisted through the years and can be used to summarize the booklet sketching styles all at once. Most prominent are the bathing suits, the most common way that Barbie dolls were sold throughout the Sixties and thus receiving coverage in every fashion booklet.

Two rows of swimsuit doll illustrations: blonde ponytail Barbie in the zebra stripe, dark bubble cut in red, brownish ponytail in red, bend-leg blonde American Girl Barbie in her striped suit seated next to blonde swirl ponytail standing in red; and blonde American Girl standing with one knee bent in her striped suit. Second row: Color Magic in her diamond-print suit, with black hair tied into a curly mass at the nape of her neck; blonde swirl ponytail in red again; Color Magic with black hair worn straight with a headband coordinated to her suit; Blonde T'n'T Barbie in her bikini and mesh cover; ash blonde Standard Barbie in her two-piece pink suit with flower embellishment; and Talking Barbie in another two-piece pink suit with coverup.
Twelve damsels in their bathing costumes, from about 1960-1968.

Underthings were another common offering, though they were demoted to the “pak” category for a while, and not shown on a dressed character (more on that below).

In a 1961 Barbie booklet, two early sets of undergarments were staged in a group pose; the same sketch of Barbie in Floral Petticoat was used without Fashion Undergarments subsequently. Later, the same or similar sets appeared in the pak category where they were displayed flat–in one white Barbie, Ken, and Midge booklet, the apparently identical Floral Petticoat and Embroidered Set (Lingerie) were both advertised, for $1.25 and $1 respectively. Over the next few years, Underfashions arose in the ensembles, followed by Underprints and Underliners.

The earliest booklets sometimes used group poses to display multiple ensembles, as shown above left, or even to show the same ensemble in two configurations (jacket on or off, for example); one illustrating a nightgown with and without coordinating peignoir appears at the bottom of the post.

Finally, though she never married, Barbie was frequently seen modeling a bridal ensemble.

Two-panel profile view of a blonde Barbie in the "Wedding Day" set, its long train extending across two pages. Barbie' skin is a starker white than her dress, and the background in a light blue shade.
The first Bridal ensemble shows the hasty, angular style of the early illustrations in a two-page spread.
Six more Barbie brides. The first three wear Bride's Dream: one with stark white skin, one with softer coloring of skin and hair, but scant detain on the dress; and the last both colored more softly and with detail filled in. The remaining three, in bubble cut, American Girl, and T'n'T styles, tend toward greater realism in color and detail.
Bride’s Dream is thrice redrawn, softening each time; Here Comes The Bride, Beautiful Bride, and Wedding Wonder bring us closer to photorealism.

Some stars of the Ponytail era

The early books have a minimal art style: Barbie’s skin lacks color, her face has little detail, the pen strokes appear bold and angular. Some of Barbie’s most-loved vintage fashions were produced in the her first few years and are depicted in this style.

Early Barbie fashion booklet sketches for Enchanted Evening, Silken Flame, Cruise Stripes, Cotton Casual, American Airlines Stewardess, and Sheath Sensation, most on pink, purple, and cyan backgrounds (Cotton Casual is on white), and with their accessories illustrated all around them.

Bubbles rising

When bubble cut Barbie arrived on the scene, she started to model some of the fashions. Our review indicates that bubbles were used to model some of the new ensembles, rather than redrawn existing ones.

In the same style as the previous image, bubble cut dolls in Mood for Music, Tennis Anyone?, Sorority Meeting, Icebreaker, and After 5, on bright backgrounds with accessories hovering round.
Bubbles in a 1961 Barbie and Ken booklet

However, redrawing toward more detailed and doll-like depictions did occur subsequently.

Three bubbles in Red Flare: A blonde, facing forward, with stark white skin and floating accessories. A black-haired doll with the same stark white skin and floating accessories; and a second black-haired figure in the same pose, with peach-tones skin, a carefully redrawn face, and more definition to her hair.
Red Flare and Bubble Cut make their debuts together in a 1961 “Barbie and Ken” booklet; redrawn for a 1962 “Barbie, Ken, and Midge” booklet; colors updated and face details enhanced for a 1963 “Exclusive Fashions” volume.

Midge models, too

While not herself a Teen-Age Fashion Model, when Midge hit the scene she took on some of the booklet modeling duties. Midge’s illustration style evolved considerably over those few short years, following the broader trends.

Swimsuit Midges: Black hair, white skin and a pink and orange swimsuit, with one hand at her chin and one raised; a similar figure with more-detailed hair and face, blue and teal swimsuit, peach skin, and raised arm repositioned somewhat; red-headed in a pink and red swimsuit, standing next to seated, bend-leg Midge in her striped suit and headband; and bend-leg Midge standing in her striped swimsuit. Backgrounds are orange and yellow, except the last who is backgrounded in white, with a yellow arch surrounding.
Of course, Midge modeled her own swimsuits. The straight-leg two piece swimsuits’ colors should have varied with Midge’s hair; some of the illustrations contradict that.
Early white-skin, rough-drawn Midges in Icebreaker, Graduation, Raincoat and Fancy Free, on cyan-to-indigo backgrounds.
Midge’s debut in a blue 1962 “Barbie, Ken, and Midge” booklet focused on sporty and casual attire. Note she’s claimed Icebreaker from last year’s Bubble.
Midge in three styles. Icebreaker, at left, looks fairly realistic. Midge has kind of a Hayley Mills look here. At center, the drawing is identical to the "early, rough" style but her skin is filled in and her face may have a bit of detail; at right, A new drawing was made in the silhouette of an early, rough one, with improved shading and details but not to the high standard of the left-most image.
Some transitional Midges in different styles from a single “Exclusive Fashions” booklet. The Icebreaker rendering is all-new; Senior Prom is recolored from the white “Barbie, Ken and Midge” booklet; Friday Nite Date is redrawn in the same pose from the white “Barbie, Ken and Midge” booklet.
Six bend-leg Midges wearing headbands coordinated to: Fun 'n' Games, Country Club Dance, Vacation Time, Dancing Doll, Fraternity Dance, Aboard Ship.
In the bend-leg era, Midge apparently had a headband to go with everything.

A special Skipper booklet

Skipper’s fashion coordination with Barbie-sized outfits was depicted in a special standalone Skipper booklet, with Barbie, in her matching looks, appearing in uniquely detailed booklet backgrounds.

Six panels from a Skipper fashion booklet. The "uniquely detailed" backgrounds here basically just means any background at all, as other booklet backgrounds tend to be a wash of color or nothing at all. These backgrounds are hazes of several colors with an occasional detail, like a house, a vanity with stool, or a tree, included as a line drawing. In each image Skipper poses in the foreground, and Barbie in her coordinated look can be seen at the back--half the time, escorted by Ken. Clockwise from top left, the ensembles are: School Days/Knitting Pretty; Ballet Lessons/Ballerina; Red Sensation/Sheath Sensation; Under-Pretties/Ruffles 'n Lace; Dress Coat/Red Flare; and Silken Flame/Silk 'n Fancy.
A smattering of illustrations from the 1963 Skipper booklet. What did they get on their Silken Flame/Silk ‘n’ Fancy skirts?

Pak fashions

As a rule, Pak fashions were sketched hanging or lying loose, not on a figure.

A collage of many pak illustrations without a doll to model them, including Sweet Dreams, Tee Shirt and Shorts, Two Piece Pajamas, many pak knits, Peachy Fleecy Coat, Singing in the Shower, many pak satin pieces, a "shoe pak" showing 12 closed-toed shoes in different shades; and the On-the-Go sheath and shoes.

Due to some fashions drifting in and out of the pak classification and other factors, certain pak-associated styles were also modeled by characters.

Booklet illustrations of the ensembles Peachy Fleecy, Sweet Dreams, Sheath Sensation, Singing in the Shower, Pajama Party, White Magic, and Satin 'n Rose. Also included are two illustrations, of barbie in Tee Shirt 'n Shorts holding a pak blouse on a hanger, and of barbie and Midge in pak knits, that weren't associated with ensembles but were used to advertise the paks.

This category also includes the fabulous Golden Evening, shown at the very top of the post.

American Girls

In the bend leg era, some of the poses went next-level (I’m looking at you, Drum Majorette). A newer, more-detailed artistic approach helped to emphasize the high glamour of these years’ couture looks.

Some American Girls and some others, in poses that show off their bend legs or with greater detail in texture and print than was employed in earlier books. They are: Miss Barbie on her swing; Drum Majorette with one knee raised high and her back arched way back; Lunch Date, raising the hem of her overskirt slightly; Dinner at Eight, a bubblecut, swishing her overskirt about; Saturday Matinee in her textured suit. Second row: Skater's Waltz, both lifting a knee and twisting at the waist as the American Girl didn't do; Holidat Dance, in dense stripes; Black Magic Ensemble, a Fashion Queen in bubble-on-bubble wig with her sheer cape floating around her; Golden Glory, and On the Avenue, both in patterned and textured attire. About half the backgrounds are white and half are spring green.
Increased realism for both leisure and elegance, approx. 1963-65.

The Move to Mod

Barbie went mod in her final days as an American Girl with a massive wardrobe refresh, and then she did the same thing again the following year with her new T’n’T body. Two “World of Barbie” booklets in our possession show no overlap between the fashions of these years and any previous, so while the style continued to evolve, side-by-side comparisons aren’t as useful; nothing was redrawn for the T’n’T doll, that we could find.

Four American Girls in early mod: Fashion Shiner, Pink Sparkle, Tropicana and Patio Party.
Late American Girls in early Mod ensembles

One of our 1966 “World of Barbie” volumes, above, advertises the T’n’T doll but uses American Girl as a model for all the fashions; the second shows the T’n’T model in entirely different ensembles.

T'n'T Barbies, with the bows atop their heads, in Night Clouds, Scene-Stealers, Extravaganza, and Zokko!
Early T’n’T Barbies in the next wave of Mod fashions

Some photographs had been used in the booklets to advertise gift sets, cases, play sets and other oddities, dating back at least to Fashion Queen. At the end of the Sixties, the booklets pivoted to 100% photography of dressed dolls to advertise the ensembles (and doll-less photographed garments to advertise paks). Doll photography, of course, is an art form all its own, but the booklets’ photographed fashions seem workmanlike to us. We’ll leave that for others to examine.

Until next time, don’t talk to me or my daughter ever again.

Nighty Negligee set from an early-style booklet. At full-size, Barbie is shown dressed in the peignoir, holding a stuffed dog, with the gown just visible beneath the peignoir; next to her, sized to her elbow's height for some reason (maybe space considerations) she is drawn again in the gown alone. Next to her float the stuffed toy dog and one of the pompon shoes. On pink background.

Where to next? This is the most popular post in our category on vintage Barbie illustrations; another popular entry concerns vintage Barbie and friends gift sets, while the most recent post in the category is on the Barbie and Ken Dell Comics. Other top posts on this site include the Many Abodes of Barbie series (currently covering 1962-1969) and our chronicle of early Barbie shoes. Or just head up to the Table of Contents to see more options.

15 responses to “Fashion Booklets”

  1. […] Mattel fashion booklets, 1960-67 (approximately) […]

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  2. […] Magic ensembles illustrated in a Mattel Barbie booklet. from the author’s […]

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  3. […] in the form of Advance sewing patterns, whose illustrations fit the style of the era’s fashion booklets. Unlike the carrying case illustrations, they don’t seem to be traced; but the art styles […]

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  4. […] Fashion Booklets – Silken Flame September 14, 2023 at 8:30 pm […]

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  5. […] an illustration of Barbie standing by her closet, wearing and surrounded by closed-toed heels. A shoe pak advertised in the booklets around this time also showed a simiiar, unexplained […]

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  6. […] Jumbo trading card #170 by Dynamic Toy, Inc. Source: joeslist.com. 1962 Mattel fashion booklet illustrations. 1960 Solo in the Spotlight fashion and variant prototype. Source: Theriault’s. […]

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  7. […] of the doll, but the box sides still featured small illustrations. These came straight from the fashion booklets. The next iteration, for T’wist ‘n’ Turn Barbie, featured only photographs: a […]

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  8. […] and Solo in the Spotlight–both on the board and on the cards, above, were reused from the fashion booklets. The game was a candy-colored masterpiece whose design is still celebrated […]

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  9. […] new Silkstone doll. Source: Mattel. Sketch from a 1962 booklet. Author’s collection. Barbie jumbo trading card #154. Source: joeslist.com. A fashion from a […]

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  10. […] Mattel’s fashion booklets of the time, the Sears catalog includes example photographs of the fashions under the best case […]

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  11. […] tied to the handle on the roof above. At least some of Mattel’s images, including some from fashion booklets, show the bed in the leftmost room, and the table and both chairs in the middle […]

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  12. […] on the ’67 World of Barbie house above also appear in “World of Barbie Fashions” booklets from 1966-67, and the same illustrations and positioning are used on the exterior of the (otherwise […]

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  13. […] let’s talk illustrations, which are in a standard midcentury comic style. Outside of the fashion booklets, the comics are probably unmatched in density of character renderings–even the coloring books […]

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  14. Vintage Barbie fashions have spoiled me for modern outfits.

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