• Welcome!

    Thanks for swinging by my vintage Barbie fan site, where you’ll find articles on Barbie’s built environment, Barbie illustrations, vintage rival and clone dolls and playsets, and miscellaneous musings/deep dives. What are you looking for?

    Color illustrations of Barbie and Midge from little Mattel fashion booklets that came with the dolls. Shown are: Sheath Sensation, Red Flare, Dinner at Eight, Sweater Girl, Career Girl, Movie Date, and Senior Prom.

    Plus the illustration “sidebars,” short entries on niche topics:

    Barbie Family Deluxe House exterior bearing illustration showing a yellow brick house with two pairs of doors: arched, louvered red doors with rectangular shutters to either side, and arched glass doors. Skipper, Tutti and cat cavort on a brick path leading to the red doors. Through the glass doors walks Barbie, holding a tray of drinks, onto a fieldstone pation on which Francie sits at a white circular table with umbrella and two wrought iron chairs. Greenery surrounds them. A dog sits close to Francie in the extreme foreground.
    3 shots of doll penthouses. L: color catalog image with caption reading "Here's Tressy's modern penthouse apartment." C: Jamie stands inside her "Party Penthouse" case. R: Photograph from the front of Tuesday Taylor's pentouse packaging shows Tuesday seated inside her structure.
    Four images of Sixties Sparkles nostalgic Black Barbie wearing: her original swimsuit; reproduction of the red swimsuit worn by vintage bubble cut and swirl ponytail Barbies; white pak playsuit; and the 12 Days of Christmas (2022) Belle dress).

    There’s still more to come, but before you scroll off into the distance, here’s the first image ever posted to this blog back in 2022: some of my dolls, dressed in vintage or vintage reproduction, in front of vintage Disneyland backgrounds belonging to Bill Cotter:

    Four vintage or reproduction dolls in front of 1950s-1960s photographs of Disneyland. Counterclockwise from top left, vintage Walking Jamie in Studio Tour crosses in front of Tomorrowland, with the Clock of the World, Monsanto Hall of Chemistry, and Douglas rocket visible. Next, reproduction My Favorite 1981 Black Barbie in vintage Red Flare in front of Fantasyland, with the Matterhorn, Mr. Toad's Wild Ride, and the Sky Buckets visible. Third, vintage bubble cut Barbie in Crisp 'n' Cool stands in front of the Monorail and Autopia sign in Tomorrowland. Finally, reproduction blonde Stacey from the Nite Lightning set, wearing the Matinee Fashion dress from the reproduction 1965 My Favorite American Girl set, along with short white gloves and gold dimpled clutch.
  • A chronicle of Barbie shoes, 1959-1967

    Recently, while sourcing various, specific vintage shoes for a custom project, I began to realize there were basic facts about Barbie’s early shoes that were not known to me. What year was Barbie’s first pair of closed-toe shoes produced? (The answer surprised me, but maybe you already know.) What were the most common “gold” open-toed heels? So I sat down with Sarah Sink Eames’ books on Barbie fashions and did a little elementary data science.

    Stacked proportion of available shoe colors per year, 1959-1969

    The chart above shows the proportion of occurrences of shoes in each color, per year, over the period 1959-1969 (although I’ll mostly conclude my analysis at 1967–you’ll know why later). The horizontal direction represents a timeline; the depth of any given color in the vertical direction represents the ratio of outfits available with shoes in that color at a given time, relative to the total number of outfits available at that time. The white ripple running along toward the top isn’t empty space, but rather white-colored shoes, and the light gray at the very bottom actually represents clear shoes.

    The figure below shows stacked total numbers instead of proportions, counting only the outfits or sets introduced each year instead of counting over all the outfits that were available that year (the differences between introduced shoes and available shoes are generally small, since most fashions lasted 1-2 years during this time period). I didn’t number my axes, but the red vertical bar inside the white filled contour at 1964 represents the maximum number of white shoe occurrences in ensembles or paks introduced in a given year (13 paks or ensembles with white shoes were introduced in ’64), and the white vertical bar in the red filled contour shows the location of the maximum number of occurrences of red shoes in sets introduced in a year: 11 in 1965. Overall I prefer the stacked proportions because we could go back and forth about how to count sets that came in variations or with multiple pairs of shoes, but by looking strictly at proportions or ratios (top plot), most of that stuff should wash out.

    Filled contours show the proportions of different shoe colors available over time from 1959-'69. In '59 five colors are available. Of these, black and pale blue have narrow availability toward the end, although black's availability is high near the beginning--it decreases approximately linearly; navy, always narrow, has very limited availability from '63-'66 and then vanishes; and brown also decreases about linearly, vanishing before '69. White is the most common overall but has only about 10% of the total in '68-'69. Red appears after 1960 and is common in '65-'67 before diminishing again. Pale pink is available but rare in '69, having maintained about a constant share until around '66 and then declining. Hot pink appears around the midway point in the timeline and is the most common color in '68-'69; yellow and orange also have a sizeable cut in '69 after maintaining a narrow presence through most of the timeline. Clear shoes, represented by a pale grey in the bottom-most contour, seem to wax and then wane with each successive year, hitting their maximum in '65-'66 when their numbers are exceeded only by white and red.
    Stacked total shoes per color in sets introduced each year, 1959-1967

    What can we learn from the ratios? I notice that black, navy, and brown, three colors that were around in 1959, are extinct or threatened with extinction by 1969. Other 1959 hues have also lost market share, but that’s to be expected as the variety of available colors increases. In fact, white and pale pink both gained in real numbers in the mid-Sixties (second plot), although they truly do seem to be waning by ’69. Red, nonexistent in 1959, experiences a heyday around 1966 but also seems to be losing ground at the end of the timeline. Meanwhile hot pink and yellow are posed to explode–but we’ll get to that. Here’s what happened in the mean time:

    1959

    Before 1959 Barbie had no shoes, because there was no Barbie. During the first year of Barbie’s existence she had a decent footwear assortment–though it’s notable that she had no closed-toed pumps, which were certainly in fashion at the time. I’ll hazard a guess that there were manufacturing challenges. Anyway, in the first year of her life Barbie wore open-toed pumps and cork wedge sandals. Some of the open-toed pumps had pompons on top, to be worn with nightgowns and negligees; these came from a slightly different mold than the regular open-toed heels, having a hole at top center in which to affix the pompon. Her shoes came in black, brown, navy, white, pale pink and pale blue.

    Two close-up images of Barbie shoes from eBay sellers. At left, pale blue open-toed shoes are decorated with pompons in the same color, as in the Sweet Dreams ensemble. At right, wedge heels made of cork with white soles and uppers, as in the Winter Holiday ensemble.
    Open-toed mules with pompons for wearing in the boudoir, and cork wedges for wearing on vacation, were footwear options for Barbie from year one. Sources: anotherbarbie on eBay; jemmy2 on eBay

    In fact, the very first, first Barbie shoes had holes in the soles to poke her stand through. This arrangement lasted less than a year.

    Two photos: pair of white open-toed shoes on wood surface, and black open-toed shoes on red surface. All have holes centered in the bottom near where the balls of Barbie's feet would rest.

    Two sets offered in the first year, Undergarments and Floral Petticoat, were sold with no shoes, while 21 ensembles were complete with footwear.

    1960

    Clear, open-toed plastic shoes sit on a plain white background. Gold glitter is painted or glued onto only the tops of the shoes (the "strap" part running over the top of the foot). Through the clear plastic the word JAPAN is faintly detectable on the underside of one shoe.
    Clear heels with gold glitter like those sold with the Enchanted Evening fashion. Source: vintage_toys_and_treasures on eBay

    Barbie got no new shoe styles in 1960, but she did get a new color, one of my favorites: the clear open-toed pump. These shoes all came with either gold or silver glitter painted on, and in 1960 the glitter was gold. The shoes were exclusive to the Enchanted Evening ensemble in their first year, but they’d find their way into many fashions over time and were still well-represented by 1967-1969, when many of Barbie’s other classic styles were falling out of favor. They also represent the first option for a “gold” open-toe heel for my purposes. Mattel has a spotty record for including accurate versions of these in repros: the 1996 Enchanted Evening reproduction came with gold glitter open-toed shoes, but the glitter was embedded in the plastic instead of painted over the top, while the 2007 Evening Gala reproduction included accurately-reproduced gold glitter heels; the 2013 Invitation to Tea reproduction included accurate silver glitter heels, while the 2004 Sparkling Pink gift set reproduction included pale pink open-toed heels (the original set included both clear with silver glitter heels, and pale pink heels).

    As seen below, only the silver glitter versions–not the gold–tended to have glitter on the heel, too.

    Close up on clear plastic Barbie shoes, open-toed with high heels and silver glitter glued across the uppers and all along the heel, still attached to the package which is medium pink in color.
    Clear heels with silver glitter in the 1963 Sparkling Pink gift set. Source: rivalc38 on eBay.

    Ambiguity: According to multiple Mattel fashion booklets we checked throughout the time Enchanted Evening was advertised, the ensemble should have included pale pink open-toed heels with silver glitter.

    Booklet image both showing an illustration of, and describing, pink heel with silver glitter for the Enchanted Evening ensemble.
    From a booklet copyrighted 1962, showing fashions for 1963, the last year Enchanted Evening was available. The same illustration was used in previous years.

    If the set was ever sold this way it changed at some point, since NRFB examples exist with clear shoes. Opaque glitter shoes did exist in the 60s, however: in addition to the (purported) Enchanted Evening pale pink glitter heel, 1964’s Satin ‘n’ Rose gift set had darker pink heels with silver glitter (like their clear counterparts, they were glittered on both the upper and the heel).

    Two photographs composited from eBay listings, of new-in-box Barbie fashions. In both images, the shoes in the package are circled and then shown in greater magnification to the side. Enchanted Evening, the pink evening gown with long white gloves, fur stole, and other accessories, includes clear plastic shoes with gold glitter. Satin 'n' Rose, a set of separates in medium pink, comes with shoes in matching color, accented with silver glitter.
    L: unopened Enchanted Evening with clear, gold-glittered heels; R: unopened Satin ‘n’ Rose with silver-glittered, rose-pink heels. Sources: dubarbie on eBay, liloxbow on eBay.

    If the pale pink glitter shoe ever existed, its ultra-rarity today suggests that the clear shoe was more common for Enchanted Evening despite the booklet description, though it is interesting that no other pak or ensemble appears to have included clear shoes until ’62. At any rate, this means Barbie’s new shoe in ’60 may not have been the clear heel, but rather the elusive opaque glitter heel.

    1961

    Barbie got two new styles in 1961: terry scuffs for wearing with a bathrobe, and ballet slippers to accompany the long-lived Ballerina fashion. Not much was new for evening, however.

    Two photographs of Barbie shoes on colored backgrounds. Left is a pair of plastic ballet flats in white or off-white on a smooth pink background. The shoes have long strings attached that roam out of the frame and then back in at one corner. Right, pale yellow terry scuffs (flat flip-flop type open-toed shoes in towel type material) on dark purple felt-textured background.
    via lulubelle and quinniessentials on eBay.

    The first set containing multiple pairs of shoes was introduced: Barbie Doll Accessories. The set included open-toed heels in black, white and pale pink, as well as a swimsuit, tote bag, gloves, jewelry and glasses. Pak fashions had not been offered yet in ’61, so this set of odds and ends is a sort of proto-pak.

    A boxed set containing a reddish Helenca swimsuit, a beaded necklace and bracelet, white gloves, black framed glasses, hoop earrings, a woven handbag, and open-toed heels in white, black and pale pink. The backing of the package can be seen to double as a sheath pattern; text visible says "Printed on this card is a Barbie teen-age sheath dress pattern *for your sewing fun!* Pattern pieces with folds and hems labeled are also visible, along with optional modifications to make the sheath strapless.
    The 1961 Barbie Doll Accessories “proto-pak” included three pairs of open-toed heels. Source: Theriault’s

    1962

    In 1962 paks were introduced, bringing with them for the first time a wide variety of Barbie fashions (including dresses and shirt/shorts sets) sold without shoes. Many pak fashions did include shoes, and one 1962 ensemble–Movie Date–appears to be the first non-underclothes Barbie ensemble offered sans footwear. Paks ushered in variations, in which a single set, like Gathered Skirt or Lingerie Pak, would be offered in different colors, including with differently-hued shoes. This explains the 1962 blowup in total number of shoe selections offered that we saw in the second plot.

    The cork wedge, around since 1959, now came with a metallic gold upper in the ensemble Mood for Music and with the Helenca swimsuit pak. This could serve as a gold open-toed heel for my quest, although I was after something more evening-appropriate.

    New colors of shoe plastic were also added to the roster. Despite the red-forwardness of Barbie’s early wardrobe, the only “red” shoes I counted pre-’62 were cork wedges with a red upper in a leather-like material, like the ones worn with Open Road. In 1962 red open-toed heels became the default shoe for dolls sold wearing the new red jersey swimsuit; they also accompanied Red Flare and some of that year’s pak fashions. Other new hues were orange and one of my favorites: mustard, the other candidate for a “gold” open-toed heel for my project.

    A pair of mustard-colored open-toed heels are displayed on a silvery grey background.
    There was no metallic gold shoe plastic, but these mustard-colored heels may have suggested shiny gold shoes. Source: punky-shoester on eBay

    I believe the mustard shoe color is somewhat unique in that it was offered almost exclusively with paks, the one exception being 1964’s Golden Evening ensemble, which was composed entirely of various pak outfit elements. The orange open-toed heel was a true pak exclusive, but orange closed-toed pumps and other shapes would eventually come into wide use.

    Two panels. On a purple background, a pair of white plastic molded skates with silver-colored blades lie on their side. On a bright blue background, white molded sneakers ina similar style and piled.
    Sources, on eBay: andywc3, braniffmod

    Finally, in 1962 Barbie added ice skates and sneakers to her recreational wardrobe. Her footwear for evening was still limited to open-toed heels.

    1963

    Two pairs of wedge heeled sandals with metallic gold uppers in a leather-like material. At top, the wedge portion of the shoe is made of tan plastic; at bottom, the wedge is made from a medium brown plastic.
    Tan and brown plastic wedges were new for 1963. Shown with the metallic gold upper discussed above. Source: Joe’s List

    A couple small changes to Barbie’s shoe collection occurred in 1963: cork wedges started to be phased out in favor of plastic wedges, which came in either tan plastic or dark brown; and a unique variation on the open-toed heel made its lone appearance.

    Left: two green open-toed heels that used to have "pearl" beads glued on. It is possible to see the circular setting molded into the shoe where the pears were to be attached. Right: similar shoes with brand new white "pearls" glued into place.
    Two examples of Senior Prom pearl-accented heels that have lost their pearls. The pair at right was refurbished with replacement pearls. Sources: de*be on eBay, niccipl4 on eBay.

    The Senior Prom formalwear ensemble came with pearl-accented shoes, as seen above. The shoe mold was again modified, this time to include a setting for the pearls. Unfortunately, so many pearls have been lost or damaged over the years that it’s hard to find a pristine pair outside of unopened ensembles; many of the nicer-looking pairs available are refurbished, as in the righthand image above. I wonder if the pearls were already causing trouble in the 60s; that could explain why this appealing design was never repeated for other fashions. Evidence suggests that this has also been an issue for the reproduction versions that were offered with the 35th anniversary Midge gift set (when those two eBay links break, note that they pointed to one opened repro set, and one NRFB, both with one shoe’s pearl detached or missing).

    Left: square-toed black ankle boots with molded laces on a grey background. Right: white low-heeled boots, one is somewhat yellowed, on a dusty purple background.
    Black Ski Queen boots and white Stormy Weather boots both via eBay

    1964

    What a year was ’64, for wacky one-off Barbie shoes.

    Metallic gold shoes in a leather-like material with long pointed toes that curl up a bit near the tip
    Little Theatre Arabian Nights shoes from 1964-65. Source: Joe’s List

    Between the Little Theatre costumes and the travel costumes, Barbie had thong sandals (Japan), clogs (Holland), brocade slippers (as Guinevere), the Arabian Nights shoes above, and the Little Red Riding Hood shoes below that, to me, are the most unexplained aspect of Barbie footwear and the pair of shoes that look most like a manufacturing error.

    a pair of black leather-look slippers (?) roughly in the shape of plastic bags taped over your shoes
    Little Red Riding Hood’s shoes. But why? Source: jemmy2 on eBay

    Yes, Barbie could acquire leather-look flats shaped like the disposable shoe covers you might wear to process a crime scene, before she could have a decent pair of closed-toed shoes for evening.

    She also got a pair of roller skates in the For Rink and Court set, and two sets this year also came with majorette boots, a new style that would be repeated in at least two future years.

    Two images of mint shoe/accessory paks on cards. Both are plastic-wrapped peachy pink cardboard labeled "Teen-Age Fashions for Barbie and Midge by Mattel." The card at right has a price sticker: 77 cents. The set at left contains, in addition to black boots with molded tassels and trim: yellow rain boots, red ballet slippers, white sneakers, and wedges with gold uppers. Right contains, in addition to white ankle boots with (non-kinetic) silver-look wheels and chassis attached: dark sunglasses, red ice skates, tennis racket, and two tennis balls.
    The black majorette boots of the Fashion Feet pak (left, source) and the white roller skates of For Rink and Court (right, source) were new styles in ’64. The boots also came in white with the Drum Majorette ensemble that year.

    Besides the majorette boots, none of 1964’s new designs would recur with any other fashions during the years covered herein. The travel costumes were available for just one year, while For Rink and Court and all of the Little Theatre costumes besides Red Riding Hood survived for one additional year.

    1965

    In 1965, Barbie got closed-toed heels.

    Left: a pair of red "spike heels on a blue background; right: a single orange pump on a teal background
    Spikes and a non-spike from 1965. Source: anotherbarbie on eBay

    Overnight, Barbie went from no such shoes to at least sixteen occurrences in the first year, all with ensembles that debuted that year (closed-toed pumps also became available in paks the following year). The birth of the closed-toed shoe for evening is actually pretty famous, because for a very short time “spike” heels (above left) were produced, to be replaced by the less-ambitious pump at right before the first year ended.

    Filled contours show the absolute numbers of different shoe styles over time from '59-'67. In '59 three styles are introduced, with thirteen styles tracked over the time period in addition to a "miscellaneous" category for shoe styles that appear only once in this time frame. The open-toed pumps are the most common shoe in sets introduced from the first year until almost the end, when closed-toed pumps take over.. In the second year only sets with open-toed pumps are introduced. Pompon mules from year one persist through all time shown, while cork wedges peter out near the halfway point. Flats and bow shoes appear near the end and seem to be growing as the timeline ends.
    Stacked total shoes per style in sets introduced each year, 1959-1967

    Here, at last, are timelines of styles per year–above shows the total number in sets introduced by year, and below is the proportion of different styles in sets available by year. While I think the proportions give more intuition, the figure below is not entirely pleasing to the eye with that great blue whale (open-toed pumps) filling most of the space. It almost suggests using a log scale for this dataset. Anyway, the open-toed pumps dominate most of the timeline–with some of that mid-Sixties bulge, above, due to pak variants–and then are suddenly swept aside in 66-67 by everyone’s new favorite, the closed-toed pump (indicated in red). Interesting that the pompon open-toed shoe, light blue in the figures, seems resilient to changes in fashion; I guess Barbie’s fraction of nightgowns and negligees is fairly stable over time.

    In these figures the “MISC” category (miscellaneous, grey filled contour at the very bottom) covers everything that only appeared in one set during ’59-’67: all the inventive articles from 1964 (that’s the big grey bump at the bottom, just past the halfway point in time), the pearl-accented heels, et cetera. At the tops of the plots, in two shades of brown, we can see the cork wedges supplanted by the plastic wedges which then diminish by the end.

    Filled contours show the prevalence of different shoe styles over time from '59-'67. In '59 three styles are available, with thirteen styles tracked over the time period in addition to a "miscellaneous" category for shoe styles that appear only once in this time frame. The open-toed pumps take up more than half of the total space over all time displayed; the pompon mules from year one have about ten percent of the share each year; the cork wedges from year one narrow to zero after about the halfway point; and closed-toed pumps, red contour, appear after the halfway point and quickly become the most prevalent style. Flats and bow shoes also appear near the end and seem to be growing as the timeline ends.
    Stacked proportion of available shoes per style, 1959-1967

    Mattel’s cobblers had a couple more surprises for us in ’65: in addition to the closed-toe heel and its spiky variant, the Miss Astronaut set came with unique zippered boots, and plastic slip-on flats made their first appearances, in a handful of more casual ensembles like “Vacation Time.”

    Top: On a floral printed background, baby pink flat closed-toed shoes. Bottom: on a grey surface, brown leather-look calf-high boots with very flat bottoms and silver zippers down the front.
    Flats and boots for vacation and space travel, via wildamaryllis and vtg.barbie.girl on eBay

    Now that we’ve properly introduced closed-toed heels, it’s time to circle back to one more Little Theater oddity from 1964: the single “glass slipper” for Barbie, that came with Ken’s Prince costume. While Barbie as Cinderella wore a pair of silver-glittered, clear, open-toed heels, Ken’s costume came with a single, unglittered, closed-toed heel for Barbie as Cinderella to try on. Doesn’t that make too many glass slippers? Oh well. This also means a closed-toed shoe for evening was technically available to Barbie already in ’64, but you had to buy two copies of the Ken ensemble to make a pair.

    Ken as the Prince, brandishing a slipper. Souce: mynorthwestnovelties on eBay.

    Is someone defiling these rarities with silver glitter? There are a couple such pairs on eBay right now, listed as 1966 Shimmering Magic shoes. NRFB Shimmering Magic examples we found had red closed-toed shoes, which is also what Sink Eames lists. Mattel’s ’66 toy catalog for retailers doesn’t describe the shoes in text but shows red closed-toe pumps (the fashion booklet for that year lacks text descriptions); but it’s possible the silver glitter closed-toed variant also existed, maybe to use up extra glass slippers. In any case, the variant is at least rare, and we’d advise caution around those eBay listings.

    1966-67

    After the many innovations of the previous year, 1966 was a quiet year for Barbie’s shoe styles (not counting the Shimmering Magic controversy described in the previous section). She did get a new pair of riding boots. Francie debuted with closed-toed shoes, boots and skates of her own.

    On a teal surface, a pair of high brown boots with low heels lie on their side, soled pointed toward the camera. The word JAPAN is printed on each sole.
    Riding in the Park (#1668) boots via VintageBarbieCollectibles on eBay.

    We end our story at 1967 because it’s where Sink Eames’ first book ends, and also where Joe Blitman’s mod Barbie book begins, and when Barbie shoe life was just getting too complicated. Case in point: the 1967 fashion “Weekenders,” which Sink Eames lists as including green ankle boots–if so, the only ankle boots in the period 1959-1967. However, Blitman lists pink flats, and a photographed NRFB set spotted online sides with Blitman.

    Before the tale ends, the first bow shoes entered the fray in ’67, heralding the new mod era that impacted shoes in addition to garments, hair and just about everything else. Bow shoes were made of a squishy material, and these shoes’ colors may not line up exactly with those of hard plastic shoes–yet another late-Sixties complication for cataloging and indexing.

    Royal blue bow shoes are displayed on a pink background
    Squishy bow shoes. Source: wags94 on eBay

    One more bold footwear trend manifested in ’67: the swimsuit doll came barefoot for the first time, and she’d continue to be barefoot for years, essentially until the “swimsuit doll” concept diminished and dressed dolls became the main mode of Barbie-buying.

    Included in Sink Eames’ book but omitted from the present study are the Braniff air hostess costumes of 1967, which included shoes of almost indescribable, painted-on color and unique design, being manufactured in Hong Kong by Marx Toys, not Mattel. Though collectors do seem to regard these as legitimate Barbie fashions, the shoes exist outside Mattel footwear trends.

    The boots from Barbie's Braniff boarding outfit displayed on a pink background. The boots themselves are a sort of sea green with matte gold accents, both colors painted onto tan colored plastic visible through horizontal slats near the tops of the boots.
    The Braniff hostess outfits came with unusual shoes. Source: brodjam on eBay

    …and beyond

    I kept toiling away doing data entry until 1970 but found more and more discrepancies between Sink Eames and Blitman with each passing year, and Blitman also indicated that many outfits came with variant shoe styles, especially beginning in 1969. By ’70 it seemed like practically every outfit could include bow shoes OR T-strap heels OR pilgrim shoes, and viewing the commonness of the different styles in terms of appearances in different sets was losing meaning. Then I saw the JC Penney exclusive 64-piece Shoe Bag of 1970 and knew I was beat. That’s why I ended up considering color trends out to 1969 and style trends only to ’67.

    The "pieces" from the 64-piece shoe bag are laid out. The reader is referred to Blitman's book for the full description, but I will note the pictured set includes ten pairs of closed-toed pumps (in acid green,, aqua, black, blue, hot pink, lime green, orange, raspberry, royal blue, and yellow), two pairs or open-toed pumps, one pair each of ballet flats, sneakers, and bow shoes, four pairs of ankle boots, and six other pairs of boots of varying height, including the majorette boots introduced in '64. Other pieces include luggage, tights, hangers, and more.
    Contents of a 1970 JC Penney exclusive “Shoe Bag.” Source: Joe’s List (also Joe Blitman’s book, Barbie & her Mod, Mod, Mod, Mod World of Fashion, 1967-1972)

    Blitman has said that four of the closed-toed pump colors were exclusive to the set above. Can you spot them?

    Before throwing in the towel, I observed that almost every outfit in ’70 has either hot pink or yellow shoes, and that the closed-toed pumps, so dominant in 1967, were fast being replaced by bow shoes, t-strap heels and pilgrim shoes (some of which are, admittedly, closed-toed heels themselves). The same winds of change pushing the basic closed-toed pumps out of favor were also eroding away past favored shoe colors like red, as noted at the top of the post.

    Applying what we learned

    Based on the shoe trends covered here, which shoes in the 2004 “reproduction” shoe pak shown below are NOT based on a 1960s offering?

    12 pairs of shoes mounted on a card. The packaging design resembles early 60s boxed fashions and gift sets. From top to bottom the shoes are: 5 pairs of open-toed heels (turquoise, brown, navy, pale pink, and white); two pairs of plastic wedges, with navy and gold uppers; 3 pairs of closed-toes heels in white, red, and turquoise; and two more pairs of open-toed heels in black and lavender.
    2004 Reproduction Vintage Shoes. Source: kopykatcom on eBay.

    Where to next? Learn about our favorite reference books, like those by Sink Eames and Blitman; view one more graph in the piece on Deluxe Reading Dream Kitchen; read our thoughts on nostalgic Black Barbies; study up on Mattel Modern and Susy Goose furniture; or see more options in the table of contents.

  • When Barbie turned 21
    Small newspaper blurb in black and white. At left, a model wearing a life-size copy of Silken Flame (holding her gold clutch and opera-length gloves in her hands) looks at a human-sized copy of Fashion Editor displayed on a mannequin. At right, text reads:
"21 Dress Salute
"Barbie has finally achieved cult status. Along with a revival in sixties music and fashion has come renewed interest in Mattel's 1959 doll. Leading this revival is Timothy Dunleavy, a children's-clothing designer, who has done his first couture collection inspired by Barbie's own wardrobe. 'Barbie embodies the spirit of sixties American Elegance,' says Dunleavy, 'whether it is Roman Holiday, or Fashion Editor and Silk & Flame [sic] [both pictured[. Barbie's wardrobe contains a microcosm of an entire era of American style, sensibility, and tradition." To celebrate Barbie's twenty-first birthday, Hurrah is throwing a party that will be highlighted by a fashion show of 21 outfits from Dunleavy's collection--modeled on great big beautiful dolls. -Richard Buckley
The Barbie Fashion Show/Hurrah April 21 at 9 p.m. and midnight
36 West 62nd Street/541-4909
Admission, $6"
    Announcement of Barbie’s 21st birthday festivities appearing in New York Magazine, April 1980

    It’s a paradox: she was a teen-age fashion model in 1959, and she turned 21 in 1980. For Barbie, both are true. And in 1980 Barbie held her 21st birthday bash, where else? in a nightclub: “Hurrah” in Manhattan, a “new wave disco,” per the Charlotte Observer. Befittingly, the party was punctuated by a fashion show that ran twice, once at 9 p.m. and again at midnight. The life-size fashions were created by designer Timothy Dunleavy, who hoped to bring Barbie’s vintage styles back as couture. And it worked, sort of: in addition to the birthday to-do, a couple of fashionable women wore his interpretations to society events. According to a contemporary account in the New York Daily News, Solo in the Spotlight was worn to a wedding by one Enid Geller, while Gay Parisienne was worn by Nathalie Perr, herself a designer, to a “black tie dinner” at the Met.

    Unfortunately, hardly a trace of material seems to remain from Barbie’s 1980 fêting. I’ve assembled here the accounts I could find, from New York Magazine, New York Daily News, The New Yorker, and the Charlotte Observer (Dunleavy hailed from North Carolina, perhaps explaining the last publication’s interest).

    The venue was a mirrored room bisected by a red-carpeted runway; to one side were folding chairs for the press and fashion industry types, while to the other side the audience who’d paid $6 admission could mingle. Barbie’s Dream House was on display. A total of 21 dresses were shown to mark Barbie’s 21 years, though the time period covered was said to be just 1959-64 and the designer expressed partiality for fashions from the years 1959-61.

    In a full color photo, a model poses in a life-sized reproduction of the 1959 Barbie swimsuit before some large red heart props.
    Barbie x Unique Vintage zebra swimsuit. Source: uniquevintage.com

    The ensuing show was, shall we say, tongue-in-cheek: the model showing Sweater Girl (1959) did a mock striptease while balancing her basket of colorful balls of yarn; the Winter Holiday (1959) model came out to the James Bond theme brandishing a pistol; and the model clad in a bejeweled take on Ballerina (1961) danced to a disco version of Swan Lake. Some of the doll-like elements were exaggerated, such as the gold beads representing buttons on Sweater Girl, which became “big gold ball buttons” in Dunleavy’s interpretation. Attention was paid to details: the designer resorted to painting pin-dots on Gay Parisienne (1959) himself when the right fabric wasn’t available, and in addition to the yarn balls mentioned above, history tells us that Fashion Editor (1965!) included its vintage camera, although Solo in the Spotlight (1960) lacked accessories.

    In a black and white newspaper image, a model in a life-sized reproduction of Barbie's Solo in the Spotlight, including opera-length black gloves and pearl necklace, looks over her shoulder toward the camera.
    A model sports a life-sized copy of Solo in the Spotlight from the collection by Timothy Dunleavy for Barbie’s 21st. Source: New York Daily News

    So far we’ve encountered the Zebra swimsuit, Gay Parisienne, Winter Holida,y and Sweater Girl (all 1959), Silken Flame and Solo in the Spotlight (both ’60), Ballerina (’61), and Fashion Editor (’65). Other fashions on display that night include Roman Holiday and Barbie-Q (both ’59), Friday Night Date (’60), American Airlines hostess (’61), and one of the brocade sheaths–let’s say Golden Girl (’59). Mood for Music and Sorority Meeting (both ’62) were probably also shown, as both are mentioned by the Charlotte Observer.

    Fashion sketches from Barbie fashion booklets. 
The American Airlines Stewardess description reads: "Barbie takes off for sky adventures in her flight blue uniform with flight insignia on cap and jacket. Her white nylon blouse and shoulder pocketbook are trimly tailored to regulations. An American Airlines flight bag travels with her. The set, $3.50"
The Gay Parisienne description reads: "Top fashion news of Paris! Beautiful balloon skirted silhouette in a strapless nylon taffeta pin-dot. Gay bows at hem and bodice back. Added elegance of for day-or-evening stole. Glamorous tulle veils face and headband hat. Tricot elbow gloves, pearl necklace and earrings, golden velvet purse. Navy shoes. The set, $4.00.
    American Airlines Stewardess #984 (left) and “Gay Parisienne” Costume #964 as they appeared in contemporary Mattel Barbie fashion booklets

    That leaves five additional, unknown ensembles before the finale. An attendee pointed out to The New Yorker‘s reporter that Registered Nurse (1961) was not among the fashions shown, but beyond that it’s anyone’s guess what other ensembles were paraded. Surely one of the journalists present would have told us if the striking Red Flare (’62) swing coat had sashayed by. The Charlotte Observer mentioned skirts so tight the models “had to mince down the runway.” That describes Solo in the Spotlight but may also allude to Enchanted Evening (’60). I’d like to think all my favorite sheaths (Sheath Sensation, Silk Sheath, Apple Print Sheath…) appeared, as well as the legendary Black Magic (’64).

    Models wear life-seized versions of Barbie's green silk sheath, complete with wide roll collar and matched bow, and Black Magic, with oversized back zipper, sheer, ribbon-lined cape, and short black gloves.
    Left: life-size reproduction “silk” sheath (really a stretchy, coarse-textured plastic material) by Barbie x Unique Vintage; Right: “Black Magic” By Barbie x Unique Vintage, whose wide ribbon trim and prominent back zipper might have appealed to Dunleavy’s sensibilities. Source: uniquevintage.com

    In Barbie’s early years it was typical for fashion shows to end with a wedding gown, and this show closed with “Barbie” in Wedding Day (1959), festooned with rhinestones and escorted by a tuxedo-clad “Ken.” But what happened after the lights dimmed on Barbie’s soirée? Dunleavy would take another stab at retro Barbie camp in 1982, designing the costumes for a short-lived off-Broadway show called “Livin’ Dolls,” a send-up of the ’60s Beach Party genre. The show’s visual design received praise, both its sets by John Lee Beatty–“a huge vinyl Barbie Doll carrying case that opened up to become the set all done in 1960s colors: aqua, orange, pink and hot pink” (American Set Design by Arnold Aronson)–and Dunleavy’s “wild array of loud-to-louder beach costumes” (The New York Times). Their efforts weren’t enough, though, and the show lasted only 25 performances. I found no images of the costumes, and only one image of the set, online.

    Actress Joan Allen wears a strapless, high-sheen, champagne-colored, floor-length gown on the red carpet. The silhouette resembles Enchanted Evening with a little more leg room to walk in.
    Joan Allen arrives at the 68th Academy Awards in a gown by Timothy Dunleavy. Source: Pinterest

    Dunleavy also designed red carpet fashions, including a piece worn by Joan Allen to the 1996 Academy Awards that I think looks just a bit like Enchanted Evening.

    UPDATE: In Summer 2023, vintage-Barbie-based couture has entered the mainstream. People says the Margot Robbie looks below were created by the fashion houses of Vivienne Westwood and and Elsa Schiaparelli, while the 1980s Day-to-Night interpretation Margot also wore recently (not shown) was created by Versace.

    Actress Margot Robbie poses on two red carpets (actually they are pink carpets) wearing human-sized versions of vintage Barbie evening gowns that appear to be straightforward adaptations; it's not clear the designers working at Vivienne Westwood and Elsa Schiaparelli added or changed anything (not: Westwood and Schiaparelli are deceased). A couple style notes: it's hard to tell, but Robbie may be wearing silver open-toed heels with clear crystals to accompany Enchanted Evening, while she wears plain black open-toed heels with Solo in the Spotlight. Her Solo look includes the sheer pink handkerchief, the rose detail above the tulle mermaid flare, and triple rhinestone necklace, while Enchanted Evening has a triple strand of oversized "pearls", white fur stole, and self rose detail at the waist where the train begins. She wears elbow-length gloves with both ensembles and does not carry any sort of clutch of handbag.  Her earrings with both outfits may be diamond or similar, and she wears a ponytail or ponytail-evoking updo on both carpets.
    Margot Robbie in life-sized Enchanted Evening, left, and Solo in the Spotlight, right. Sources: andrewmukamal on Instagram, justjared on Instagram.

    In 1994 Mattel revisited the concept of a birthday party/fashion show for Barbie at Disney’s EPCOT theme park. If the birthday party described above sounds like your scene, this one may not be:

    Not the Barbie birthday party video we need, but evidently the one we deserve.

    As different in tone as the Orlando version of Barbie’s birthday fashion show seems to be from the Manhattan original, it does still end with a wedding ensemble. We should do the same.

    Fashion sketch of Barbie's original bridal ensemble. Text reads, "Magnificent church wedding gown with formal train, fashioned for a fairy princess. Tiny mock pearl tiara holds the tiered bridal veil. White satin gown under billowing layers of flowered nylon tulle. Short white nylon gloves, sentimental blue garter, bridal bouquet and white slippers. The set, $5.00.
    Barbie “Wedding Day” Set #972 as it appeared in contemporary Mattel Barbie fashion booklets

    Where to next? Peruse a Chronicle of Barbie shoes, 1959-67; visit Barbie’s Fashion Shop; browse the early fashion booklets; have Visions of Solo in the Spotlight; or pop up to the Table of Contents to see more options.

  • Barbie and Ken Little Theatre (1964)
    A color illustration of three scenes, separated by heavy red curtains bound by gold tassels, from the Barbie and Ken Little Theatre. At left, Barbie stands in the foreground weaing Cinderella's servant costume and holding a broom, while with her left foot she reaches toward the glass slipper, which lies on a pillow on the floor before her; Ken, in the background, wears the Prince costume and holds his hat to his chest with both hands. Barbie's costume for the ball appears to be wadded up on the floor behind her. At middle, Ken stands in the foreground wearing his Arabian Nights costume; the genie lamp sits at his feet. Barbie poses in the background in her costume from that theme. At right, Barbie wears the Guinevere costume in the foreground; behind her, Ken wears the King Arthur costume., holding his helment with one hand and in the other his sword pointed vertically up; his shield rests against his leg in an upright position. In the background of each scene is a plain pencil sketch suggesting the setting: for Cinterella, pots and pans hang from a brick hearth; behind the Arabian Nights performers, towers topped by onion domes suggest a Middle Eastern city; behind Arthur and Guinevere is what I must assume is Camelot, although without context my first guess would have been "city skyline," and after careful inspection of the image at full resolution, "college campus."
    Digitally-enhanced detail from the Little Theatre Gift Set packaging. Source: dreamhousedolls on eBay

    The built environment of Barbie got a unique entry in 1964: a repertory theatre where Ken and Barbie starred in all the plays. In addition to the play set, seven costume ensembles were sold separately in 1964, with all but one carried over into ’65; the image above shows part of the packaging for a gift set that united all the costume sets that survived into the second year.

    Like other Barbie play sets of the time, the theatre came as a chipboard carrying case that folded out to form the environment, and the closed carrying case represented the outside of the building. The exterior below, with its carved stone facade, hints at the sort of timeless grandeur of this set’s aesthetic.

    The chipboard box containing the Little Theatre looks like a somewhat cramped building facade, with three sets of double doors in very close proximity, an impossibly small ticket window, and a poster that reads, "NOW SHOWING: BARBIE & KEN." Near the top, the words "BARBIE & KEN LITTLE THEATRE" look like they may be engraved in stone and are surrounded by comedy and tragedy masks. Around the corner to our left we can see a plain green stage door with a glass pane (just illustrated) on the top half.
    The Little Theatre exterior. Source: barbee0913 on youtube

    Note the attractive illustration of Barbie and Ken in the “Now Showing” poster at left. Although the set came with tons of accessories and paper bits, it did not include separate posters for all the shows; instead, Barbie and Ken themselves were advertised.

    The interior of the Little Theatre playset can be seen. The stage's backdrop consists of a red-carpeted staircase surrounded by a chandelier, candelabras, many arched doorways and soaring windows. On stage, a throne with red upholstery, a simpler wooden chair, a plain wooden bench, and a bed with carved wooden headboard and patchwork quilt are displayed. Along the top, the red cloth curtain is gathered. The wood-look flooring forming the surface of the stage is visible, as is a row of footlights along the front of the stage.
    Little Theatre interior and some furniture pieces. Source: worthpoint.com

    The theatre’s interior is dominated by its stage. The set came with backdrops, furniture and other pieces of scenery, and a real fabric curtain could be raised and lowered like a roman shade. The backdrops are particularly nice pieces. The one shown above was probably conceived for the ball scene in Cinderella, and may have served for other plays, as well. With its resemblance to the Grand Staircase in the Palais Garnier (Paris Opera House), it also suggests a theatre within a theatre!

    A matte painting-style backdrop that was part of the Little Theatre; this one shows a castle courtyard with colorful banners rippling in the wind. The sky is yellow with pinkish clouds. The stone castly has a brownish tint and the ground is a wash of brown and navy. Although there are bright spots of color here and there, this scene looks sad to me.
    A moody scene at Camelot. Source: barbee0913 on youtube

    The castle courtyard backdrop shown above was probably created with Camelot in mind. Other scenes show a castle’s interior that evokes Camelot but may have also served for scenes in Cinderella (below); a bazaar or Middle Eastern city scene; a cottage interior that suits either Red Riding Hood or Cinderella; and a forest scene that suits several of the stories.

    In a full-color catalog photo, seven Barbie and Ken dolls in various Little Theatre costumes pose before the playset: Barbie in her Guinevere, Arabian Nights, and two Cinderella costumes, and Ken in the three corresponding costumes. All of the Barbies are bubble cut except the servant Cinderella, who sports a ponytail. The two Cinderellas are blonde while the other two Barbies are brunette. The backdrop installed in the theatre shows the interior af a castle, with a winding staircase and narrow, peaked windows. On stage are two thrones--Guinevere sits in one. This view shows that when the front of the carrying case is opened out and down, it forms a flat surface with audience seating depicted in two dimensions. Two side panels also open out to show illustrations of box seats framed by heavy drapes in red and gold. Arrayed atop the "seating" are a booklet of plays that came with the play set and small tickets to the shows (small for us, but nearly as long as Barbie's arm!)
    The Little Theatre and costumed dolls as they appeared in the 1964 Montgomery Ward Christmas catalog. Source: christmas.musetechnical.com

    The 1964 Christmas catalogs showed the play set in action alongside the corresponding costumes, which were sold separately. While Lerner and Loewe’s Camelot musical toured the States in 1964 following its massively successful Broadway run, Barbie as Guinevere and Ken as King Arthur held court in the catalog image above. I wonder who played Lancelot? Or else, what was the plot of Barbie’s Arthurian drama? The book of short plays sitting near the center in the image above would tell us, but I haven’t seen one up close.

    The outfit sets came with theatre programs or playbills showing Barbie and Ken in costume, charmingly illustrated. We saw three of the illustrations in a composition at the very top of this post, and here are three more.

    Tiny playbills that came with Little Theatre costumes. At left, Barbie wears the Arabian Nights ensemble; a scarf or veil swirls dramatically around her. Ken is costumed in the background. Text toward the bottom says the costume is for Barbie and Midge. At center, the costume for Ken as the Prince from Cinderella; Ken holds aloft the glass slipper on a pillow, while Barbie dressed, dressed for the Ball, stands in the background. At right, Barbie as Red Riding Hood stands in the foreground while Ken in a wolf mask can be seen peering from behind a tree at back. The text on this piece indicates the costumes are for both Barbie and Ken.
    Three playbills included with Little Theatre costumes. Sources (L-R): barbimom5 on eBay; de*be on eBay; ala0339 on eBay

    When the Red Riding Hood costume says it’s “for Barbie and Ken,” it means something different than the Arabian Nights costume saying it’s “for Barbie and Midge.” In one case, a single set contained the pieces to dress two dolls, while in the other either Barbie or Midge could perform the role. We have to assume Midge understudied Barbie since it’s Barbie’s name “in lights” outside.

    1964 was also the year of the travel costumes, five for Barbie and four for Ken, which came with illustrated travel brochures depicting the costumes in a style mirroring that of the playbills. I’m sure some of these costumes made their way onstage, as well.

    Tiny brochures that came with barbie travel costumes in 1944: Barbie in Japan, Barbie in Hawaii, and Barbie in Holland. On each brochure, Barbie is illustrated in the outfit from the respective set. On the Hawaii and Holland brochures, Ken can be seen, costumed, in the background.
    Three brochures included with 1964 Barbie travel costumes. Sources (L-R): barbimom5 on eBay; *jenmar* on eBay; pascovintage on eBay

    Although Skipper debuted in 1964, she was not invited on vacation nor did she appear in any plays. Her Ballet Class ensemble did come with a program for the Nutcracker Suite, with Skipper herself heading the very short list of performers (okay, the only listed performer is Skipper), and the Little Theatre was the ideal venue for her dance recital. Barbie, whose Ballerina ensemble was sold through 1965, likely also twirled these boards a time or two.

    But now it’s time to find our seats–the curtain’s going up!

    Detail from the image of the theatre exterior further up the page, focused on a poster that reads "NOW SHOWING/BARBIE & KEN." Barbie and Ken are shown in profile; it is unclear if or how they are costumed. Barbie has a blonde ponytail, pearl jewelry and a blue ribbon tied near the bottom of her ponytail.
    Detail from the Little Theatre exterior. Source: barbee0913 on youtube.

    Where to next? This post is about Barbie’s early built environment. The most recent post in this category concludes the Barbie’s Seventies Travelogue series, and the most popular are those on Mattel Modern and Susy Goose furniture and on penthouse apartments. Otherwise, the overall most popular posts on this site are about Barbie shoes, 1959-67, and about Mattel fashion booklets. Or just head up to the Table of Contents to see more options.

  • Sidebar: Barbie Sings! (1961)
    An album cover. Blonde ponytail Barbie is shown in closeup profile, wearing pearls. Ken and a band are behind her. The text reads:
Barbie (R) sings!
MATTEL, INC. TOYMAKERS
45 RPM
6 terrific teen-age tunes sung by Barbie (R) and Ken TM
(and you can sing along, too!)
    Cover of the Barbie Sings! record set from 1961. Source: mgrant4743 on eBay
    Two pages of a lyrics booklet are shown. At left are lyrics to a song called "recipe for instant love." An illustration shows Barbie and Ken sharing a moment by moonlight. Barbie is dressed in an unknown lacy blue dress--think Plantation Belle in pastel blue--with white gloves an a white picture hat with green ribbon. At right, lyrics from a song entitled "my first date" are accompanied by an illustration of Barbie in the "Let's Dance!" fashion dancing with Ken, and Barbie tucked in bed, asleep.
    Illustrated lyrics included in the the Barbie Sings! record set from 1961. Source: mgrant4743 on eBay
    Two pages of a lyrics booklet are shown. At left is a song title--"the busy buzz"--with a full page illustration of Barbie wearing "Cotton Casual" and holding a phone to her ear. At right are song lyrics with a sketch of Ken in "Campus Hero," also using a phone.
    Illustrated lyrics included in the the Barbie Sings! record set from 1961. Source: mgrant4743 on eBay

    The six songs in the set were written especially for Barbie and Ken. Luckily for those of us without record players, today we can hear Barbie sing! on YouTube, and the songs are better than I expected. Austin’s singing style is more Doris Day than Annette Funicello. You can hear a sample, plus view some additional illustrations and very limited animations, in this lovely TV commercial:

    Barbie Sings! commercial uploaded by Harold on YouTube

    Where to next? This post is an illustration “sidebar,” meaning short and sweet. Our most popular sidebar is on Barbie and friends illustrations on mod house exteriors, while the most recent investigates Window Shopping. The top post on the entire site concerns shoes; or just head up to the Table of Contents to see more options.

  • Whitman paper dolls (1967-1973)
    Nine Whitman paper dolls, shown from about the waist up, are composited into one image.
    Barbie paper dolls from Whitman sets released during the years 1967-1973. Source: onceagain34 on eBay.

    During Barbie’s mod years, the Whitman illustrators experimented with a diversity of art styles, demonstrated in the collage of Barbie paper dolls above. (If a couple of them look like Stacey to you, let me reassure you that Whitman identified all as Barbie herself–we’ll see Stacey in a moment.)

    Starting with the “Barbie has a New Look” set in 1967, fresh illustration styles were demonstrated on the folder art as well as on the dolls and fashions.

    Illustrations inside the folder that contained the paper dolls. On the left half, a TNT-style Barbie is shown wearing 1967's Caribbean Cruise and dusting a coffee table. A sofa, chair, brick fireplace and cat wallhangings can also be seen. At the bottom the text reads "Put Dolls in This Handy Carry-Pocket." At right, TNT-style Barbie, wearing a blue sheath with red apron and accessories, is shown cooking in a kitchen. The text reads "Put Clothes in This Handy Carry-Pocket."
    Inside the “Barbie has a New Look” folder from 1967. Source: onceagain34 on eBay.

    At the far end of the timeline, departing the mod era, a 1973 set called Barbie’s Friend Ship depicted the same-named play set from that year and can be used for dioramas recreating everyone’s favorite setting, the golden age of air travel.

    The folder for the 1973 Barbie's Friend Ship is used as a backdrop for a Barbie doll diorama. On the folder, a commercial aircraft interior from a bygone age is illustrated. On the left side is a service station showing a coffee pot on a range, towels, a first aid kit, stacked dishes, and storage for luggage and coats on hangers. On the right side, a booth with small table sits alongside small windows looking out at puffy clouds. A doll in air hostess uniform is posed with a service cart in front of the folder.
    The folder for Barbie’s Friend Ship from 1973. In front, the Avon Sales Rep doll wears parts of the 1973 United Airlines ensemble, along with the boots from a 1972 shoe pak. The cart, from the Barbie’s Friend Ship play set, bears additional pieces of the paper doll set as well as some LEGO bits and bobs. From the author’s collection.

    In addition to its range of artistic sensibilities, the mod years also introduced an unprecedented number of friends for Barbie. In the paper doll world, she explored fashion alongside Christie, Stacey, P.J., Francie, Casey and Ken (Skipper made her return with the Malibu look in ’73). A Francie and Casey set from 1967 reproduced many of the same outfits as the “Barbie has a New Look” set–but now they were Francie-sized.

    Two Francie and two Casey paper dolls are shown wearing the 1967 Color Magic outfits Pretty Wild, Bloom Bursts, Stripes Away and Smart Switch. Lying around their feet are 1966-67 outfits that came with them, but would normally fit Barbie: Lunch on the Terrace, Sunflower, Junior Designer, Fashion Shiner, Studio Tour, Music Center Matinee, International Fair, Travel Togethers, Beau Time, and Patio Party. The folder propped up behind them also shows, among its illustrations, Casey in Tropicana.
    Francie and Casey paper dolls from the 1967 Whitman set, dressed in Color Magic fashions that came with their set. Other normally-Barbie-sized fashions from the set are spread at their feet. From the author’s collection.

    Of course, Francie and Casey still dressed like themselves, sometimes, too.

    The Francie doll from the "Floating In" reproduction set wears the Sun Spots dress and shoes next to a Francie paper doll in Sun Spots; A vintage Francie doll and paper doll both model Side Kick; and a vintage Casey and Casey paper doll (brunette and blonde, respectively) both wear Iced Blue--though the paper doll is missing her tights and shoes. In the background, the set's folder can be seen. Close inspection of the folder shows illustrations of Francie and Casey in Sun Spots and Side Kick; Francie in Borderline; Casey in Quick Shift; and Francie in the Barbie Fashion Studio Tour. The rest of the folder is obscured by the posed dolls.
    Francie and Casey dolls from the 1967 Whitman set, along with their respective inspirations in matching fashions. From the author’s collection.

    A 1968 “Barbie Christie Stacey” set claimed that “All fashions fit each doll.” However, a couple of the fashions revealed distinctly lighter skin. I overlaid Fancy Dancy and Extravaganza on Stacey and Christie, below, and digitally corrected the skin tone on Extravaganza to better suit Christie.

    Page from the 1968 Whitman paper doll set featuring the Stacey and Christie dolls. Text at the top reads, "All fashions fit each doll." The Fancy Dancy and Extravaganza fashions that came in that paper doll set are digitally overlaid on the two dolls, with the Extravaganza fashion modified so that the shoulder area's skin tone matches Christie. The sheer tights of Fancy Dancy also reveal pale skin.
    Stacey and Christie from the 1968 Whitman “Barbie Christie Stacey” paper doll set, overlaid with digitally-altered fashions from the same. Source: onceagain34 on eBay.

    Both Fancy Dancy and Extravaganza appeared in multiple paper doll sets during the mod years.

    Barbie’s friend P.J. had multiple Whitman sets all to herself for some reason.

    The 1970 P.J. paper doll and her folder are shown. On the doll and an illustration on the folder, P.J. is seen wearing oversized glasses and a bored expression.
    P.J. anticipating “Hipster Ariel” in a 1970 Whitman set. Source: wehavestufftoo on eBay.

    While the fashion booklets switched to using photographs in the late Sixties, the paper doll sets remained a resource for illustrated fashions. The sets I surveyed from 1967-1971 depicted a higher proportion of genuine Mattel Barbie fashions than did the sets I previously surveyed from 1965 and earlier; we can revisit some of our favorite mod looks as we explore the variety of art styles.

    Two Whitman paper dolls composited with fashions from their sets: at left, Barbie in Intrigue; at right, Christie in Twinkle Togs.
    Two paper dolls from Whitman Barbie sets produced in 1967 and 1971, overlaid with fashions that came with them. Source: onceagain34 on eBay.

    Above, the lushness of the 1967 “Barbie has a New Look” set is contrasted with the flat graphic style of the 1971 “World of Barbie” set, with the 1967 doll modeling the “Intrigue” fashion and 1971’s Christie modeling the 1968 fashion “Twinkle Togs.” Both of these fashions were available in other late Sixties Whitman sets, as well.

    1969 brought us at least two renderings of Movie Groovie, these two demonstrating the loosest and tightest art styles I found in the mod years:

    Two Whitman Barbie paper dolls, both overlaid with different examples of the hot pink and silver miniskirted fashion
    Two paper dolls from Whitman Barbie sets produced in 1969, overlaid with fashions that came with them. Source: onceagain34 on eBay.

    In 1971 Barbie got very nautical, wearing her own See Worthy fashion and Francie’s Land Ho!, both from 1969, in a single Whitman set. See Worthy occurred several times in these sets.

    A Whitman Barbie paper doll is shown digitally overlaid with the Land Ho! Francie fashion; next to the doll, the See Worthy Barbie fashion is also shown. Simple flower illustrations surround the doll and fashions.
    A Whitman Barbie paper doll from 1971 accompanied by two of her fashions. Source: onceagain34 on eBay.

    Barbie’s licensed acquaintances had non-Mattel Whitman sets of their own: Julia (Diahann Carroll’s television character) and Twiggy each had at least two sets in 1968 and 1967, respectively, and Truly Scrumptious appeared in a Chitty Chitty Bang Bang set in 1968.

    Three non-Mattel, but Barbie-affiliated, Whitman paper dolls from the late 1960s are composited into a single image
    Whitman also interpreted Twiggy, Julia and Truly Scrumptious. Sources: onceagain34 on eBay, onceagain34 on eBay, albertacus on eBay.

    You can also find Marlo Thomas as “That Girl,” regarded by many as an inspiration for Barbie’s late-Sixties look, in a 1967 set, along with countless other fashion icons of the era. I won’t belabor the point since it’s veering off topic, but one of Twiggy’s sets in particular is a mod dream. The Chitty Chitty Bang Bang Set, as you may imagine, is not especially modern.

    Play us out, 1967 Barbie has a New Look!

    Illustration of mod-era Barbie, wearing Patio Party (1967) and hanging paper lanterns
    Illustration from the “Barbie has a New Look” Whitman paper doll folder from 1967. Source: onceagain34 on eBay.

    Where to next?

  • The Many Abodes of Barbie, Part I: 1962

    It’s 1962 and the Teen-Age Fashion Model is moving into her Dream House. One might be surprised to learn that the home of Barbie’s dreams consists of just one room, equipped with a twin bed, an entertainment system and a variety of seating. It’s breathtakingly modest–but then, for a single young woman of the time period, it’s quite luxurious in another sense.

    Interior shot of the 2020 reproduction of Barbie’s 1962 Dream House. Source: Mattel.

    Respectable young women of the early ’60s did not simply move into their own homes to live alone. When young Betsey Johnson completed a Mademoiselle internship in the summer of 1964 and accepted a full-time role at the magazine, her parents insisted that she continue living in a “hotel for women” like the Barbizon, where Mademoiselle had housed her cohort. In her memoir, Johnson remembers the hotel (which was really short-term housing) this way:

    The Barbizon was like a fortress. There were signs all over the place: No Men Allowed! It was all very uptown and white gloves, a very ladylike, straight-arrow type of place.

    -Betsey Johnson, Betsey: A Memoir

    Johnson doesn’t devote too much space to the Barbizon or her subsequent lodging (which was similarly strait-laced; she struggled with the curfew and was eventually evicted for smoking), but Sylvia Plath went through the Mademoiselle internship a decade earlier and described life at the Barbizon in The Bell Jar. In Plath’s time the rooms were singles–Johnson had a roommate–and the bathroom was down the hall; meals were held in a communal space.

    (Another Mademoiselle internship alumna from the Fifties who’s written about her experiences is iconic Barbie designer Carol Spencer.)

    A couple of years after Johnson was hired at Mademoiselle, in 1966, protagonist Ann Marie’s solo move to the city to pursue an acting career drives much of the tension on the sitcom “That Girl.” Marie’s disapproving parents make frequent visits and phone calls to assure themselves she hasn’t fallen into prostitution (Plath remembered the Barbizon’s clientele as “girls my age with wealthy parents who wanted to be sure their daughters would be living where men couldn’t get at them and deceive them” while they attended secretarial school or worked in office jobs, waiting for marriage proposals). Played by Marlo Thomas, Marie has a fully-equipped, multi-room apartment all to herself, but clearly the idea seemed quite daring to the show’s creators. Incidentally, the Barbizon was used for exterior shots of Marie’s building, although she did not reside in a hotel for women: her neighbors included men and families.

    Back in 1962, Barbie enjoyed an unusual level of freedom.

    So, was Barbie’s very first Dream House located in a hotel for women? On reflection, the answer is probably not–those accommodations were hardly “houses,” and the exterior of Barbie’s house suggests a suburban home with a grassy lawn. Barbie’s original Dream House would be better described as a cottage.

    The original 1962 Dream House exterior. Source: castasidebeauty on eBay.

    During the first US Census taken after the opening of the Barbizon, in 1930, one of the hotel’s residents was a fashion model (along with a singer, a statistician and others; per “A Room of her Own” by Qianye Yu). It’s notable that Barbie was able to keep her career going from this suburban sanctuary… but maybe that was the dream.

  • Visions of After Five
    The new Silkstone doll. Source: Mattel.
    Sketch from a 1962 booklet. Author’s collection.
    Barbie jumbo trading card #154. Source: joeslist.com.
    A fashion from a 1962 Whitman Barbie paper doll set superimposed on a 1963 Whitman Barbie paper doll, both as reproduced by eBay user onceagain34
    1963 Barbie and Midge lunch box. Source: member_12364 on eBay.
    Illustration included in a 1963 Whitman Barbie, Midge and Ken paper doll set as reproduced by eBay user onceagain34
    Excerpt from the 1964 JCPenney Christmas catalog. Source: christmas.musetechnical.com.
    L: Black and white photo of model in full-skirted, calf-length dress, apparently black, with a cropped, short-sleeved, boxy black jacket with wide sheer white collar, long black gloves, closed-toed shoes, and wide-brimmed "picture" hat. R: color photo of Barbie in a dress whose skirt is of similar length and volume, with double-breasted bodice having small white buttons, wide white collar in sheer material, and picture hat in the same white sheer with black ribbon accent. Shoes are black open-toed and she wears no gloves.
    L: Christian Dior 1950s design; its similarity to After Five was highlighted by BillyBoy* in Barbie: Her Life and Times. R1990 Barbie trading card, source: eBay user river_creek_designs.
    The author’s “bubble cut” dolls, one dressed in After Five, in front of a background belonging to Bill Cotter
    Human-sized reproduction by Unique Vintage.
    Blonde Hair Fair mod Barbie head on made to move body, posing in a navy blue fit-and-flare dress with red and white trim, including a wide white collar with a red bow and two bands around the skirt bottom, plus white gloves (look like elbow-length but pushed down), wide-brimmed white straw-type hat, white shoes with pointed toes. In the foreground a wooden sign reads "Legoladas."
    In 2024, RBA of Spain reimagined After Five as a sort of Hollywood-fantasia sailor dress. Beautifully documented by LegoLadas on youtube.

    Where to next? Have visions of Solo in the Spotlight, or of Midge; envision After Five one more time in the Keys to Fame board game; or go up to the Table of Contents.

  • Whitman paper dolls (1962-1965)
    Four Whitman Barbie paper doll book covers as reproduced by eBay user onceagain34

    One of the deepest wells of vintage Barbie fashion sketches must be Whitman paper dolls–if you agree that they have a place alongside all the art that came straight from Mattel. Whitman had paper dolls on many subjects, from Kim Novak to Marlo Thomas to Twiggy and far beyond, and it’s perfectly possible that the Barbie sets share more DNA with those non-Mattel Whitman items than they do with non-Whitman, Mattel Barbie sketches. Whatever the case may be, I like the sets and think their aesthetic fits nicely alongside other Barbie illustrations.

    Fortunately for us, a wealth of the vintage paper dolls are still floating around sites like eBay, and a few enterprising individuals are even selling homemade reproductions of the 1960s originals. For this exploration I am focusing on the product of a single reproduction seller. I don’t know her and am not affiliated with her, but her extensive collection and high-quality images form a very convenient resource.

    Pages from a 1962 Whitman Barbie paper doll set reproduced by eBay user onceagain34

    You could probably write a whole chapter on the art in the Whitman paper doll sets without even mentioning the dolls or the fashions they wore: alongside the dolls and fashions are a wealth of other interesting illustrations of the life, times and surroundings of Barbie and her friends, as you see illustrated above and below.

    Pages from a 1962 Whitman Barbie paper doll set reproduced by eBay user onceagain34

    In the paper doll sets I browsed I found dozens of recognizable Barbie fashions. Here’s but a sampling:

    Collage of fashions from 1962-1965 Whitman Barbie paper doll sets reproduced by eBay user onceagain34

    A funny thing happened to the After Five fashion in 1962, when it was reimagined to have a trim, sheath skirt with full sheer overskirt–reminiscent of the Orange Blossom silhouette.

    A fashion from a 1962 Whitman Barbie paper doll set superimposed on a 1963 Whitman Barbie paper doll, both as reproduced by eBay user onceagain34

    I think it’s an improvement!

    A Barbie and Skipper set from 1964 was full of their real-life matched ensembles. Do you know what Skipper look corresponds to Barbie’s Solo in the Spotlight? I didn’t.

    Fashions from a 1964 Whitman Barbie and Skipper paper doll set overlaid on dolls from the same set, all as reproduced by eBay user onceagain34

    (The answer, above, is Ballet Class.)

    Just as often, the paper doll fashions appear to be originals–maybe designed by someone at Whitman? We know so little about the sources of these illustrations. But often, the new fashions are great–some worthy of OOAK projects, in my opinion. One 1963 set is packed with stylish, elsewhere-nonexistent fashions for Barbie and Midge. I didn’t recognize a single one of the styles in this set as one that was sold for the real Barbie and Midge:

    Fashions from a 1963 Whitman Barbie, Midge and Ken paper doll set overlaid on dolls from that set, all as reproduced by eBay user onceagain34

    …and yet, oddly enough, the very same set includes an illustration of a drafting table surrounded by fashion sketches, all depicting legitimate, Mattel Barbie fashions.

    Illustration included in a 1963 Whitman Barbie, Midge and Ken paper doll set as reproduced by eBay user onceagain34

    I’m no Ken aficionado, but I did see one Mattel Ken fashion I recognized replicated in this set–although I sort of wish I hadn’t seen it.

    Fashions from a 1963 Whitman Barbie, Midge and Ken paper doll set overlaid on dolls from that set, all as reproduced by eBay user onceagain34

    Why is he brandishing that around Barbie and Midge?? Different times. Wash your eyes with some svelte styles from Barbie’s 1964 travel wardrobe:

    Fashions from a 1964 Barbie paper doll set as reproduced by eBay user onceagain34

    A “Wedding Dress ‘n’ Fashion Clothes” set from the same year featured mostly new creations for Barbie with a similar aesthetic. These samples also offer a glimpse of the many small touches adorning some of the Whitman pages, that I didn’t have space to detail here.

    Page from a 1964 Whitman Barbie paper doll set as reproduced by eBay user onceagain34
    Back covers from (left) a 1963 Whitman Barbie, Ken and Midge paper doll set and (right) a 1963 Whitman Midge paper doll set, both as reproduced by eBay user onceagain34
  • Barbie on TV

    When Barbie turns on her TV, it’s usually to watch Barbie. The televisions of the early years are examples of Barbie’s built environment that double as Barbie illustrations.

    The earliest television we feature comes from the original 1962 Dream House. It is actually a TV-stereo combination, as a panel on the top opens to reveal a turntable.

    Possibly Barbie’s earliest TV appearance, as part of the 1962 Dream House. Excuse the busted legs on the set–those delicate, midcentury-fabulous legs of cardboard were not built to last.

    So what was Barbie watching on her dream TV? It looks like Bubble Cut Barbie in the Solo in the Spotlight fashion, beside the microphone from that set.

    Barbie’s TV debut?
    The Fashion Queen hits the airwaves. Note the metal antenna looks collapsible, but isn’t.

    There’s no context to suggest what sort of television program Barbie is appearing on here; the floating-head style of this illustration is reminiscent of the fashion booklets that came with dolls of the era.

    1964 Sears catalog excerpt. Source: wishbookweb.com

    In the top left panel, Barbie’s newest living room can be seen, with a small television set sitting on the floor (!) at lower right. But what’s on TV?

    The small, portable TV set Barbie kept on the floor during her Go-Together phase.

    This time, Barbie is watching a fashion show. One might argue that she’s not watching herself–it’s not clear the illustrated models are meant to suggest her, and the fashions don’t seem to refer to anything specific in her wardrobe. However, she WAS the Teen-Age Fashion Model, so we deem it likely that she appeared on screen at some point during this program.

    Barbie also watched herself on TV in the modestly-proportioned Barbie Family Deluxe House she shared with Skipper in 1965. At that link you can also see what Skipper was watching in her separately sold, considerably larger bedroom; we think that blonde singer isn’t Barbie (though we can’t be certain).

    Before we leave Barbie to watch her shows in peace, let’s fast forward to 1972 and Busy Barbie, who stayed busy in part by gripping the handles of included accessories such as her portable television set.

    A television for the fashionable young woman of 1972 to wield.

    On screen, Barbie is back at the microphone again, this time wearing Silver Serenade (1971-1972).

    Where to next? If you enjoyed this post, you may also enjoy Not Barbie on TV; a roundup of fireplaces in Barbie and Barbie-sized houses, 1963-79; Go-Together furniture sets, illustrated; or check the Table of Contents for more fun.

  • Jumbo trading cards (1962)
    Two cards show blonde ponytail Barbie in Silken Flame.
    Barbie jumbo trading cards #167 and #141. Source: joeslist.com.
    Barbie and Ken jumbo trading card #186. Source: joeslist.com.

    The cards were issued as two sets: Barbie cards, numbered 141-175, and Barbie+Ken cards, numbered 176-210. The backs of the cards contain advice or little vignettes, sometimes related to the illustration, sometimes not. Depicted on card 186, above, is Barbie showing Ken how she’s paired the Silken Flame cocktail dress with a daring red slip; on the flipside, the reader is advised to “be yourself.” Card 194 describes how Ken’s artistic passion is ignited when he sees a painting of a clown, and card 206 weaves another fascinating tale:

    In card 206, brunette ponytail Barbie in a red polka dot sheath helps Ken into an apron. In card 194, a dark-haired bubble cut Barbie admires a small, framed landscape painting while Ken ponders a portrait of a clown.
    Barbie+Ken jumbo trading cards #206 and #194. Source: joeslist.com.

    …He insists that men make the best cooks, anyhow. “Do you know of any restaurant or hotel with a lady chef?”

    It’s fun because Ken refutes a sexist stereotype with other sexism.

    Joe Blitman’s scans include all the vignettes and advice blurbs, in addition to the illustrations.

    Barbie jumbo trading cards #166 and #158. Source: joeslist.com

    The cards offer a unique glimpse into Barbie’s day-to-day existence, whether she’s primping at the hall mirror before stepping out in Red Flare, as in card #166, or noting a flyer for a fashion show while wearing Sorority Meeting, as in card #158. Sometimes the cards also raise questions. Did Barbie really don After Five for a daytime stroll in the park, as seen on card #154? Or get decked out in Sheath Sensation to sit around playing solitaire as in #143? In the latter case I speculate that that good-for-nothing Ken fellow stood her up–but the blurb on the back of that particular card gives no insight.

    Barbie jumbo trading cards #154 and #143. Source: joeslist.com.
    Barbie+Ken jumbo trading card #200. Source: pinterest.
    Convention-exclusive charm bracelet featuring jumbo trading card art. From a recent (sold) listing by eBay user morgaswindel0.
    Two cards showing blonde bubble cut Barbie in Enchanted Evening, escorted by a tuxedo-clad Ken
    Barbie+Ken jumbo trading cards #196 and #187. Source: joeslist.com.

    Where to next? Read about gift set art, 1960-70; browse our books for vintage Barbie fans; journey through the Many Abodes of Barbie; or head on up to the Table of Contents to see other possibilities.