
What is it that makes a doll boutique so desirable? I always wanted one as a child. Did my young mind subconsciously believe that the shop would refill with new designs as Barbie “purchased” them? Is it an aspiration to consumption, and a desire to incorporate the act into make-believe? Or would it simply render the experience of dressing and re-dressing a fashion doll more immersive? Perhaps it’s a little of each.

Speaking of dressing and re-dressing one’s dolls in a fashion shop setting, the 1963 Barbie’s Fashion Shop play set illuminates one difference between children sending their dolls shopping today and back in the mid-Sixties: in the catalog image directly above, the customer, Miss Barbie, is seated watching a shop model show Senior Prom, while Midge in After Five works the sales floor. In other catalog images we may see another shop model, or the shopper may be dressed for a fitting; it’s unclear. At any rate, women didn’t go in the dressing room and try on potential purchases at a shop like this one in 1963. More people–or dolls–had to be involved.

The catalog’s descriptions fill in details of the Fashion Shop setting. According to the JC Penney catalog copy, “Here’s where high fashion rules–where Barbie’s friends meet to discuss new trends. Includes modeling stage with curtains, display corner, furniture for customers, display cases and hat rack, model’s entrance to dressing room, even a mannequin with movable arms–so handy for showing new styles to Barbie and her friends.” Over at Sears, the “Fashion Salon” was “tastefully designed with curtained stage, alcove for hanging clothes, built-in cabinets, dressing room entrance, even a mannequin with movable arms. Salon furnished with 3-way mirror, arm chairs, coffee table, display case, hat rack.”

In the Christmas catalogs, this elegant set was advertised for just two years.
Where to next? Visit a beauty parlor; pick out shoes; read up on Barbie’s modeling career in the Random House books; or go to the table of contents to see more options.

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